![\"\"](\"https:\/\/www.audiofemme.com\/wp-content\/uploads\/2019\/01\/IMG_5761-e1548881262794-768x1024.jpg\")
<\/p>\n<\/p>\n
In the bar prior to the start of the show, I notice a girl behind me by her soft laugh that contrasted the sad clown makeup dripping down her eyes. Heavy BDSM-inspired leather jewelry, fishnet fingerless gloves, and torn-up knee-high socks weigh down her 5’3″ stature. Commanding attention in the most unassuming way, this girl – unmistakably Sophie Meiers<\/a> – is playing what is only her second show in New York City tonight at Baby’s All Right. The next time I see her is on stage setting up for her performance, turning around to reveal a plush panda backpack. I joke to a friend that I hoped she’d keep the backpack on; she did, for the duration of the performance.<\/p>\n Having gained a following by posting songs to Soundcloud over the last two years, tracks like “Wet Socks” and “Don’t Be Scared” conducted the crowd into a uniform sway, floating on her flawless pitch.\u00a0A standout of the set was a song of nearly painful selfless devotion, the Nion-produced “Broken Toys<\/a>.” Embellished with imagery of Meiers as a “pretty package” adorned in “ribbons and colors,” her visceral, yet plaintive cry of “Did you see, the note on the inside?\/It said ‘eat me alive'” shouldn’t sound as romantic as it felt in that moment. It’s thanks to her airy timbre resonating a blissful effervescence without sacrificing any strength.<\/p>\n