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Humanity’s relationship to nature is a complicated one. Too often, people make the mistake of seeing themselves as masters, taming the earth inch by inch; in reality,\u00a0the earth is quick to respond and fight back. Cracks in the sidewalk reveal grass gasping for breath, abandoned homes from the recession quickly fill with animals looking for shelter. The truth is we are symbiotic. Photographer Melissa Kobe and Poet Sarah Suzor explore our\u00a0give and take relationship with earth in\u00a0Am I Surrounding You?<\/a>,<\/em>\u00a0a collaborative art book they debuted at Los Angeles’\u00a0Keystone Art Space<\/a>\u00a0Spring Open Studios last month.<\/p>\n To start, I\u2019d love a little backstory on each of you. When did you decide to take up each medium as your profession? <\/b><\/p>\n Sarah: I was always writing. I went to college for journalism, moved to L.A. and worked for a local Los Angeles luxury magazine. After writing about $4,000 spoons for a year, I wanted to try my hand at a more creative (and rewarding) career. So, I started writing and publishing poetry. After that, I wanted to help everyone do the same with their writing (poetry, fiction, non-fiction), so I created my own company INK, LLC<\/a>, and dove into helping my clients get their writing published.<\/span><\/p>\n Melissa: I’ve always been obsessed with imagery. I felt the enormity and the power of it as a kid sitting in Catholic mass, just looking at all the super dreary images of almost all white men. Being surrounded by those images just felt\u00a0so heavy and unsettling. That was definitely the darker side. The lighter side was movies – seeing how people tell stories with pictures always resonated with me, I think, because I wasn’t the best at communicating with words. \u00a0I still don’t think I am, but I’ve gotten better as I get older. I really first picked up a camera in Junior High when I was the editor of the year book. From then I always did it as a hobby, but didn’t decide to try and do photography as a profession until I was an adult.<\/span><\/p>\n Melissa, can you tell us about the intention behind this photography series, before you brought Sarah into the fold? <\/b><\/p>\n Melissa: It’s so weird because the whole thing unfolded out of nothing. \u00a0I read in Westways about this beach in San Diego where these sharks laid their eggs. There’s a couple week period where they all hatch and you can go snorkeling with hundreds of sharks. I wanted to do it so bad! I rented a go-pro and went down there to find not one fucking shark. I was so bummed I didn’t even look at the pictures for like six months. \u00a0When I finally did, I thought they were really cool and started looking at them in a different perspective of hope, fear and disappointment… All things that didn’t really show themselves in the photos. Sarah and I had been talking for years about hooking up on a project together, so I reached out to her to see if she wanted to look at them and write something, interpreting them her own way. That’s where it all started. After it was over we both had such a great experience with the whole thing, we decided to keep it going.<\/span><\/p>\n