Tag: Yo La Tengo

AF 2020 IN REVIEW: Our Favorite Albums & Singles of The Year

In a year that’s been like no other for the music industry, it feels a bit weird to make a best of 2020 list – there have been no tours, venues and clubs across the globe are in danger of closing their doors for good, release schedules were shuffled beyond recognition, and musicians have had to find other ways to make ends meet while those in the U.S. await the next round of paltry stimulus checks. With a situation so dire, the metrics have changed – should we ascribe arbitrary value to the skill of producers, songwriters, performers, and the execution of their finished projects, or simply celebrate records that made us feel like the whole world wasn’t crumbling?

Definitively ranking releases has never been the Audiofemme model for looking back on the year in music. Instead, our writers each share a short list of what moved them most, in the hopes that our readers will find something that moves them, too. Whether you spent the lockdown voraciously listening to more new music this year than ever before, or fell back on comforting favorites, or didn’t have the headspace to absorb the wealth of music inspired by the pandemic, the variety here emphasizes how truly essential music can be to our well-being. If you’re in the position to do so, support your favorite artists and venues by buying merch, and check out the National Independent Venue Association to stay updated on what’s happening with the Save Our Stages act. Here’s to a brighter 2021.

EDITOR LISTS

  • Marianne White (Executive Director)
    • Top 10 Albums:
      1) Mary Lattimore – Silver Ladders
      2) the Microphones – Microphones in 2020
      3) Soccer Mommy – Color Theory
      4) Megan Thee Stallion – Good News
      5) Phoebe Bridgers – Punisher
      6) Amaarae – The Angel You Don’t Know
      7) Dua Lipa – Future Nostalgia
      8) Adrianne Lenker – songs/instrumentals
      9) Perfume Genius – Set My Heart On Fire Immediately
      10) Lomelda – Hannah
    • Top 5 Singles:
      1) Kinlaw – “Permissions”
      2) Billie Eilish – “Therefore I Am”
      3) Little Dragon & Moses Sumney – “The Other Lover”
      4) Yves Tumor – “Kerosene!”
      5) Megan Thee Stallion – “Shots Fired”

  • Lindsey Rhoades (Editor-in-Chief)
    • Top 10 Albums:
      1) Land of Talk – Indistinct Conversations
      2) Dehd – Flower of Devotion
      3) SAULT – Untitled (Black Is)/Untitled (Rise)
      4) Public Practice – Gentle Grip
      5) Cindy Lee – What’s Tonight to Eternity
      6) Fiona Apple – Fetch the Bolt Cutters
      7) Benny Yurco – You Are My Dreams
      8) Eve Owen – Don’t Let the Ink Dry
      9) Porridge Radio – Every Bad
      10) Jess Cornelius – Distance
    • Top 10 Singles:
      1) Little Hag – “Tetris”
      2) Elizabeth Moen – “Creature of Habit”
      3) Yo La Tengo – “Bleeding”
      4) Caribou – “Home”
      5) Jess Williamson – “Pictures of Flowers”
      6) Adrianne Lenker – “anything”
      7) Nicolás Jaar – “Mud”
      8) Soccer Mommy – “Circle the Drain”
      9) New Fries – “Ploce”
      10) El Perro Del Mar – “The Bells”

STAFF LISTS

  • Alexa Peters (Playing Seattle)
    • Top 5 Albums:
      1) Deep Sea Diver – Impossible Weight
      2) Blimes and Gab – Talk About It
      3) Perfume Genius – Set My Heart On Fire Immediately
      4) Tomo Nakayama – Melonday
      5) Matt Gold – Imagined Sky
    • Top 3 Singles:
      1) Stevie Wonder – “Can’t Put it in the Hands of Fate”
      2) Tomo Nakayama – “Get To Know You”
      3) Ariana Grande – “Positions”

  • Amanda Silberling (Playing Philly)
    • Top 5 Albums:
      1) Frances Quinlan – Likewise
      2) Bartees Strange – Live Forever
      3) Told Slant – Point the Flashlight and Walk
      4) Diet Cig – Do You Wonder About Me?
      5) Shamir – Shamir
    • Top 3 Singles:
      1) Kississippi – “Around Your Room”
      2) Sad13 – “Hysterical”
      3) The Garages – “Mike Townsend (Is a Disappointment)”

  • Ashley Prillaman (Contributor)
    • Top 5 Albums:
      1) Perfume Genius – Set My Heart On Fire Immediately
      2) Lasse Passage – Sunwards
      3) Megan Thee Stallion – Good News
      4) Grimes – Miss Anthropocene
      5) Yves Tumor – Heaven To A Tortured Mind
    • Top 3 Singles:
      1) Megan Thee Stallion – “B.I.T.C.H.”
      2) Perfume Genius – “On the Floor”
      3) SG Lewis & Robyn – “Impact” (feat. Robyn & Channel Tres)

  • Cat Woods (Playing Melbourne)
    • Top 5 Albums:
      1) Jarvis Cocker – Beyond the Pale
      2) Róisín Murphy – Róisín Machine
      3) Run the Jewels – RTJ4
      4) Emma Donovan & The Putbacks – Crossover
      5) Various Artists – Deadly Hearts: Walking Together
    • Top 3 Singles:
      1) Emma Donovan & The Putbacks – “Mob March”
      2) Laura Veirs – “Freedom Feeling”
      3) Miley Cyrus – “Never Be Me”

