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If you ask newlyweds Kim and Jarod Weldin what kind of music to expect from their duo Tape Waves<\/b><\/a>, their response might be kind of vague. \u201cAny adjective in front of pop,\u201d Kim responded nonchalantly, when I asked, during our phone conversation last week, I asked her to describe the group\u2019s sound. \u201cSurf pop, dream pop,\u201d Kim ticked off. \u201cSurfy pop with some reverb vocals on top.\u201d<\/p>\n

The most important thing to know about the band–who are from Charleston, South Carolina– is that listening to them sounds like being at the beach. Their songs evoke the rhythms of gentle waves almost visually–and the over-saturated blue of the sky, and the glare of sunshine bouncing off the sand. Kim and Jarod love the ocean, and they have plenty of inspiration in their backyard. Kim’s a native South Carolinian who moved to Charleston for college, but Jarod grew up in profoundly un-balmy Syracuse, and left upstate New York\u00a0to find someplace sunnier.\u00a0But even more than a result of that scenery change, it\u2019s clear, once you begin talking to Jarod and Kim, that their music\u2019s relaxed dreaminess is a happy byproduct of their relationship with each other.<\/p>\n

To put some whimsy in your next beach day, we’re bringing you a slice of real talk with Tape Waves. We’ve been excited to check out\u00a0their brand new album\u00a0Let You Go<\/em><\/a>, out July 28th via Bleeding Gold Records<\/strong><\/a>, and especially the first track on that album: the mellow and luscious “Slow Days,” which we’re thrilled to\u00a0premiere right here at AudioFemme! “Slow Days” kicks off with a weightless guitar line that, though far from flashy, sucks you in and slows you down\u00a0until you’re running on Tape Waves time. \u00a0Read on to learn more about shyness, slow songs, and how the two members of this chilled-out Charleston outfit learned to wrangle their inner control freaks.<\/p>\n

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AudioFemme<\/i><\/b>: What were your musical lives like before you met? How old were you when you started playing, and what were your first instruments?<\/i><\/p>\n

Kim Weldin<\/b>: I started playing the piano when I was young, but I started playing the guitar around twelve or thirteen.<\/p>\n

Jarold Weldin<\/b>:<\/i> [fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][I started on] the guitar as well. I played in a bunch of bands in upstate New York before moving down here–I\u2019m originally from right around Syracuse.<\/p>\n

KW: <\/b>I played, like, basic punk rock with my sister. Some Sonic Youth-type stuff by myself.<\/p>\n

AF: <\/i><\/b>How did you meet? Did you start dating first, or playing music together first?<\/i><\/p>\n

KW: <\/b>We met at work. It was your typical awful call center. We found out that we had both played in bands before, growing up, and we started sharing recordings with each other that we\u2019d done, and we went from there. We had mutual admiration. I think we started dating first. He very slowly brought me out of my shell. I was really shy and hadn\u2019t done it for a long time. We went to shows a lot together, and we talked about music all the time, and we both loved music. I guess I thought that phase of my life was over. Jarod went and saw..Surfer Blood? Or, Built To Spill, I think it was–and he was really inspired to start writing music. He did some recordings, and I was really impressed with them, so I jokingly said \u201cLet me be in your band!\u201d And then I think I said, \u201cWell, no seriously, go ahead and teach them to me.\u201d We sat down, and he was going to teach them to me on the bass. Eventually, I started recording vocal ideas on top. It was very slow and casual. We would make up band names as a joke.<\/p>\n

AF: <\/i><\/b>When did you officially start calling yourselves a band?<\/i><\/p>\n

KW: <\/b>I think after our first recording.<\/p>\n

JW: <\/b>We\u2019d finished the music and I just assumed that, if we were going to do anything with it, we\u2019d need to go back and record some drum tracks, but Kim was just like, \u201cOkay, wanna put \u2018em online now?\u201d I said, \u201cOkay, I guess we just need a name then.\u201d<\/p>\n

KW: <\/b>The first few songs were done, and I was eager to share them. We had to pull the trigger on a name.<\/p>\n

AF: <\/i><\/b>How\u2019d you settle on Tape Waves?<\/i><\/p>\n

JW: <\/b>I was pretty persistent about that one. We had a bunch of ideas, but just about everything\u2019s taken these days, so it took forever to find something we both liked. We came up with a few and I really liked Tape Waves a lot, and I wore her down on it.<\/p>\n

KW: <\/b>It\u2019s grown on me. I like it now. I think it represents the way we sound.<\/p>\n

AF: <\/i><\/b>Are you inspired by living near the beach?<\/i><\/p>\n

JW: <\/b>Definitely. That\u2019s why I started writing the songs that Kim was talking about earlier [after seeing the Built To Spill show]<\/i>, because I was inspired by living by the beach and I like a lot of the newer bands that popped up that were doing a similar sound. It\u2019s definitely conscious, but I think at this point it\u2019s just what comes out when both of us play. Originally, the beach was definitely an influence.<\/p>\n

KW: <\/b>Growing up down here [in South Carolina], beach music has a bad connotation because it\u2019s the Shag area<\/a><\/strong>. [My inspiration] comes more from just living here, and from imagery of the beach, being on the coast and things that represent that sound.<\/p>\n

