Tag: Wet

NEWS ROUNDUP: Webster Hall Reopening, R. Kelly Arrested, and MORE

Webster Hall is Reopening!

It’s always sad when an iconic New York venue closes, but Webster Hall’s story has a happy update. The 130-year-old venue was shuttered in August 2017 for renovations when longtime owners the Ballingers sold it to AEG. That means Bowery Presents will be handling bookings, and the show schedule looks pretty sick, starting with a christening from punk poet laureate Patti Smith on May 1. Broken Social Scene, MGMT, Sharon Van Etten, Big Thief and Built to Spill are some of the acts slated to play over the next six months or so, and that’s just the initial announcement. The New York Times got a sneak peek into the renovations, and it seems like the $10 million plus project focused mostly on accessibility, with a revamped entryway and the addition of an elevator, as well as updates to the bathroom and soundsystem. Much of the characteristic fixtures in the ballroom were left unscathed, though we’re guessing the floor will no longer feel like it’s about to cave in when the mosh pit gets too rowdy. The Marlin Room will become a lounge, and there’s no word yet on what’s going on with the basement stage. The venue will still have a capacity of about 1,400 – making it an essential part of downtown nightlife once again.

R. Kelly Arrested, Bond Set at $1M

Following increased scrutiny after Lifetime doc Surviving R. Kelly aired earlier this year, the R&B star was arrested in Chicago on Friday and charged with ten counts of aggravated criminal sexual abuse involving four separate victims, three of whom were minors when the abuse occurred. One of the most disturbing pieces of information to emerge in Saturday’s bond hearing was that Kelly met one of these victims at his 2008 trial for child pornography, of which he was acquitted; like the trial a decade ago, some of these charges stem from the discovery of a sex tape in which Kelly appears to perform sex acts with an underage girl. His bond was set at $1 million, and that may be the tip of the iceberg – Kelly is also under investigation by multiple federal agencies for sex trafficking, and it looks likely that there are more victims who have yet to come forward. Let’s hope this is the beginning of the end of their nightmare.

That New New

Audiofemme favorites Sharkmuffin shared rollicking new single “Serpentina,” the first single from their Gamma Gardening EP, out April 5 via Exploding In Sound. We couldn’t be more excited – love you, Tarra & Nat!!!!

While this video for Kate Bush’s cover of Elton John’s “Rocket Man” isn’t exactly new, it hadn’t been released since its recording in 1991. The video comes with the announcement of a four-disc rarities and b-sides compilation called The Other Sides, which will be available March 22. In other Elton John news, his biopic, starring Taron Egerton, comes out May 22.

Tierra Whack is back with single “Only Child,” her first release since blowing up with Whack World.

Helado Negro is currently on tour with Beirut as he prepares for the March 8 release of This is How You Smile; he shared a video for single “Running” this week.

Ella Vos shared an intimate self-directed video for “Empty Hands,” which follows her through the last day of two years of treatment for lymphoma. The single appears on her latest EP, Watch & Wait.

Karl Denson’s Tiny Universe will release Gnomes & Badgers, their first album in five years, on March 8. The TG Herrington-directed clip opens a poignant dialogue about the family separation crisis at the U.S.-Mexico border.

Marissa Nadler released two new songs – including a duet with John Cale – via new imprint KRO Records, who will release the single on heart-shaped vinyl this spring.

CHROMATICS are back with “Time Rider” and a slew of tour dates, but no official release date for an album, which they’ve been teasing for some time now.

Priests released a lyric video for “Good Time Charlie” from their upcoming album The Seduction of Kansas, out April 5 via Sister Polygon.

Empath have announced their debut LP Active Listening: Night on Earth (out April 2 via Get Better Records), and shared its first single, “Soft Shape.”

Alex Lahey will finally release a follow-up to 2017’s excellent I Love You Like a Brother. It’s called The Best of Luck Club and is slated for release via Dead Oceans on May 17; “Don’t Be So Hard on Yourself” is the first single.

TEEN are streaming Good Fruit ahead of its March 1 release over at NPR, and have shared a video for “Pretend.”