  • Chaka V. Grier (Playing Toronto)
    • Top 5 Albums:
      1) Lianne La Havas – Lianne La Havas
      2) Joya Mooi – Blossom Carefully
      3) Lady Gaga – Chromatica
      4) Witch Prophet – DNA Activation
      5) Tremendum – Winter
    • Top 3 Singles:
      1) Lianne La Havas – “Green Papaya”
      2) Lady Gaga – “Free Woman”
      3) Allie X – “Susie Save Your Love”

  • Cillea Houghton (Playing Nashville)
    • Top 5 Albums:
      1) Chris Stapleton  – Starting Over
      2) Brett Eldredge – Sunday Drive
      3) Little Big Town – Nightfall
      4) Ingrid Andress – Lady Like
      5) Ruston Kelly – Shape & Destroy
    • Top 3 Singles:
      1) The Weeknd – “Blinding Lights”
      2) Billie Eilish – “Therefore I Am”
      3) Remi Wolf  – “Hello Hello Hello”

  • Eleanor Forrest (Contributor)
    • Top 5 Albums:
      1) Grimes – Miss Anthropocene
      2) Rina Sawayama – SAWAYAMA
      3) Allie X – Cape Cod
      4) LEXXE – Meet Me in the Shadows
      5) Gustavo Santaolalla, Mac Quayle – The Last of Us Part II (Original Soundtrack)
    • Top 3 Singles:
      1) CL – “+5 STAR+”
      2) Yves Tumor & Kelsey Lu – “let all the poisons that lurk in the mud seep out”
      3)  Stephan Moccio – “Freddie’s Theme”

  • Gillian G. Gaar (Musique Boutique)
    • Top 10 Albums:
      1) Dust Bowl Faeries – Plague Garden
      2) Ganser – Just Look At That Sky
      3) Oceanator – Things I Never Said
      4) Loma – Don’t Shy Away
      5) Maggie Herron – Your Refrain
      6) Pretenders – Hate for Sale
      7) The Bird and the Bee – Put up the Lights
      8) Partner – Never Give Up
      9) Bully – Sugaregg
      10) Olivia Awbrey – Dishonorable Harvest

  • Jason Scott (Contributor)
    • Top 5 Albums:
      1) Mickey Guyton – Bridges EP
      2) Katie Pruitt – Expectations
      3) Mandy Moore – Silver Landings
      4) Dua Lipa – Future Nostalgia
      5) Cf Watkins – Babygirl
    • Top 3 Singles:
      1) Mickey Guyton – “Black Like Me”
      2) Ashley McBryde – “Stone”
      3) Lori McKenna feat. Hillary Lindsey and Liz Rose – “When You’re My Age”

  • Jamila Aboushaca (Contributor)
    • Top 5 Albums:
      1) Tame Impala – The Slow Rush
      2) Khruangbin – Mordechai
      3) Kid Cudi – Man on the Moon III: The Chosen
      4) Tycho – Simulcast
      5) Run the Jewels – RTJ4
    • Top 3 Singles:
      1) Tame Impala – “Lost In Yesterday”
      2) Phoebe Bridgers – “Kyoto”
      3) Halsey – “You should be sad”

  • Liz Ohanesian (Contributor)
    • Top 5 Albums:
      1) Róisín Murphy – Róisín Machine
      2) Jessie Ware – What’s Your Pleasure?
      3) Phenomenal Handclap Band – PHB
      4) Khruangbin – Mordechai
      5) TootArd – Migrant Birds
    • Top 3 Singles:
      1) Anoraak – “Gang” 
      2) Kylie Minogue – “Magic”
      3) Horsemeat Disco feat. Phenomenal Handclap Band – “Sanctuary”  

  • Michelle Rose (Contributor)
    • Top 5 Albums:
      1) Dua Lipa – Future Nostalgia
      2) Taylor Swift – folklore
      3) Shamir – Shamir
      4) Jessie Ware – What’s Your Pleasure?
      5) HAIM – Women in Music Pt. III
    • Top 3 Singles:
      1) Porches – “I Miss That” 
      2) Annabel Jones – “Spiritual Violence”
      3) Wolf – “High Waist Jeans”  

  • Sara Barron (Playing Detroit)
    • Top 5 Albums:
      1) Summer Walker – Over It
      2) Yaeji – WHAT WE DREW
      3) Liv.e – Couldn’t Wait to Tell You
      4) Ojerime – B4 I Breakdown
      5) KeiyaA – Forever, Ya Girl
    • Top 3 Singles:
      1) Yves Tumor – “Kerosene!”
      2) Kali Uchis, Jhay Cortez – “la luz (fin)”
      3) fleet.dreams – “Selph Love”

  • Sophia Vaccaro (Playing the Bay)
    • Top 5 Albums:
      1) Charli XCX – how i’m feeling now
      2) The Front Bottoms – In Sickness & In Flames
      3) Zheani – Zheani Sparkes EP
      4) Various Artists – Save Stereogum: A ’00s Covers Comp
      5) Halsey – Manic
    • Top 3 Singles:
      1) Charli XCX – “forever”
      2) Doja Cat – “Boss Bitch”
      3) Wolf – “Hoops”

