{"id":16033,"date":"2016-09-30T16:02:11","date_gmt":"2016-09-30T20:02:11","guid":{"rendered":"http:\/\/www.audiofemme.com\/?p=16033"},"modified":"2018-08-09T17:09:01","modified_gmt":"2018-08-09T21:09:01","slug":"artist-profile-peter-bjorn-john","status":"publish","type":"post","link":"https:\/\/www.audiofemme.com\/artist-profile-peter-bjorn-john\/","title":{"rendered":"ARTIST PROFILE: Peter Bjorn and John"},"content":{"rendered":"

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Photos courtesy of The Windish Agency.<\/em><\/figcaption><\/figure><\/p>\n

Whistle the\u00a0oriental riff intro to\u00a0“Young Folks” in a public place, and it certainly will not go unrecognized. Swedish trio Peter Bjorn and John are a household name in the indie community, with their first taste of mainstream success coming from unforeseen traction in pop culture. I myself discovered the song during the first episode of\u00a0Gossip Girl\u00a0<\/em>almost exactly nine years ago to date, but you might have been familiar from the old AT&T commercial, or from Kanye’s sampling on his\u00a0Can’t Tell Me Nothing\u00a0<\/em>mixtape. \u00a0But regardless of where and how you first heard it, the fact is, you know it, and it was an instant earworm.<\/p>\n

Through the years, with three more\u00a0well-received records, nothing ever hit quite as hard as Writer’s Block,\u00a0<\/em>thanks to that hipster whistle song, but that isn’t to say that “Young Folks” was the band’s only achievement, nor does it define Peter Bjorn and John’s sound and artistic vision. \u00a0They’ve taken creative liberties in experimenting with darker tones on 2009’s\u00a0Living Thing,\u00a0<\/em>and found themselves featured commercially again with “Second Chance”. \u00a0The sustenance of their career shows that giving people a unique form of pop, one with emotional depth and true character in every track, is what they do best.<\/p>\n

And now, five years after Gimme Some,\u00a0<\/em>the fans have something to talk about. Released on June 10th, the new record Breakin’ Point<\/em>\u00a0covers new ground and serves as a refreshing new taste for a band that seemingly disappeared. For the first time out of their seven records, the band worked with outside producers to churn out a\u00a0true pop album. It took five years \u2013 they took\u00a0their time with their goals \u2013 even with outside collaboration, the resulting animated sound is still unapologetically theirs.<\/p>\n

Tracks throughout the album\u00a0are adorned with the ever-familiar whistling, hearty piano, and upbeat synthesizers that aren’t entirely foreign\u00a0to the band we knew from five-plus years ago, but now with a late-’70s pop flavor a la ABBA. \u00a0(“We called ourselves ‘Dancing Kings’ for a couple of weeks,” said drummer John Eriksson.) \u00a0Some tracks like the lead single “What You Talking About?” and “Domino”\u00a0are heavier and more demanding, and “Do-Si-Do” quite easily instigates a crowd to move along.\u00a0\u00a0“In This Town” breathes out an ambience to slow the energy of the record without telling anybody to stop dancing.<\/p>\n

Read our review of their recent performance at Webster Hall<\/a>, and listen to “Dominos” below.\u00a0You won’t be able to stop yourself from whistling along \u2013 and trust me, you won’t want to.<\/p>\n

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From “Young Folks” to “Domino”, Peter Bjorn and John have cultivated the indie pop landscape with a sound that is unapologetically theirs.<\/p>\n","protected":false},"author":59,"featured_media":16236,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[305,566],"tags":[5099,284,5100,2770,1160,5098,550,5101,3642],"acf":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.audiofemme.com\/wp-content\/uploads\/2016\/09\/PBJ_BP_Group_Neu_MarcusPalmqvist_peterbjornandjohn3897-tusch1-1.jpg","_links":{"self":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts\/16033"}],"collection":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/comments?post=16033"}],"version-history":[{"count":6,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts\/16033\/revisions"}],"predecessor-version":[{"id":19232,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts\/16033\/revisions\/19232"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/media\/16236"}],"wp:attachment":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/media?parent=16033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/categories?post=16033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/tags?post=16033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}