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We\u2019ve been following Mima Good, the alter-ego of NYC-based anti-pop songwriter Raechel Rosen, from the start, covering her debut Good Girl<\/em> EP<\/a> and last year\u2019s one-off track \u201cHolly Golightly<\/a>.\u201d She returns to the ever-evolving project with single \u201cSad Club Night,\u201d off her imminent full-length debut Hydra<\/em>.<\/p>\n Rosen describes her Mima Good character as a \u201cdramatized version\u201d of herself: braver, more performative, more extroverted and aggressive. “I think she\u2019s the woman I dreamt of becoming when I was a child,\u201d Rosen admits. This dramatization allows for a narrative arc to Rosen\u2019s songwriting; when we met Mima Good on the Good Girl<\/em> EP, she was emerging from the ashes of an abusive relationship. Rosen says that letting go of that baggage \u201cclear[ed] space for me to face more universal demons\u201d – no longer is she getting over one boy, one toxic relationship. Now she\u2019s taking on the entire system that subjugates women as less than, but with a higher BPM and a greater sense of apocalyptic doom: \u201cmore Trinity from The Matrix than Powerpuff Girl,\u201d she describes.<\/p>\n