  • Suzannah Weiss (Contributor)
    • Top 5 Albums:
      1) Galantis – Church
      2) Best Coast – Always Tomorrow
      3) Overcoats – The Fight
      4) Holy Motors – Horse
      5) Suzanne Vallie – Love Lives Where Rules Die
    • Top 3 Singles:
      1) CAMÍNA – “Cinnamon”
      2) Naïka – “African Sun”
      3) Edoheart – “Original Sufferhead”

  • Tarra Thiessen (RSVP Here, Check the Spreadsheet)
    • Top 5 Albums:
      1) Brigid Dawson & The Mothers Network – Ballet of Apes
      2) Ganser – Just Look At That Sky
      3) Death Valley Girls – Under The Spell of Joy
      4) The Koreatown Oddity – Little Dominiques Nosebleed
      5) Ghost Funk Orchestra – An Ode To Escapism
    • Top 3 Singles:
      1) Miss Eaves – “Belly Bounce”
      2) Purple Witch of Culver – “Trig”
      3) Shilpa Ray – “Heteronormative Horseshit Blues”

  • Victoria Moorwood (Playing Cincy)
    • Top 5 Albums:
      1) Lil Baby – My Turn
      2) A$AP Ferg – Floor Seats II
      3) Polo G – The Goat
      4) The Weeknd – After Hours
      5) Teyana Taylor – The Album
    • Top 3 Singles:
      1) Cardi B & Megan Thee Stallion – “WAP”
      2) Roddy Ricch  – “The Box”
      3) Big Sean & Nipsey Hussle – “Deep Reverence”

RSVP HERE: Honduras livestream via Launch & MORE!

Photo Credit: Jennifer Medina

Honduras are long-standing Brooklyn hometown heroes. Since 2012, they’ve recorded tons of catchy ’70s influenced power pop tunes that ooze with New York City lore, and have filmed many of their own music videos. They’ve played hundreds of shows in Brooklyn DIY spaces, opened for Blur and Interpol, and toured the country with other indie darlings such as Sunflower Bean and L.A. Witch. Despite a pandemic and a change to their original lineup, Honduras are moving forward with a record that they finished last January and will be playing their first livestream this Saturday 12/19! We chatted with the band’s vocalist, Pat Philips, about books he’s read in quarantine, his struggle with social media, division in our society, and the need for better access to mental health care.

AF: How has Honduras changed and grown in 2020?

PP: For a large part of 2020 I thought Honduras wasn’t going to be a band anymore. Tyson Moore, who I started the band with, got in touch with the rest of us in April and said he was ready to move on from Honduras. We couldn’t blame him. Him and his wife moved outside of the city, and the three of us had accepted he would quit eventually. But it was still a bit of a shock. And kind of heartbreaking. I have a long history with Tyson – we actually went to the same elementary school in Columbia, Missouri where we grew up. We’d been working on music together for the last 15 years, so I have so many life memories intertwined with him. After he quit the rest of us gave each other space. Fortunately, we all really believed in an album we’d just finished in January and wanted to keep going. We’ve been rehearsing the last couple months and we’re grateful for an opportunity to play a show, or a virtual show, or whatever.

AF: How was writing and recording “Remains,” the single you released this past fall?

PP: I really struggle with social media, and I think during the time of writing “Remains” I was acknowledging that it was affecting my behavior. It was written shortly after the 2016 election when everything seemed to be at a fever pitch. Anger, jealousy, insecurity, hatred, vanity, materialism, division are some things I believe social media exacerbates. I’ve also worked in nightlife in NYC for the last 9 years, and during that time a friend had just passed. That was surreal because he would close the bar with me every night, so it was weird adjusting to his physical presence being gone. We didn’t actually record the song until March of 2018 at Ultrasound Studios in Los Angeles. We were playing a few shows out there and fit in a session with Samual Shea and Julien O’Neill of the band Warbly Jets on production/engineering. The session was really loose and great. The studio was in downtown LA which I’d never been to before, and man it’s really scummy around there. The street the studio was on was a weird alley street, and the sidewalk was lined with all these Turkish men drinking espresso and chain smoking. We really enjoyed that session.

AF: Have you been working on any non-music things in 2020? Discover a passion for any unexpected hobbies?

PP: I’ve always had a passion for books and the free time was a blessing to read a bit more.  I read some James Baldwin, Joan Didion, Hemingway, the Joy Division oral history. But the book that actually had the greatest impact on me was called The Broken Heart of America by Walter Johnson. It’s this 500 page history of the city of St. Louis “and the violent history of the United States.” St. Louis is the most segregated city in the US and also has the highest murder rate. But it also has an incredibly vibrant history. Maya Angelou, Miles Davis, Chuck Berry come from St. Louis.  I was born there, but moved to Columbia, MO at 5 years old after my parents got divorced. St. Louis has always been the city where most of my family lives but a place I never really understood. The book helped fill in some missing pieces. I also helped my fiancé’s parents for a few weeks with moving into their new house in New Jersey. Did a bit of painting, and putting together furniture and shelves. I’m not very knowledgeable in some of that work but it was great to get out of Brooklyn for a few weeks and work with our hands.  We’ve been in our apartment this whole year, but this year has instilled our love for NYC. With that said, the few trips out of the city helped restore sanity.

AF: Can you tell us about your new line-up or is that surprise for the livestream?

