AF 2020 IN REVIEW: Our Favorite Albums & Singles of The Year

In a year that’s been like no other for the music industry, it feels a bit weird to make a best of 2020 list – there have been no tours, venues and clubs across the globe are in danger of closing their doors for good, release schedules were shuffled beyond recognition, and musicians have had to find other ways to make ends meet while those in the U.S. await the next round of paltry stimulus checks. With a situation so dire, the metrics have changed – should we ascribe arbitrary value to the skill of producers, songwriters, performers, and the execution of their finished projects, or simply celebrate records that made us feel like the whole world wasn’t crumbling?

Definitively ranking releases has never been the Audiofemme model for looking back on the year in music. Instead, our writers each share a short list of what moved them most, in the hopes that our readers will find something that moves them, too. Whether you spent the lockdown voraciously listening to more new music this year than ever before, or fell back on comforting favorites, or didn’t have the headspace to absorb the wealth of music inspired by the pandemic, the variety here emphasizes how truly essential music can be to our well-being. If you’re in the position to do so, support your favorite artists and venues by buying merch, and check out the National Independent Venue Association to stay updated on what’s happening with the Save Our Stages act. Here’s to a brighter 2021.

EDITOR LISTS

  • Marianne White (Executive Director)
    • Top 10 Albums:
      1) Mary Lattimore – Silver Ladders
      2) the Microphones – Microphones in 2020
      3) Soccer Mommy – Color Theory
      4) Megan Thee Stallion – Good News
      5) Phoebe Bridgers – Punisher
      6) Amaarae – The Angel You Don’t Know
      7) Dua Lipa – Future Nostalgia
      8) Adrianne Lenker – songs/instrumentals
      9) Perfume Genius – Set My Heart On Fire Immediately
      10) Lomelda – Hannah
    • Top 5 Singles:
      1) Kinlaw – “Permissions”
      2) Billie Eilish – “Therefore I Am”
      3) Little Dragon & Moses Sumney – “The Other Lover”
      4) Yves Tumor – “Kerosene!”
      5) Megan Thee Stallion – “Shots Fired”

  • Lindsey Rhoades (Editor-in-Chief)
    • Top 10 Albums:
      1) Land of Talk – Indistinct Conversations
      2) Dehd – Flower of Devotion
      3) SAULT – Untitled (Black Is)/Untitled (Rise)
      4) Public Practice – Gentle Grip
      5) Cindy Lee – What’s Tonight to Eternity
      6) Fiona Apple – Fetch the Bolt Cutters
      7) Benny Yurco – You Are My Dreams
      8) Eve Owen – Don’t Let the Ink Dry
      9) Porridge Radio – Every Bad
      10) Jess Cornelius – Distance
    • Top 10 Singles:
      1) Little Hag – “Tetris”
      2) Elizabeth Moen – “Creature of Habit”
      3) Yo La Tengo – “Bleeding”
      4) Caribou – “Home”
      5) Jess Williamson – “Pictures of Flowers”
      6) Adrianne Lenker – “anything”
      7) Nicolás Jaar – “Mud”
      8) Soccer Mommy – “Circle the Drain”
      9) New Fries – “Ploce”
      10) El Perro Del Mar – “The Bells”

STAFF LISTS

  • Alexa Peters (Playing Seattle)
    • Top 5 Albums:
      1) Deep Sea Diver – Impossible Weight
      2) Blimes and Gab – Talk About It
      3) Perfume Genius – Set My Heart On Fire Immediately
      4) Tomo Nakayama – Melonday
      5) Matt Gold – Imagined Sky
    • Top 3 Singles:
      1) Stevie Wonder – “Can’t Put it in the Hands of Fate”
      2) Tomo Nakayama – “Get To Know You”
      3) Ariana Grande – “Positions”

  • Amanda Silberling (Playing Philly)
    • Top 5 Albums:
      1) Frances Quinlan – Likewise
      2) Bartees Strange – Live Forever
      3) Told Slant – Point the Flashlight and Walk
      4) Diet Cig – Do You Wonder About Me?
      5) Shamir – Shamir
    • Top 3 Singles:
      1) Kississippi – “Around Your Room”
      2) Sad13 – “Hysterical”
      3) The Garages – “Mike Townsend (Is a Disappointment)”

  • Ashley Prillaman (Contributor)
    • Top 5 Albums:
      1) Perfume Genius – Set My Heart On Fire Immediately
      2) Lasse Passage – Sunwards
      3) Megan Thee Stallion – Good News
      4) Grimes – Miss Anthropocene
      5) Yves Tumor – Heaven To A Tortured Mind
    • Top 3 Singles:
      1) Megan Thee Stallion – “B.I.T.C.H.”
      2) Perfume Genius – “On the Floor”
      3) SG Lewis & Robyn – “Impact” (feat. Robyn & Channel Tres)

