{"id":17581,"date":"2017-02-06T15:30:33","date_gmt":"2017-02-06T20:30:33","guid":{"rendered":"http:\/\/www.audiofemme.com\/?p=17581"},"modified":"2018-08-09T17:07:52","modified_gmt":"2018-08-09T21:07:52","slug":"live-review-avery-mandeville","status":"publish","type":"post","link":"https:\/\/www.audiofemme.com\/live-review-avery-mandeville\/","title":{"rendered":"LIVE REVIEW: Avery Mandeville and Lords of Liechtenstein @ Pianos"},"content":{"rendered":"

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I always end up sprinting through the lower Lower East Side, the annoying part 15+ minutes off the L, Mercury Lounge and Berlin and all those dive bars I\u2019ve cried in and made out in\u2014usually on the same night. I sprint because I am always late, just like I was late to Avery Mandeville and the Lords of Liechtenstein\u2019s dual album release show at Pianos. It was a classic case of, \u201cI\u2019ve heard of them but never listened to them,\u201d mainly because Friday\u2019s entertainment all hailed from my area of New Jersey. I ran away from that world, that scene, harder than I ran to Pianos, but there is a hometown solidarity that forced me\u2014and a bunch of transplants\u2014out that night.<\/p>\n

In New Jersey you have friends. In New York you have allies.<\/p>\n

The bigger draw was the album cover of Mandeville\u2019s Salty<\/em> EP: the flame-haired, lilac-browed songstress on her iPhone, an adoring gaze contrasting with the \u201cParental Advisory\u201d sticker clashing in the corner. It was pleasingly emblematic of her half acoustic, half electric set. Her skill is in using her silk taffeta voice\u2014quality, with a textural stutter that tapers off certain phrases\u2014to tell thoroughly modern stories without making it like a novelty.<\/p>\n

The sweetness comes across unplugged in tracks like \u201cAlexander,\u201d prefaced that it was written during her time spent living in this \u201cbeautiful, horrible city.\u201d Who knows what drove her out of here\u2014for artists I see the only excuses as financial recuperation or death\u2014but I understand the ache of \u201cI can\u2019t save you, I\u2019m a stranger from the sea.\u201d A shore siren found over her head in brackish city waters\u2026 yeah, that makes sense.<\/p>\n

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When joined on stage by her backing band the \u201cMan Devils\u201d (a\u2026ha) she gets an energy boost, the wobbling guitar solos certainly not hurting her case. But her power is her own songwriting, when she brings the coarse language and internet era touches to her tracks. This is best heard in \u201cDick Pix,\u201d from the \u201cHouse of the Rising Sun\u201d-esque intro to the sass behind the line, \u201cYou guys don\u2019t intimidate me, I got my leopard jacket and my new haircut.\u201d<\/p>\n

Lords of Liechtenstein were next, veterans in the New York folk scene with that air of, \u201cWait, did I go to high school with these guys?\u201d Fronted by brothers Noah and Dan Rouchwerk, the Lords\u2019 fourth album Downhill Ride to Joyland<\/em> is characterized through and through by ping-ponging lead vocals. It was those harmonies that I tuned an eager ear for\u2014why form a band with your sibling if not to create such a pleasing melodic blend?<\/p>\n

The friend who invited me to this show prefaced that the Lords were definitely \u201cNot My Thing,\u201d and I\u2019m not going to counter that statement. Country folk is a hard sell, and choosing to lapse into a country accent when you\u2019ve probably done Inkwell open mic nights and downed many, many pork rolls (Taylor Hams?), is a harder sell. Nevertheless, the part of me that loves Neil Young can appreciate the quiet beauty in \u201cUtica,\u201d a song about wrongful imprisonment.<\/p>\n

Really, their schtick almost relies on a proud nerdiness, and like the argyle sweater vests they don on stage and the replicas they sell in the merch booth, they wear it fairly well. There\u2019s a bravery in taking those unconventional, even dark detours in history, be it a theoretical Jonestown rally song with \u201cKool Aid\u201d or a lament over the anti-Semitism of Roald Dahl in \u201cLong Lost Boy.\u201d They\u2019re also comfortable rocking really tiny instruments, which kept my eyebrow perpetually raised. Ultimately, the Lords\u2019 sound works best on the more leveled, gentle end of the spectrum, although I\u2019ll cop they can pump out a very enthusiastic Paul Simon cover.<\/p>\n

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Mandeville came back to share a mic for \u201cSatellite,\u201d the final track off the Lords\u2019 LP and the final song of the night. It\u2019s another stunning song with successful vocal melding, and I couldn\u2019t help focusing on the playful pre-song banter of \u201cWe like to be close,\u201d \u201cBut not too close.\u201d It\u2019s that sense of silly familial love that feels like a happy homecoming to everyone in the room; even up front with my jaded neo-New Yorker stone-face, I couldn\u2019t help feeling it a little.<\/p>\n

I grew up at the shore and spent the entire time looking over the ocean for skyscrapers. I couldn\u2019t run away fast enough, because I wanted something harder. My North Brooklyn scene of indie-grunge-post-punk-psychedelic peers certainly delivers that. It is beautiful, never horrible, but always hard. Finding that hometown comfort on the Lower East Side was a respite I don\u2019t regret.<\/p>\n

In New York you have allies. In New Jersey you have friends.<\/p>\n

Stream Avery Mandeville\u2019s Salty<\/em> EP below:<\/p>\n

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I always end up sprinting through the lower Lower East Side, the annoying part 15+ minutes off the L, Mercury Lounge and Berlin and all those dive bars I\u2019ve cried in and made out in\u2014usually on the same night. I sprint because I am always late, just like I was late to Avery Mandeville and […]<\/p>\n","protected":false},"author":70,"featured_media":17587,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[573,204],"tags":[5687,5688,1398],"acf":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.audiofemme.com\/wp-content\/uploads\/2017\/02\/avery-mandeville-.jpg","_links":{"self":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts\/17581"}],"collection":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/users\/70"}],"replies":[{"embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/comments?post=17581"}],"version-history":[{"count":10,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts\/17581\/revisions"}],"predecessor-version":[{"id":19194,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts\/17581\/revisions\/19194"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/media\/17587"}],"wp:attachment":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/media?parent=17581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/categories?post=17581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/tags?post=17581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}