PP: Maxi Motcham has been filling in on guitar/synth for us. We’ve only been rehearsing for a few months, but he’s really professional for someone his age. Plays both instruments well. I think we’re all just happy to be playing music again. We understand it’s a huge privilege, and we’ve had some cool opportunities over the years. But it’s not something we take lightly, or pursue for financial gains. We do it because we have to – it’s a release that I couldn’t compare to anything else. And I’d be terrified of a life without it.

AF: Do you have any plans for new music in 2021?

PP: We will be releasing a 12-song full-length LP called Redeeming Features. We’re putting out two songs in January, and hopefully the rest of the album shortly after.

AF: What would you like to see change in the world in 2021?

PP: Oh wow. It’s really the division that gets to me. I hope this next year, after all we’ve gone through we can all lean into that voice that beats deep inside. It’s the human spirit, and it’s love. Love and understanding for others. A lot of the fears we share are false masks that people at the top perpetuate for their own profit. We’ve all been through hell, but 2020 illuminated a lot of what is wrong with society. A lot of the systems of the United States appear to be broken. A lot of marginalized people do not have access to opportunity. I think the government should spend more money helping its people, I think corporations should be taxed fairly like the rest of us.

On a personal note, I got to a place a few years ago I didn’t know I was going to be able to get out of. I’d repressed sexual abuse from my past, and was struggling with drug and alcohol addiction. I got arrested at work one night and spent 40 hours in jail. Something shifted mentally in those hours, and when I got out I was broken. It was a low point, but soon after, for the first time, I was able to tell my partner about the trauma I’d experienced. I had held that secret in for 12 years. Fortunately with my insurance in New York, CBT therapy was covered. I’ve been in therapy for the last two and a half years and it’s changed my life so much. I want to advocate for therapy, and hope it can become more available for people. After 2020 we’ve all been through traumas, and I believe therapy for millions more people would help put our society back together.

RSVP HERE for Honduras via Launched. $15, 9pm ET

More great livestreams this week…

12/18 Yo La Tengo Hanukkah 2020 Livestream in partnership with WNYC & The Greene Space. 8pm ET (Rebroadcast 12/19 at 7am, 1pm, & 8pm ET), RSVP HERE

12/18 &12/19 Vundabar via LPR.tv. 9pm ET, RSVP HERE

12/18 Rachel Angel, Double Graves and more via Around TheCampfire. 7pm ET, RSVP HERE

12/19 Oh Sees live at The Henry Miller Library via Seated. 7pm ET, $3.98, RSVP HERE

12/19 Lucero via NoonChorus. 10pm ET, $15, RSVP HERE

12/19 Waxahatchee, Vagabon, Black Belt Eagle Scout, La Luz via KEXPY Awards. 8pm ET, RSVP HERE

12/20 Wonderville Benefit: Weeping Icon, Babay Jicks and the Ghoul Fiends. 8pm ET, RSVP HERE

12/21 Thick via FLV (recorded live at The Footlight). 8pm ET, RSVP HERE

12/22 Grace Potter via Veeps. 8pm ET, $25, RSVP HERE

12/24 War on Women, Chris Gethard, Slingshot Dakota and More via The Fest Holiday Show. 7pm ET, RSVP HERE

NEWS ROUNDUP: Rihanna Snaps Back, Lauryn Hill to Headline Pitchfork Festival & More

NEWS ROUNDUP: Rihanna, Lauryn Hill, Pitchfork & More

By Jasmine Williams

Rihanna Snaps Back

Rihanna has publicly accused Snapchat of victim shaming after the social media app displayed an advertisement the referenced Chris Brown’s 2009 brutal assault of the mega-star. The ad, for online game, “Would You Rather?!” makes light of domestic abuse by asking viewers if they would choose to “Slap Rihanna” or “Punch Chris Brown?” After fans pointed out the despicable ad spot Rihanna used major Snapchat competitor, Instagram, to make a statement, posting:

“I’d love to call it ignorance but I know you ain’t that dumb! You spent money to animate something that would intentionally bring shame to DV victims and made a joke of it!!! This isn’t about my personal feelings, cause I don’t have much of them…but all the women, children and men that have been victims of DV in the past and especially the ones who haven’t made it out yet ….you let us down! Shame on you.” -Rihanna

Snapchat responded with an apology and has since blocked the advertiser. On the same day that Rihanna made her statement, Snap Inc., the parent company of Snapchat decreased by 7%. Don’t mess with RiRi!

The Pitchfork Lineup is Here! And, Lauryn Hill is Back?

Any fan of Ms. Lauryn Hill will tell you, she never really left. However, years of super delayed shows, on-stage tirades, and uneven performances have given the former Fugees member a shaky reputation when it comes to live shows. Now, Pitchfork Music Festival has upped the ante by putting the spotlight on Hill for the 2018 edition of the fest which also marks twenty years since the 1998 release of her seminal (and singular) studio album, The Miseducation of Lauryn Hill. The controversial artist headlines Sunday’s lineup. Although the spot is being billed as an “anniversary performance,” there’s no telling what will actually happen on stage, especially given the fact that Hill has not always been friendly to her caucasian fans and Pitchfork isn’t exactly known for their diverse crowds.

The 2018 Pitchfork music festival runs from July 20th through 22nd in Chicago and also includes Tame Impala, Courtney Barnett, Big Thief, Fleet Foxes, Blood Orange, Chaka Khan and many more.

