The Ditty Sessions<\/em>, I had this crazy idea that he could play bass because all the other bass players I knew were more jazz or funk oriented and he was obviously a master of the modern pop song. So my friend talked to him for me. He saw that one of the songs was called\u00a0\u201cDrunk Rich People.\u201d\u00a0He said,\u00a0\u201cWell, that\u2019s a good title, anyway.\u201d And then he showed up at the studio and played on the whole record. I was almost crippled by gratitude. His blessing was this beautiful shield for me. I felt protected from criticism because Alex liked my songs.<\/span><\/p>\nAF: You’ve already worked\u00a0with well-known artists\u00a0such as Father John Misty, but if you were to start your own all-star band, who would be on the roster?<\/span><\/strong><\/p>\nCB: Lately I\u2019ve been dreaming about writing songs for Lana Del Rey to sing with me playing harp. Richard Hawley producing. Please, Universe?<\/span><\/p>\nAF: Do you have any upcoming projects or shows you\u2019d like to tell us about?<\/span><\/strong><\/p>\nCB: I\u2019ve been working with a young LA artist named Melusine. She has this angelic voice that makes all your hairs stand straight up, and she writes songs that sound amazing on harp.\u00a0We\u2019re going to record and perform together really soon.<\/span><\/p>\nAF: You’re\u00a0also a fashion writer. How do you describe your personal sense of style? Are there any fashion trends that you feel strongly about?<\/span><\/strong><\/p>\nCB: I\u2019m like a crazy witch who wandered down the darkest, most expensive alley in Paris and got lost. Onstage and off, I\u2019m the same. I\u2019m always in ghostly gowns and high heels. I wear a shit-ton of black. Perma-red lips. Jewels out the ass. Label whore. That\u2019s the real me.<\/span><\/p>\nhttps:\/\/soundcloud.com\/cristinablack\/alvarado[\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"excerpt":{"rendered":"
Just because a story doesn’t have a happy ending, doesn’t mean it shouldn’t be told: that’s the main message I got from the music of harpist Cristina Black. <\/p>\n","protected":false},"author":51,"featured_media":13979,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[305],"tags":[4446,2716,4444,2667,4445,477,4469],"acf":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.audiofemme.com\/wp-content\/uploads\/2016\/05\/cristinablack_AF.jpg","_links":{"self":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts\/13893"}],"collection":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/comments?post=13893"}],"version-history":[{"count":10,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts\/13893\/revisions"}],"predecessor-version":[{"id":19287,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/posts\/13893\/revisions\/19287"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/media\/13979"}],"wp:attachment":[{"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/media?parent=13893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/categories?post=13893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.audiofemme.com\/wp-json\/wp\/v2\/tags?post=13893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}