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{"id":29068,"date":"2019-08-28T14:30:35","date_gmt":"2019-08-28T18:30:35","guid":{"rendered":"https:\/\/www.audiofemme.com\/?p=29068"},"modified":"2019-08-28T23:38:49","modified_gmt":"2019-08-29T03:38:49","slug":"playing-the-bay-polkadot-band-spring-songs","status":"publish","type":"post","link":"https:\/\/www.audiofemme.com\/playing-the-bay-polkadot-band-spring-songs\/","title":{"rendered":"PLAYING THE BAY: Polkadot Spins Folktales Among the Flowers on Spring Songs EP"},"content":{"rendered":"

Polkadot\u2019s most recent EP, Spring Songs<\/i>, is a brief affair at four minutes and thirty-nine seconds. However, the two-song EP creates an immediate sonic landscape, an echoing folktale peeled from the page and delivered through ones and zeroes.<\/p>\n

With a stripped-down delivery and a slow, two-person harmony, Spring Songs<\/i> does not tick my normal musical boxes, but Poladot\u2019s haunting vocal delivery on “Bruised” (I think I saw my mother\/underneath the flowers<\/i>) pulled me back to their page after concluding my weekly scour of Bandcamp tags, and the subsequent lyric had me wondering if Polkadot see spring as a time of fecundity and grace or as a menacing presence: skin bleached, god I hate it\/Jesus was a patriot.<\/i>\u00a0 \u00a0<\/span><\/p>\n