Other Highlights:

Yo La Tengo’s fifteenth album, There’s a Riot Going On, is out today! Arcade Fire premiered a short film this week while Courtney Barnett, Vic Mensa, and David Byrne all debuted new music videos. Jack White will be playing a “no phones allowed” show at Warsaw in Brooklyn on March 23rd. To gain access to tickets for the Greenpoint concert you have to purchase tickets for this summer’s Gov Ball. MTV is doubling down on their shaky reboot of TRL. Earlier this week Say Anything debuted a new song at SXSW. Tour announcements abound from Fleet Foxes, Liz Phair, La Luz, Beck, Culture Club, and many more, coming to a venue near you. A signal switch in airwaves may be coming soon – IHeartMedia has filed for bankruptcy. In local news, DIY Brooklyn venue, Silent Barn, is closing on April 30th.

NEWS ROUNDUP: Gender Equalizers, Night Mayors & More

NEWS ROUNDUP: Gender Equalizers, Night Mayors, & More

By Jasmine Williams

An App for Gender Equality: 

On Thursday, in honor of International Women’s Day, Spotify and Smirnoff partnered together to launch the Smirnoff Equalizer, a tool that reveals the gender breakdown of the artists you are listening to. The streaming platform created that app after collecting data that revealed that 100% of their most streamed tracks in 2017 were performed by men. The equalizer analyzes each listener’s history to produce percentages of male to female artists. It then provides a slider tool so that listeners can discover artists of different genders, including non-binary. You may be surprised by your streaming habits! It turns out that the feminist writer of this news breakdown has been listening to 88% of tracks by male performers versus 13% females. The shame!

Try the Smirnoff Equalizer here.

NYC’s 1st Night Mayor:

It’s a new era for New York City nightlife! Last year the archaic Cabarat Law was repealed and the city has named its first ever Night Mayor. Despite the vampiric title, Ariel Palitz will spend a lot of daylight hours smoothing over the relationships between rigid community councils and venues who often have trouble applying for liquor licenses and getting permits. Palitz is a seasoned promoter and was owner of the club Sutra for ten years. In theory, she will be making it easier for DIY event spaces to operate throughout the five boroughs. Fingers crossed!

Other Highlights:

Anderson .Paak’s new single, “Til It’s Over,” gets the Spike Jonze treatment for an Apple Music video starring FKA Twigs as a working stiff who escapes reality through dance.

On Wednesday, In response to recent criticism of his live shows, Vince Staples launched a GoFundMe page so that he can leave the music biz, he states, “You can decide to donate to the cause of $2 million, which will allow me to shut the fuck up forever and you will never hear from me again…If not, you can choose to let me do what I want to do, when I want to do it…” The next day it emerged that the crowd fundraiser was actually a stunt in promotion for new track, “Get the Fuck Off My Dick.”

Shamir, Pussy Riot, Jeremih, Sade and Warpaint’s Theresa Wayman also released new music this week. Beach House debuted another track off of their upcoming album, 7 and unveiled the tracklist and plans for an extensive tour. Mitski, Dirty Projectors, Twin Shadow, Lily Allen, and serpentwithfeet (who just put out a new video) will also be hitting the road in the near future. serpent’s NYC stop will be a part of Redbull Music Festival’s 2018 lineup which also includes Robyn and Fever Ray among others.

Nick Cave announced an unconventional tour this week, he’ll be inviting audience members for open Q&A sessions at spots along the East Coast. He stops at Murrmrr Theatre in Brooklyn on May 5th.

On the film front, Yo La Tengo and King Krule have released special performance footage, the former played a set at National Sawdust and the latter gave a concert “on the moon.”

Q-Tip was recently named advisor-at-large and artistic director of the new Hip-Hop Culture Council at the Kennedy Center for the Performing Arts.

Billy McFarland, the promotor behind doomed island disaster, Fyre Music Festival, pled guilty to two counts of fraud this week.

 

NEWS ROUNDUP: Warped Tour, Bowie in Brooklyn & More

  • Warped Tour’s Goodbye

    It’s the end of an era for pop-punks, emo kids, and sk8er bois – Warped Tour just announced their final cross-country lineup and it’s going to be a very grand finale! The show will hit the road for virtually the whole summer; kicking off on June 21st in California and ending on August 5th in Florida. Warped veterans Sum 41, Taking Back Sunday, Simple Plan, the Used, and All Time Low are along for the ride with more than fifty other artists. In a public letter, tour founder Kevin Lyon reflected on the history of Warped since its start in 1995 and what the future holds for the venture.

    “I have been a very lucky person to have traveled across the country and sometimes around the world as one of the founders and producers of the Vans Warped Tour. Today, with many mixed feelings, I am here to announce that next year will be the final, full cross-country run of the Vans Warped Tour. I sit here reflecting on the tour’s incredible history, what the final run means for our community, and look forward to what’s to come as we commemorate the tour’s historic 25th anniversary in 2019.” – Kevin Lyon

    See the tour dates here.