With her band Wax Idols on an indefinite hiatus, Hether Fortune has shifted to solo work with the release of single “Sister.”

Shady Bug shared “Whining” from their sophomore album Lemon Lime, out March 8.

Los Angeles noiseniks HEALTH have released their fourth collaborative single since September, this time featuring JPEGMAFIA.

We’re obsessed with “TGM” from 18-year-old newcomer Ebhoni, who reps her Toronto home and West Indian roots all at once.

Palehound kicked off their tour with Cherry Glazerr by releasing a new single called “Killer.”

Indie poppers Pure Bathing Culture  shared a lyric video for “Devotion,” the first single from their forthcoming LP Night Pass, out April 26.

If you’ve ever wondered what Mountain Man’s Molly Sarlé sounds like on her own, take a listen to her debut single, produced by Sam Evian. She’ll play some shows with Mountain Man cohort Amelia Meath when she joins Sylvan Esso for a few shows in their recently-announced WITH tour.

Nilüfer Yanya’s debut album Miss Universe drops March 22. Her latest single “Tears” follows alt-pop bops “In Your Head” and “Heavyweight Champion of the Year.”

Former Shudder to Think frontman Craig Wedren has had an illustrious career scoring film and television, so it’s no wonder the clip for his vibey rework of “2Priests” (from last year’s Adult Desire Expanded) is so gorgeous.

We have a feeling Aldous Harding’s low-key pilgrim dance from “The Barrel” video might catch on well before Designer arrives via 4AD April 26.

Legendary Smiths guitarist Johnny Marr shared a video for latest single “Armatopia” to promote his upcoming North American tour in support of 2018’s Call The Comet.

End Notes

  • Breakdancing could become an Olympic event by 2024.
  • Moogfest has announced the “first wave” of its 2019 lineup, featuring Kimbra, Martin Gore, Matthew Dear, Lucrecia Dalt, GAS, Ela Minus and more.
  • Wilco have also announced the lineup for their bi-annual Solid Sound Festival, taking place June 28-30 in Massachusetts. There will be several sets from Jeff Tweedy solo and with the band, as well as appearances by Courtney Barnett, Cate Le Bon, Tortoise, Jonathan Richman and more.
  • Detroit musicians will be the first recipients of Tidal’s new $1 million endowment program.
  • The 1975 took home British Album of The Year at the BRIT Awards for A Brief Inquiry into Online Relationships, and called out music industry misogyny in their acceptance speech for Best British Band.
  • Stereolab have added a ton of reunion tour dates to their Primavera Sound and Desert Daze appearances, and announced reissues for seven of their records. The band has been on hiatus for a decade.
  • Tom Krell of How To Dress Well launched his label Helpful Music with an EP from Calgary’s Overland.
  • W Hotels have also recently launched a label, releasing two songs with Perfume Genius to benefit Immigration Equality. Watch a mini-doc about the collaboration here.
  • Lydia Loveless took to Instagram to detail sexual harassment she has suffered since signing to her label Bloodshot Records; her abuser doesn’t work at the label, but attended all social events having to do with it as the partner of one of the label’s founders, who has since left the imprint.
  • Someone decapitated Puff Daddy’s wax figure at Madame Tussauds in Times Square.
  • Michael Jackson’s estate is seeking to block the production of HBO’s Leaving Neverland with a $100 million lawsuit; the two-part doc follows the story of two men who say their were abused by the King of Pop as children and is set to air March 3rd & 4th. Watch the trailer here.
  • Stereogum published this handy rundown on the drama that’s dogged Royal Trux’s reunion tour, as well as the release of White Stuff, still scheduled to come out March 1.
  • My favorite Eric Andre gag is getting his own TV special. Thanks Adult Swim!

NEWS ROUNDUP: Cardi B Makes Grammy History, Ryan Adams is a Creep, and MORE

Cardi B and Offset make their reconciliation official on the red carpet at the 61st Annual Grammy Awards.

