{"id":7276,"date":"2014-03-06T10:41:37","date_gmt":"2014-03-06T15:41:37","guid":{"rendered":"http:\/\/www.audiofemme.com\/?p=7276"},"modified":"2023-11-19T18:54:01","modified_gmt":"2023-11-19T23:54:01","slug":"track-review-taking-chances","status":"publish","type":"post","link":"https:\/\/www.audiofemme.com\/track-review-taking-chances\/","title":{"rendered":"Track Review: “Taking Chances”"},"content":{"rendered":"

\"Sharon<\/a><\/p>\n

Sharon Van Etten has gone a great distance musically, and probably emotionally since we first heard the sad, minimal, unpolished and vulnerable laments of heartbreak on Because I Was In Love <\/i>back in 2009. It was pretty clear right off the bat that Sharon Van Etten had some serious musical chops, but after listening to her two subsequent albums (Epic<\/i>, Tramp<\/i>) it isn\u2019t hard to recognize <\/b>her staying power and ability to grow as a musician. Because I Was In Love <\/i>introduced us to Van Etten\u2019s angelic yet powerful voice, and amazed us with the singer’s ability to glide instantly and effortlessly into bone chilling falsettos. In the past five years, Sharon Van Etten has steadily gained strength as a vocalist, songwriter and instrumentalist.<\/p>\n

If Sharon Van Etten\u2019s newest single, \u201cTaking Chances\u201d is any indication of her upcoming album Are We There <\/i>(May 27th), we can expect further development in production quality. \u201cTaking Chances\u201d is by far her most instrumentally complex and rhythmically dynamic release yet. “Taking Chances” wastes no time with its development as a heavy bassline and steady percussion color the song from beginning to ending. Van Etten\u2019s electric guitar explodes during each chorus with rhythmically strummed power chords. \u00a0On \u201cTaking Chances,\u201d Sharon Van Etten draws from a number of instruments ranging from the omnichord and the organ to the electric guitar, bass and drums. While there may be more going on than ever before, the vast array of instrumental elements succeeds in drawing even more attention to the main attraction: Sharon Van Etten\u2019s vocals.<\/p>\n

One notable change on \u201cTaking Chances\u201d is the uplifting lyrical content. When discussing Sharon Van Etten\u2019s music, most people allude to (perhaps too much) her personal romantic history, which has apparently been her main musical inspiration. Well, if \u201cTaking Chances\u201d is any indication, it appears that things are looking up for Sharon Van Etten. Lyrics are still cynical and skeptical (no need to think on our own now about it \/\/ sitting on the porch looking for a way out, touched on me deep, that\u2019s why I\u2019m still here, why do we think that we know plight), <\/i>yet they hint at optimism (even I\u2019m taking my chances on you<\/i>). Compared to her earlier music, \u201cTaking Chances\u201d is downright cheery.<\/p>\n

While the new Sharon Van Etten may sound miles away from the musician that she was a mere five years ago, after stripping down \u201cTaking Chances\u201d you can find all of the trademark Sharon Van Etten qualities that we fell in love with. The falsettos have only become firmer in quality while her lower register has mastered a stylistic element that sounds both cutting and breathy simultaneously. \u00a0Like many singer\/songwriters, Sharon Van Etten lets the world in with her deeply personal and autobiographical lyrics. What sets her apart is her ability to do this exceptionally well.
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