  • Bowie in Brooklyn

    After a five-year run around the world, sprawling and comprehensive art exhibition David Bowie Is will make its final stop at the Brooklyn Museum. Running March 2nd through July 15th, the show mines Bowie history for a mind-blowing display of thousands of music artifacts, drawings, props, videos, and, of course, costumes, some of which have never been seen before. There’s also a framed photo of Little Richard that Bowie was rumored to have carried to every recording session. The show is organized by time and cycles through the many different phases of the Thin White Duke’s career, starting with his early life as David Jones and ending with the making of Blackstar. It’s no accident that the traveling exhibition has its finale in Brooklyn; the legendary musician called NYC home for many years. Exhibition organizers have pulled out all the stops for this one, so whether you are a music lover or art addict, David Bowie Is cannot be missed.

    Get details here.

  • Other Highlights

    Changes are afoot in the music industry! On Wednesday, Spotify went public on Wall Street, despite the fact that the company lost $1.5 billion dollars last year. Also on Wednesday, former Arkansas Governor Mike Huckabee was elected to the Country Music Association’s philanthropy board, but by Thursday, he had resigned due to outcry. That night, Lorde started off her North American tour with a bang – she performed an unreleased song as well as a cover of Frank Ocean’s “Solo.” En Vogue made the Billboard Top 10 for the first time in twenty years with the Ne-yo penned track, “Rocket.” The Kills released a video for a cover of the Saul Williams song, “List of Demands (Reparations).” Jack White gives us “Over And Over And Over,” another unveiling from his next record, this one originally written thirteen years ago for The White Stripes. NPR has got the first play of David Byrne’s upcoming album – you can stream “American Utopia” on their site now. The record’s official release is today. Yo La Tengo has released “For You Too,” the latest from their March 16th album, There’s a Riot Going On. Dinosaur Jr. give us “Hold Unknown” via Adult Swim’s Singles Series. After teasing their reunion with “Octagon Octagon,” Kool Keith, Dan the Automator, and DJ Qbert release “Area 54.” The awkwardly-titled Moosebumps: An Exploration Into Modern Day Horripilation is their first album as hip-hop supergroup Dr. Octagon in 22 years. Lastly, in case you forgot – Dolly Parton is a saint! This week she visited the Library of Congress to celebrate the delivery of the 100 millionth book by her nonprofit, the Imagination Library. The music legend founded Imagination Library in 1995; since then, it has mailed a book to more than a million young children every month.

 

LIVE REVIEW: Yo La Tengo and Alvin Lucier @ Merkin Concert Hall

 

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At the Kaufman Music Center’s Ecstatic Music Festival Wednesday night, indie-rock trio Yo La Tengo and experimental composer Alvin Lucier broadened a full Merkin Concert Hall’s definition of music. The evening’s instrumentals included giant yellow balloons and a scarlet teapot, and the act of tuning became a performance in of itself.

Anyone who came expecting to hear catchy, people-pleasing Yo La Tengo tunes like “My Little Corner of the World” and “My Heart’s Not In It” quickly realized they had to put in more work to meet the band halfway. By requiring active listening, the show forced the audience to engage with the music on a level they may not at your standard indie concert.

And your standard indie concert this was not. Rather than showcasing their own music, the band paid tribute to Lucier’s elaborate compositions, including one written just for them.

The show opened with Yo La Tengo vocalist/percussionist/pianist Georgia Hubley on a triangle solo, followed by an electric guitar duo bybassist/vocalist James McNew and guitarist/pianist/vocalist Ira Kaplan. Both numbers appeared to be mere openings at first, but once you stopped expecting more, the music’s subtleties became strikingly apparent. Kaplan and McNew’s guitar-tuning morphed into an intricate song: each long note became several in succession, and every melody teased apart into multiple tunes. As the sound enfolded the audience, you could feel it vibrating on your skin.

Lucier made an appearance on stage for “Heavier than Air,” during which he and the band members whispered onto the surface of balloons created by composer Judy Dunaway. From “I remember my first job” to “I remember reading this concert was sold out — what’s up with all the seats in the back?”, the props transmitted each performer’s memories.

For the closing number, Kaplan played a slow sequence of piano keys that gradually grew recognizable as the melody of The Beatles’ “Strawberry Fields.” But as he got up from the bench, the song wasn’t over: He then placed a ceramic teapot on the lid and opened and closed it to play the number back, as if he were releasing sound trapped inside the vessel.

Through this set, Lucier accomplished what the most creative people do: He employed objects in ways they are not conventionally used for an experience no audience could ever foresee.

Listen to one of Alvin Lucier’s classics, “I Am Sitting in A Room” below.

LIVE REVIEW: Yo La Tengo @ Town Hall

New York City’s resplendent Town Hall is quite a place to have a birthday party. Amid the glistening chandeliers and velvety red carpet, an unassuming crowd filed in, featuring a mix of young kids with neon hair, older folks with silver hair, and everyone in between. Yo La Tengo’s longstanding, universal appeal manifested.

For the Hoboken trio’s thirtieth anniversary, they invited several friends and fans for a couple of back-to-back celebrations in Times Square, featuring opening bands/YLT BFF’s Antietam on 12/3 and The Feelies on 12/4. Sadly, I was only able to attend the latter show, but happily (and not surprisingly) it was excellent.