AF: <\/i><\/b>You guys just got married (congrats!). What kind of music did you have at your wedding? Did you\u00a0perform?<\/i><\/p>\n

KW: <\/b>We didn\u2019t. I kept joking that I was going to serenade him. It was super low-budget, on a friend\u2019s yard on some property out on an island here. We just put our favorite songs on an iPod and ran it through a PA system outside. Then we made mix CDs for our guests.<\/p>\n

AF: <\/i><\/b>Cute!<\/i><\/p>\n

JW: <\/b>A lot of eighties hits.<\/p>\n

KW: <\/b>With some contemporary favorites like Beach House and Real Estate.<\/p>\n

AF: <\/i><\/b>What\u2019s it been like for you to be married and also creative partners<\/i>?<\/p>\n

JW: <\/b>Awesome, but also frustrating at times.<\/p>\n

KW: <\/b>Our songwriting process has gotten so easy now. At first, it was hard, uncomfortable, to work with someone who you just don\u2019t know. I didn\u2019t know what to expect. And Jarod wrote a lot of the music at first, so I felt like they were his songs, I guess, and I was just adding vocals on top of something that was already written. I think now that we\u2019ve written so many songs together it feels easy.<\/p>\n

AF:<\/i><\/b> How was recording this album different than recording your first?<\/i><\/p>\n

JW: <\/b>Um, it was pretty similar. When we recorded the first EP, we were just recording it, and we didn\u2019t have much of a purpose with it. We didn\u2019t know that a ton of people would hear it. We didn\u2019t know if anybody<\/i> would hear it. But we kept a pretty similar process. It\u2019s really kind of unbelievably simple, the way we record. We use one microphone and we do it all in our living room. So we still did that with this record, but we focused on the details more, like cleaning up little noises and trying to get better at guitar tones. Things like that.<\/p>\n

AF: <\/i><\/b>Why did you make the decision not to record it in a studio?<\/i><\/p>\n

JW: <\/b>We–with our life schedule, it kind of just works best to be like, okay, we feel like recording now so let\u2019s record now. There\u2019s a lot of freedom that helps the record in the long run. It\u2019s a lot more work that way, but it also–we have a little bit more control. Kim definitely likes doing her vocals at home, instead of in front of somebody else.<\/p>\n

KW: <\/b>Right now I\u2019m only comfortable with Jarod recording my vocals, because they take a lot of work. I sing whispery because we like the way it sounds, but I run out of breath a lot, and he\u2019s really good at manipulating them to sound flawless and flowing. I\u2019m really shy.<\/p>\n

JW: <\/b>She\u2019s really hard on herself.<\/p>\n

AF: <\/i><\/b>What would you like to do most after this album drops?<\/i><\/p>\n

JW: <\/b>We\u2019re doing a release show here that should be fun, with a friend of ours that\u2019s an artist. I think we\u2019re going to try to work on booking some short tours and writing some new songs.<\/p>\n

KW: <\/b>I\u2019d love to make a video. That\u2019s a goal that I have. It\u2019s a matter of finding someone to work with, and a budget, and things like that.<\/p>\n

AF: <\/i><\/b>Would you direct it?<\/i><\/p>\n

KW: <\/b>I think so. We\u2019re both control freaks.<\/p>\n

AF: <\/i><\/b>We\u2019re so excited to premiere \u201cSlow Days,\u201d the opener to <\/i>Let You Go<\/i><\/b>. I just listened to it this afternoon and it\u2019s amazing. Can you tell me how you wrote that song specifically?<\/i><\/p>\n

JW: <\/b>Yeah, that one was–we wrote it really late. Towards the end of writing the record, we still didn\u2019t have a song that felt like the opener to the album. That one kind of–well, I started layering guitars on a loop pedal and came up with the main skeleton for the music. Kim heard it and said that it sounded like it should be the opener. We tried to do some chord changes and things, but we felt like we should just keep it all one flowing piece with some elements brought in and out through the song. Kind of similar to that New Order song we covered<\/strong><\/a>. How it\u2019s just one main chord progression, with all these elements coming in and out.<\/p>\n

KW: <\/b>Also, we had been listening to the latest Yo La Tengo album Fade<\/i> a lot. Every time we tried to change a chord, we just kept thinking, what would Yo La Tengo do? Let\u2019s just let it build, the vocal layers and the guitar layers.<\/p>\n

AF: <\/i><\/b>Why did you want that sound for the opener, specifically?<\/i><\/p>\n

JW: <\/b>It\u2019s interesting because it\u2019s not a typical opener, it\u2019s got a slower vibe. I like the way it ends, and the way the second song comes in. Its an interesting contrast.<\/p>\n

KW: <\/b>I think it\u2019s a good introduction to us, because it\u2019s subtle, but it reminds me of the water. It sounds like waves to me, the guitar part that Jarod did.
\nAnd there you have it, folks. Let You Go<\/i> will be out on 7\/28\/14 via Bleeding Gold Records<\/b><\/a>. You can preorder it here<\/a>, <\/b>and get a first listen to the luscious and mellow opening track “Slow Days” right here at AudioFemme!\u00a0And always remember to ask yourself–what would Yo La Tengo do?<\/p>\n