Cardi B Makes Grammy Moves

Cardi B made Grammy history on Sunday night with a huge win in the Best Rap Album category for Invasion of Privacy (she had five nominations total). She’s the first solo female rapper to take home the award – the only other woman to have received a Grammy for Best Rap Album is Lauryn Hill, when her group The Fugees nabbed the 1997 honors with their iconic album The Score. Cardi appeared on the red carpet dressed in vintage Thierry Mugler and husband Offset on her arm, signifying the end of a tense hiatus for the couple following rumors of Offset’s infidelity. Cardi also made fast friends with Lady Gaga, who offered support in the face of a backlash D, she also spent time on the red carpet chatting with Lady Gaga, who was quick to support the rapper in the face of backlash from haters following the award ceremony. Cardi took a brief break from Instagram but, never one to rest on her laurels, capped off the week by releasing “Please Me,” a duet with Bruno Mars.

Donald Glover also had a big night, though he didn’t attend the awards ceremony; Childish Gambino’s “This is America” won both Song of the Year (distinctly given to songwriters) and Record of the Year (which goes to the performers, producers, and engineers). It was the first rap single to do so.

Other big winners included Brandi Carlile, who won three of the six awards she was nominated for (Best Americana Album for By the Way, I Forgive You LP and two awards for its single “The Joke”); Kacey Musgraves, who won overall Album of the Year for Golden Hour as well as three additional awards in Counrty categories; Lady Gaga, who won an award for “Shallow” as well as “Joanne” despite it being released two whole years ago; Ariana Grande who nabbed the Best Pop Vocal Album; St. Vincent who won Best Rock Song for “Masseduction;” Greta Van Fleet who won for Best Rock Album; and Best New Artist Dua Lipa.

We’re Not Surprised Ryan Adams is a Creep

“If people knew they would say I was like R Kelley lol.” This is a pretty damning text coming from a 40-year old man who’s soliciting nudes from a teenager, and they came from none other than Ryan Adams, according to an investigative article by the New York Times. The report details the online relationship between Adams and a woman they call Ava, who was just fourteen when the two began to exchange messages that eventually culminated in phone sex less than two years later. The piece has prompted an FBI investigation into the singer-songwriter, though the alleged victim never disclosed her actual age during their relationship and never met in person.

Whether his actions are criminal or not is somewhat beside the point, though, as the rest of the piece establishes a pattern wherein Adams promised young female musicians – including Phoebe Bridgers, Courtney Jaye, and his ex-wife Mandy Moore – a boost in their careers via collaboration, mentorship, production, tour spots, releasing music via his label Pax-Am (an offshoot of Capitol), et al, but then attempted to shift the relationship to something sexual, even exposing himself to women who came to his studio to develop their projects. In instances where consensual relationships resulted from his advances, they often became obsessive and abusive, and he allegedly held collaborative work hostage as a means of keeping contact open. After remaining vague in a profile in Glamour earlier this year that prompted him to refer to her as a “soggy piece of cardboard,” former teen-pop-star turned actress Mandy Moore went into much greater detail about the control Adams wielded over her career and their relationship, admitting that he was psychologically abusive.

It’s no secret that Adams has penned vindictive tunes about his exes; one of his most beloved songs, “Come Pick Me Up,” from his 2000 solo debut Heartbreaker, is said to be inspired by the end of his relationship with music publicist Amy Lombardi (another track on the record is titled with her first name alone). And though his back to front cover of Taylor Swift’s 1989 was critically praised, it certainly raised eyebrows for some. Since the NYT article was published, Liz Phair, Karen Elson, and others have hinted that professional endeavors with Adams went awry due to similar behavior, which through the years has often been seen as erratic, owing to drug abuse an mental health issues. But in an industry that (as many have pointed out) still needs to have its #MeToo reckoning thanks to the seemingly inextricable tangle of sex, drugs, and rock ‘n’ roll, Ryan Adams’ creepitude is a whole new layer of yikes.

That New New

This delightfully bizarre video for “Under The Sun” has got us so pumped for Spellling’s new record Mazy Fly, which drops February 22 via Sacred Bones.

Pecas are all about the smooth grooves on their latest single “T-Shirt.”

Watch an adorable turtle monch some kale in the new Mal Blum video ahead of their tour in support of Lucy Dacus.