The Feelies appeared on stage at 8pm on the dot, and though half the audience were still searching for their seats, people still called out “Hi guys!” and “Hey Stan!” [fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][Stan Demeski, drummer] as if we were all old friends catching up over our favorite ’80s indie rock. The band launched right into their impeccable set with intense focus and a skittering energy that made them as enjoyable to watch as they were to listen to. Highlights of their hour included “Away” and “Deep Fascination”—both off The Feelies’ 1988 album Only Life—and the impressively sped up rendition of “Crazy Rhythms” that made it nearly impossible for the crowd to resist getting out of their seats and rocking out. It was easy to see (rather, hear) how the Feelies truly comprise part of the foundation on which Yo La Tengo was built, particularly with their screechy guitar solos. By the end of their set, all of the band members were wiping sweat from under their slipping glasses.

Then came the guests of honor: guitarist Ira Kaplan, drummer Georgia Hubley, and bassist James McNew. They began with “Ohm,” off of their 2013 record, Fade. Normally a rather innocuous and—per its name—meditative track, here it was reincarnated as abrasive and noisy, with Ira flailing along with his guitar. They truly ripped the song to shreds, and this for their opening number. The rest of the set took the audience on a tour through Yo La Tengo’s thirty years, featuring bygone gems “The Cone of Silence” from their debut album Ride The Tiger (with longtime YLT pal Dave Schramm on guitar) and “Upside-Down” from 1992’s May I Sing With Me, as well as crowd favorites “Hey Mr. Tough” and an outstanding, nearly fifteen-minute-long version of “I Heard You Looking” with Feelies’ guitarists Glenn Mercer and Bill Million along for the ride. Ira, in his classic striped t-shirt and jeans uniform, commented at one point that “the idea that we get to play with [The Feelies] in this century is so special to us,” and the crowd heartily agreed.

For their encore, the threesome treated the crowd to an intimately acoustic, Georgia-led version of “Big Day Coming” (featured on the recently released deluxe album Extra Painful) and a cover of Neil Young’s “Time Fades Away.” For their very last number, Yo La Tengo were joined by all members of The Feelies onstage, with Ira commenting, “Thirty years and two days ago we played at Maxwell’s for the first time and this is the last song we played that night.” And midway through this momentous cover of The Psychedelic Furs’ “Pretty in Pink,” Ira snuck a glance back towards his two bandmates huddled by the drum set, and the three of them exchanged smiles. It was a rare moment and possibly the biggest public display of affection from Yo La Tengo, and the perfect ending to a show that genuinely felt like a family affair (albeit a very badass one). The bands left the stage and the crowd poured out into the blistering cold, but the show’s warmth lingered on each of us like a blanket for the rest of the night.

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AudioFemme’s Best of 2013

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From elaborate roll-outs to surprise releases, 2013 was a banner year for comebacks, break-outs, break-ups, and overnight sensations.  The fact that the most oblique content could cause rampant controversy to reverberate through the blogosphere turned every song into a story and made every story seem epic.  At the heart of it all are the sounds that defined this particular calendar year, from electronic pop to punk rock  to hip-hop to hardcore and everything in between.

[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”AudioFemme Staff” author=”Top 50 Albums of 2013″ image=”http://www.audiofemme.com/wp-content/uploads/2014/01/01MBVmbv-300×298.jpg”]

After much debate, we’re proud of our little list and believe it represents releases that are among the best and most important of the year.  Here are our top 50 LPs in two parts: 50-26 // 25-1

[prw username=”audiofemme” boardname=”audiofemmes-favorite-albums-of-2013″ maxfeeds=”21″ divname=”myList” printtext=”0″ target=”newwindow” useenclosures=”yes” thumbwidth=”50″ thumbheight=”50″ showfollow=”none”]

And check out our Top Albums of 2013 Playlist on Spotify.
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”AudioFemme Staff” author=”Top 50 Tracks of 2013″ image=”http://www.audiofemme.com/wp-content/uploads/2014/01/05HaimDays.jpg”]
In a given year, thousands of records are released, many of them having upwards of ten tracks apiece.  So it’s actually physically impossible to hear them all, and can be downright daunting to wrangle them into some kind of intelligible countdown.  But we certainly have done our best, here cataloging the tunes we just couldn’t stop playing, and stuck fast in our heads when we finally managed to turn them off.

Here’s our Top Tracks of 2013 Playlist on Spotify.

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Staff Lists:

[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Lindsey Rhoades” author=”RiotGrrl’s Influence in 2013″ image=”http://www.audiofemme.com/wp-content/uploads/2013/12/kimkathleen.jpg”]
Not only are we as a culture stepping up to finally examine sexism and exploitation and appropriation within the industry, there are more acts than ever completely unafraid to do their own thing – be it overtly political (see: Priests) or revolutionary in its emotional candidness (looking at you, Waxahatchee).
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Carena Liptak” author=”Best Album Art” image=”http://www.audiofemme.com/wp-content/uploads/2013/12/sunbather.jpg”]
Let’s all just agree to agree that hip hop as a genre won the album cover contest this year, okay?
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Rebecca Kunin” author=”2013’s Best Soundtracks” image=”http://www.audiofemme.com/wp-content/uploads/2013/12/Soundtrack.jpg”]
Music has the ability to make or break a cinematic moment.  Would Jaws be as scary if it weren’t for the theme song? Or would we cry as hard when Leo Dicaprio sunk to the bottom of the Atlantic Ocean if Celine Dion didn’t belt “My Heart Will Go On” every five minutes? Probably not.
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Lindsey Rhoades” author=”2013: The Year in Music Controversies” image=”http://www.audiofemme.com/wp-content/uploads/2014/01/musicthoughts.jpg”]In the age of the ubiquitous think-piece, here’s another, and this time, it’s about think-pieces.  In 2013 what think-pieces mean is that no one is about to get away with anything.[/fusion_testimonial]

