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photo by Andreas Hofweber<\/figcaption><\/figure><\/p>\n

Debut albums are an interesting lot. Oftentimes, they’re described as a “freshman effort” in an attempt to explain work that isn’t fully realized. Sometimes, they are the product of years, finely tuned and immaculately coiffed, a near-perfect reflection of an artist coming into their own. Kim Anderson’s debut album Yarrow<\/em>\u00a0is quiet and introspective, it’s subject matter lying at the crossroads of New York City and nature itself; we’re pleased to premiere the record in its entirety below a day before its release on Biophilia Records<\/a>.<\/p>\n

It’s in the small, intricate details that Anderson truly delights. “In this place we turn from girls to women \/ Streets like fingers reached out after us \/ The car alarm screeched with some crazy rhythm \/ A song we felt we were the guardians of,” Anderson articulates with care on the track “By the River.” There is a plodding, steady quality to the record: it’s a soundtrack meant to accompany a day spent by yourself.<\/p>\n

We sat down with Kim and talked about her jazz musician parents, being raised in New York City (before the Highline was a thing), and how her label promotes volunteering as a integral part of being an artist.<\/p>\n