This Robyn video is equal parts promotion for her 2018 album Honey and her new clothing line.

Bebe Rexha shared a video for “Last Hurrah” as a teaser for her yet-unannounced sophomore record.

Lizzo shared a video for the epic title track from her forthcoming album, out April 19.

Lydia Ainsworth returns with “Can You Find Her Place,” from the upcoming LP Phantom Forest, out May 10.

Wet shared a video for “Old Bone” as well as another song, “Trust No Man,” before heading out on tour with Kilo Kish.

Rare DM (formerly known as Ermine) release their debut album Vanta Black on April 12 and have shared a video for “Caracal.”

Cold Cave have released a new one-off single ahead of their tour with Adult.

Tim Hecker is releasing more music from his Tokyo sessions with Japanese gagaku musicians, which resulted in 2018’s gorgeous Konoyo. The companion album, titled Anoyo, will be out May 10 via Kranky; Hecker will do a series of sold-out performances with the Konoyo ensemble at National Sawdust next week.

Julia Holter shared a video for “Les Jeux to You,” which appears on last year’s Aviary LP.

Hand Habits’ sophomore album placeholder comes out March 1 via Saddle Creek; the video for latest single “what lovers do” follows clips for “can’t calm down” and the LP’s title track.

Flock of Dimes and Madeline Kenney are releasing a split 7″ after working together on the latter’s 2018 LP Perfect Shapes; Jenn Wasner’s other musical project, Wye Oak, just released a track called “Evergreen” for Adult Swim’s singles series.

Potty Mouth are back with SNAFU, out March 1, and have a new video for “Starry Eyes” to get us psyched.

Gangster Doodles mastermind Marlon Sassy shared a collab between Madlib and Oh No called “Big Whips,” which will appear on his curated comp Gangster Music Vol. 1.


Take a listen to previously-unreleased Tom Petty track “For Real,” which will appear on a posthumous collection called The Best of Everything on March 1.

End Notes

  • Kenny G spent his Valentine’s Day serenading Kim Kardashian at the behest of Kanye West.
  • A shooting at Westlake Recording Studio in Hollywood on Tuesday jeopardized the recording sessions of Usher and Rich the Kid; members of the latter’s entourage were pistol whipped in the apparent robbery, but no one was shot.
  • Katy Perry has pulled a controversial pair of shoes from her website and other retailers after facing backlash from critics who say the design is a little too reminiscent of blackface.
  • Capcom has uploaded the soundtracks to some of their classic video games, like Mega Man and Street Fighter, to Spotify.
  • Louisville, KY’s Forecastle Fest announced their lineup for this year, which includes The Killers, The Avett Brothers, Anderson .Paak, Maggie Rogers, Chvrches, and more, and will take place July 12-14.
  • Ozzy Osbourne is reportedly doing much better after being hospitalized for complications of the flu.
  • Democratic nominee contender Kamala Harris failed at an attempt to seem cool when she claimed to have listened to Snoop Dog and Tupac while smoking reefer in college… before either had released music.
  • Record Store Day has named Pearl Jam its official ambassadors for RSD2019. The esteemed position has previously been held by the likes of Metallica, Foo Fighters, St. Vincent, Run the Jewels, Jack White, Iggy Pop, and Chuck D.

VIDEO OF THE WEEK: Rita Ora “Girls” & More

Rita Ora’s new song “Girls” has become a controversial tune, rather than the anthem of bi-sexual freedom she intended. Ora worked with a powerhouse crew of female pop vocalists including Cardi B, Bebe Rexha, and Charli XCX, saying that she was trying to bolster the same type of female inclusion that 2001’s “Lady Marmalade” instigated. But singer-songwriter Haley Kiyoko made a public proclamation against Ora’s song, stating that “this type of message is dangerous because it completely belittles and invalidates the very pure feelings of an entire community.” Similarly, singer Katie Gavin, who performs under the stage name Muna, wrote the following:

Ora’s apology came quickly and with authenticity, when she made a statement on Monday to her fans. “‘Girls’ was written as an accurate account of a very real and honest experience in my life,” says Ora. “I have had a romantic relationships with women and men throughout my life and this is my personal journey.”