[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Kelly Tunney” author=”Top 10 Unexplainable Kanye Moments” image=”http://www.audiofemme.com/wp-content/uploads/2013/12/Kanye.jpg”]
Mr. West has built up quite a reputation for himself. His musical talent has remained impressive throughout his 6-album career (Yeezus easily made several of this year’s “best of” lists, including our own) but Kanye’s persona has been the subject of parody and scandal for a long time now. This year, though, held several moments of Kanye-crazy that stood out among the plethora of examples from his memorable past.
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Carena Liptak” author=”Notes From The Road” image=”http://www.audiofemme.com/wp-content/uploads/2013/12/BTHEHc8IgAAESY0.jpg-large.jpeg”]
At the beginning of 2013, adventure felt overdue — something about going to new places, with no routine or expectations, opens you up to hear music you’d never think to listen to otherwise.
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Raquel Dalarossa” author=”Top 7 to Anticipate in 2014″ image=”http://www.audiofemme.com/wp-content/uploads/2013/12/outkast-reunion-big-boi-andre-3000.jpg”]
Between the exciting festival rumors and anticipated album releases, 2014 is already shaping up to be a pretty amazing year (at least musically speaking).
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FLASHBACK FRIDAY: Yo La Tengo’s Painful

Yo LaWhen I first heard “The Whole of the Law,” it was nighttime and it was snowing outside. Though it’s the ninth track on the eleven-track-long Painful, I discovered it as a standalone, stumbling upon the song on YouTube. I’d been listening to something else—who knows what, at this point—when I noticed the name “Yo La Tengo” in the “related videos” sidebar. I thought, Might as well try it out.

The video began, with just the nondescript, blurry dark blue and grayish album cover for a visual, and a soft, ethereal guitar riff came floating out through my headphones. I sat at my desk in my dark dorm room, my roommate already fast asleep in her bed behind me, and listened intently as two voices (one male, one female) began singing. “I used to have the notion / I could swim the length of the ocean / If I knew you were waiting for me,” they practically whispered in perfect harmony. A low thump on the drums occasionally joined them, along with a sleepy, owl-like hooting in the background. It was like a lullaby, both tragic and blissful. Near the end, the female voice became an atmospheric hum as the male voice sang:

 

Maybe I’m in love with you
I had to contact you
I found out I was in love with you
I had to contact you
That’s it, that’s the law, that’s the whole of the law

 

And in just two minutes and twenty seconds, I was completed entranced.

I guess it might be appropriate that I discovered Yo La Tengo through what’s actually a cover of a song by The Only Ones. Yo La Tengo have a legendary penchant for covering little-known treasures—the sort of songs you only unearth after hours of browsing through buried, old vinyl records (which is definitely what this band does in their free time). So it’s no surprise that most of Yo La Tengo’s discography come off as meticulously curated little collections of original works and revamped numbers. Painful, which turned 20 years old just over a month ago, is a particularly impeccable example of the band’s artistry which set the standard for all of Yo La Tengo’s albums to follow. Not to mention, it’s my personal favorite of theirs.

Painful was the first recording to feature the lineup that the world would come to know as Yo La Tengo—guitarist Ira Kaplan, drummer Georgia Hubley, and bassist James McNew. The unpresuming New Jersey trio came together with such flawless chemistry that a young Rob Sheffield, writing for an even younger SPIN Magazine, concluded that “when a bunch of weird sounds add up to a masterpiece as casually majestic as Painful, well, ‘genius’ isn’t even the word, is it?”

But genius comes pretty close. The thing about Painful is that it’s full of paradox. Its opening track, “Big Day Coming,” is slow and dream-like, almost hypnotic with its repetitive, simple organ riff. Kaplan provides a distorted feedback that echoes off the walls of the song, his voice hushed as he opens the album with the line “Let’s be undecided, let’s take our time.” The second-to-last song on Painful, “Big Day Coming (2),” is the same song facelifted into headstrong, pure ‘90s alt-rock. The organ is replaced by a loud, pulsating guitar reverb, and Kaplan’s voice becomes emphatic as he declares, “There’s a big day coming, about a mile away / There’s a big day coming and I can hardly wait.” The song goes from shy and subdued to downright raucous.

Other songs are similarly, though not as obviously, contrasted. In the two songs that Georgia Hubley sings in, “From a Motel 6” and “Nowhere Near,” she goes from saying “Dream a quiet place for us to fight / Oh no, your heart is broken / Don’t you think that’s a little trite?” to “Do you know how I feel, how I feel about you? / All I know is when you smile, I believe in everything.” Later on in the album, an angry song about the end of a relationship, “I Was the Fool Beside You For Too Long,” is placed directly before the lovesick ballad “The Whole of the Law.”

There are no smooth transitions. It’s jarring, and yes, it’s painful, in a hurts-so-good kind of way. So take 50 minutes to flash back to this quietly momentous album—an album that was essentially ten years in the making (Kaplan himself has admitted the “group really started when we made the record Painful”) and has remained an influential indie rock staple for twenty years and counting.

Listen to “The Whole Of The Law”, here via Youtube:

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