The argument from singer Kiyoko focused on the lyrics that implied Ora only felt compelled to pursue women when consuming alcohol. The singer explained that in her experience, she never needed “red wine” to “kiss girls.” But for better or worse, part of pop music’s m.o. has always been making taboo subjects palatable for the masses, even when that results in watering the message down. It’s a double-edged sword, in that tracks like “Girls” can bring more awareness and acceptance to marginalized communities, even if the authenticity of that representation is questionable. No matter what side of the debate you fall on, “Girls” features some of the heaviest hitters in pop music – and that’s something we can get behind.

On Mother’s Day, Lykke Li shared an intimate video of her childhood movies, intermixed with videos of her own son. The video is called “Utopia,” which Lykke Li explains relates to the space her mother created for her as a child. “Utopia is all my mother ever wanted for me,” she says “and all I ever want for him.”

Another ode to the mothers in our life, Common Holly’s latest release features images of her interspersed with flashes to her mother, who lip syncs her daughter’s lyrics.  This video was quite a long time in the making – the single is from Common Holly’s album Playing House, which was released in October of 2017.

The latest video from Brooklyn band Wet features its singer, Kelly Zutrau prancing around in a white leotard before a bland background; the minimalist setting is a stark contrast to the musically rich production on single “Lately.”

Beach House released their latest album, 7, for streaming in full via YouTube. The accompanying video follows the aesthetic of their previous releases; black and white graphics drift by as their soundscapes accompany the optical illusions.

TRACK REVIEW: Jojee “I Don’t Give A”

Jojee_1
Breathe in and exhale a new track from Jojee produced by Mickey Valen. The song was inspired by forbidden love, an unfiltered reaction so magnetic sometimes you just have to let go of social constructs and allow it to swallow you up. According to an inside source, the song “…is the declaration of not giving a f*ck anymore and following your heart.”  A lot of people often mistake love for joy, but the definition that resonates with me, is an acceptance. Acceptance of passion, acceptance of flaws, acceptance of situation, and learning to just go with the flow – an emotion, perhaps both the most basic yet difficult for humans, that Jojee perfectly pins down musically. The New Yorker has been described as “future pop,” but this sounds more like modern day soul to me. The intersection of dream pop and R&B (Wet, Banks, FKA Twigs) has created an exciting new corner of music. Like, what you’d make love to post-abduction on an UFO.
Listen below.

AudioFemme’s Best of 2013

Best of 2013 Graphic

From elaborate roll-outs to surprise releases, 2013 was a banner year for comebacks, break-outs, break-ups, and overnight sensations.  The fact that the most oblique content could cause rampant controversy to reverberate through the blogosphere turned every song into a story and made every story seem epic.  At the heart of it all are the sounds that defined this particular calendar year, from electronic pop to punk rock  to hip-hop to hardcore and everything in between.

[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”AudioFemme Staff” author=”Top 50 Albums of 2013″ image=”http://www.audiofemme.com/wp-content/uploads/2014/01/01MBVmbv-300×298.jpg”]

After much debate, we’re proud of our little list and believe it represents releases that are among the best and most important of the year.  Here are our top 50 LPs in two parts: 50-26 // 25-1

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And check out our Top Albums of 2013 Playlist on Spotify.
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”AudioFemme Staff” author=”Top 50 Tracks of 2013″ image=”http://www.audiofemme.com/wp-content/uploads/2014/01/05HaimDays.jpg”]
In a given year, thousands of records are released, many of them having upwards of ten tracks apiece.  So it’s actually physically impossible to hear them all, and can be downright daunting to wrangle them into some kind of intelligible countdown.  But we certainly have done our best, here cataloging the tunes we just couldn’t stop playing, and stuck fast in our heads when we finally managed to turn them off.

Here’s our Top Tracks of 2013 Playlist on Spotify.

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Staff Lists:

[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Lindsey Rhoades” author=”RiotGrrl’s Influence in 2013″ image=”http://www.audiofemme.com/wp-content/uploads/2013/12/kimkathleen.jpg”]
Not only are we as a culture stepping up to finally examine sexism and exploitation and appropriation within the industry, there are more acts than ever completely unafraid to do their own thing – be it overtly political (see: Priests) or revolutionary in its emotional candidness (looking at you, Waxahatchee).
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Carena Liptak” author=”Best Album Art” image=”http://www.audiofemme.com/wp-content/uploads/2013/12/sunbather.jpg”]
Let’s all just agree to agree that hip hop as a genre won the album cover contest this year, okay?
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Rebecca Kunin” author=”2013’s Best Soundtracks” image=”http://www.audiofemme.com/wp-content/uploads/2013/12/Soundtrack.jpg”]
Music has the ability to make or break a cinematic moment.  Would Jaws be as scary if it weren’t for the theme song? Or would we cry as hard when Leo Dicaprio sunk to the bottom of the Atlantic Ocean if Celine Dion didn’t belt “My Heart Will Go On” every five minutes? Probably not.
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Lindsey Rhoades” author=”2013: The Year in Music Controversies” image=”http://www.audiofemme.com/wp-content/uploads/2014/01/musicthoughts.jpg”]In the age of the ubiquitous think-piece, here’s another, and this time, it’s about think-pieces.  In 2013 what think-pieces mean is that no one is about to get away with anything.[/fusion_testimonial]

[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Kelly Tunney” author=”Top 10 Unexplainable Kanye Moments” image=”http://www.audiofemme.com/wp-content/uploads/2013/12/Kanye.jpg”]
Mr. West has built up quite a reputation for himself. His musical talent has remained impressive throughout his 6-album career (Yeezus easily made several of this year’s “best of” lists, including our own) but Kanye’s persona has been the subject of parody and scandal for a long time now. This year, though, held several moments of Kanye-crazy that stood out among the plethora of examples from his memorable past.
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Carena Liptak” author=”Notes From The Road” image=”http://www.audiofemme.com/wp-content/uploads/2013/12/BTHEHc8IgAAESY0.jpg-large.jpeg”]
At the beginning of 2013, adventure felt overdue — something about going to new places, with no routine or expectations, opens you up to hear music you’d never think to listen to otherwise.
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[/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][fusion_testimonial company=”Raquel Dalarossa” author=”Top 7 to Anticipate in 2014″ image=”http://www.audiofemme.com/wp-content/uploads/2013/12/outkast-reunion-big-boi-andre-3000.jpg”]
Between the exciting festival rumors and anticipated album releases, 2014 is already shaping up to be a pretty amazing year (at least musically speaking).
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EP REVIEW: “Wet”

Wet (1)
Feel all those feelings / But don’t make that call

I am a notoriously messy person. I moved into my apartment in March of this year and there’s yet to be a day when the floor isn’t covered—littered—with clothes. But I adore the messiness, it works in it’s own orchestrated layering, all the props of my life laid out in positions that no one else will ever see them in. This is the best scene I can offer to relate how listening to Wet’s initial EP feels. Not to be all “love is hard, love is a messy room” but love is certainly not the no-strings-attached luxury hotel suite that most pop songs paint it to be and this band manages to capture that. Although the EP was put out by Neon Gold Records about a month ago, I caught two of their live performances this past month and I couldn’t let this mesmerizing mini-album fade into the ether without gushing over the  Brooklyn band’s first release.

There’s recognizable elements, but they’re rearranged and chopped up in a way that has inspired a number of mashup phrase descriptors from the group’s proponents. There’s the skittering drums of an electronic act like Purity Ring, but realized with a human touch courtesy of drummer Joe Valle. There’s the same dreamy, otherworldly vocals, provided by frontwoman Kelly Zutrau, who, despite her pearly voice channels a distinct grunge-glam aura aesthetically that’s almost as pleasing as the music. Zutrau’s vocals are often layered in the that special electronic-breathy way—that feels like Imogen Heap officially invented, but have been used much better by others since her—and the harmonies that Wet constructs feel equal parts lacquered and child-like. This might be the ultimate appeal of the band, they’re a fully-realized musical act of 2013 that have yet to become snapped up into the endless cyclings and machinations that this year seems to have brought on to the fullest degree. All of their touchstones feel current but they themselves feel new, not like something rehashed or constructed to please. There’s an honesty to their music—a lot of which stems from the wide-eyed, poignant lyrics—that is missing in nearly every other act I’ve listened to this year.

The sticky, molasses draw of Wet’s debut EP is that these songs are about love as it actually occurs in real time. The characters in these tracks see past (unlike the myopia of most pop) and present pictures of relationships that are full of both frustration and fascination–that feel limitlessly flawed and also endlessly present. Take “Don’t Wanna Be Your Girl” for instance. It’s a truthful take on gut-wrenching loss and eye-sparkling adoration, even while the title and most of the lyrics suggest a clean break, there’s still lines like “I just want to see your face at home” that directly conflict with “I just want to see you up and out / out of the door.” By presenting these two dichotomous lines the song sums up the doublemindedness that break-ups breed with uncanny precision. “No Lie” walks through the dreariness of watching the object of your affection lose interest in you. It’s the flipside to “Don’t Wanna Be Your Girl,” examining the wound of being left with only an immense sense of loss and empty promises. But this song doubles in power by assuming the role of the rejected and actually delving into not just the loss, but the feeling of being left, of having love and not being able to keep it. Converging that kind of intensity with the slow-drift R&B that Wet has perfected makes for a song that is able to mimic its lyrical content in the actual song. Which is the point of the entire genre of R&B, at all, ever, right?

Without a doubt though, “You’re The Best” is the best song on the four track EP. It’s the most upbeat and at least masquerades as a happy love song and it has the best vocal effects on huge swaths of harmonies. It was initially styled as “U Da Best” which felt more like Wet’s personality (look at their website to see a lady made of keyboard strokes scroll/dance behind their Soundcloud player to see more) but I can understand wanting to use proper grammar and spelling (I guess). The reason this song is the actual, actual best though is once again the fact that it’s based in reality. Even though it’s a super sweet song about being super in love and thinking that your emotions and the power of love can combat the rest of the bad stuff, it still acknowledges the rest of the bad stuff. Like being in someone’s arms and loving them but not being 100% sure if they’re the end all be all of all relationships you’ve ever been in and sometimes feeling lonely still even though there’s a great, reliable and handsome person who loves you. Or the part about “when we’re sleeping / our friends they creep in / and all the rest” that skillfully sums up just how much friendships and relationships with people outside your couple-y love bubble can sometimes just fuck up the dynamics of your love situation. It’s a head-over-heels love song that also discusses specific problems and hiccups that occur even amidst all the heart-eye-emoji feelings, and eventually decides “baby you’re the best / we’ll figure out the rest.” Or wait, does it? I love hearing it that way but then sometimes the line “I think we better quit while we’re ahead” feels so ominous and makes me rethink my whole interpretation of the track. That’s because it’s good and good things are the best at being slippery, undefinable and amorphous.

I’ll end this review by talking about the first song on the EP which is simply called “Dreams.” Ostensibly, this song is about dreams, but it’s more about how much more possible your dreams seem when someone else believes in them as much as you. It’s a song dedicated to wanting to hear about someone else’s dreams and trying to help make them come true. Even with subject matter this heart-warming, the wavering, rainbow guitar lines on this song—provided by the trio’s third member Martin Sulkow—distract me from the actual lyrics almost every time. It feels the most psychedelic and noodly of any of their recorded songs, but then again, at their live show at Mercury Lounge they played a new song that seemed to be inching into more of a drone-space that had me really excited. If this band is pop, it’s pop in the sense that the songs feel universally appealing and they’re easy to listen to, but the musical complexity of them makes me recoil at the simplistic genre terminology of “pop.” This is what 2013 sounds like, this is what being in love and struggling through loss and selfishness and rejection sounds like. It’s what feeling lonely and happy and jealous sounds like. It’s the human experience filtered through a mesh of synthesizers and beats and incredible lyrics. And, if we’re lucky, this is what 2014 will sound like too.

Listen to “Don’t Wanna Be Your Girl”, here via Bandcamp:

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