  • Cat Woods (Playing Melbourne)
    • Top 5 Albums:
      1) Jarvis Cocker – Beyond the Pale
      2) Róisín Murphy – Róisín Machine
      3) Run the Jewels – RTJ4
      4) Emma Donovan & The Putbacks – Crossover
      5) Various Artists – Deadly Hearts: Walking Together
    • Top 3 Singles:
      1) Emma Donovan & The Putbacks – “Mob March”
      2) Laura Veirs – “Freedom Feeling”
      3) Miley Cyrus – “Never Be Me”

  • Chaka V. Grier (Playing Toronto)
    • Top 5 Albums:
      1) Lianne La Havas – Lianne La Havas
      2) Joya Mooi – Blossom Carefully
      3) Lady Gaga – Chromatica
      4) Witch Prophet – DNA Activation
      5) Tremendum – Winter
    • Top 3 Singles:
      1) Lianne La Havas – “Green Papaya”
      2) Lady Gaga – “Free Woman”
      3) Allie X – “Susie Save Your Love”

  • Cillea Houghton (Playing Nashville)
    • Top 5 Albums:
      1) Chris Stapleton  – Starting Over
      2) Brett Eldredge – Sunday Drive
      3) Little Big Town – Nightfall
      4) Ingrid Andress – Lady Like
      5) Ruston Kelly – Shape & Destroy
    • Top 3 Singles:
      1) The Weeknd – “Blinding Lights”
      2) Billie Eilish – “Therefore I Am”
      3) Remi Wolf  – “Hello Hello Hello”

  • Eleanor Forrest (Contributor)
    • Top 5 Albums:
      1) Grimes – Miss Anthropocene
      2) Rina Sawayama – SAWAYAMA
      3) Allie X – Cape Cod
      4) LEXXE – Meet Me in the Shadows
      5) Gustavo Santaolalla, Mac Quayle – The Last of Us Part II (Original Soundtrack)
    • Top 3 Singles:
      1) CL – “+5 STAR+”
      2) Yves Tumor & Kelsey Lu – “let all the poisons that lurk in the mud seep out”
      3)  Stephan Moccio – “Freddie’s Theme”

  • Gillian G. Gaar (Musique Boutique)
    • Top 10 Albums:
      1) Dust Bowl Faeries – Plague Garden
      2) Ganser – Just Look At That Sky
      3) Oceanator – Things I Never Said
      4) Loma – Don’t Shy Away
      5) Maggie Herron – Your Refrain
      6) Pretenders – Hate for Sale
      7) The Bird and the Bee – Put up the Lights
      8) Partner – Never Give Up
      9) Bully – Sugaregg
      10) Olivia Awbrey – Dishonorable Harvest

  • Jason Scott (Contributor)
    • Top 5 Albums:
      1) Mickey Guyton – Bridges EP
      2) Katie Pruitt – Expectations
      3) Mandy Moore – Silver Landings
      4) Dua Lipa – Future Nostalgia
      5) Cf Watkins – Babygirl
    • Top 3 Singles:
      1) Mickey Guyton – “Black Like Me”
      2) Ashley McBryde – “Stone”
      3) Lori McKenna feat. Hillary Lindsey and Liz Rose – “When You’re My Age”

  • Jamila Aboushaca (Contributor)
    • Top 5 Albums:
      1) Tame Impala – The Slow Rush
      2) Khruangbin – Mordechai
      3) Kid Cudi – Man on the Moon III: The Chosen
      4) Tycho – Simulcast
      5) Run the Jewels – RTJ4
    • Top 3 Singles:
      1) Tame Impala – “Lost In Yesterday”
      2) Phoebe Bridgers – “Kyoto”
      3) Halsey – “You should be sad”

  • Liz Ohanesian (Contributor)
    • Top 5 Albums:
      1) Róisín Murphy – Róisín Machine
      2) Jessie Ware – What’s Your Pleasure?
      3) Phenomenal Handclap Band – PHB
      4) Khruangbin – Mordechai
      5) TootArd – Migrant Birds
    • Top 3 Singles:
      1) Anoraak – “Gang” 
      2) Kylie Minogue – “Magic”
      3) Horsemeat Disco feat. Phenomenal Handclap Band – “Sanctuary”  

  • Michelle Rose (Contributor)
    • Top 5 Albums:
      1) Dua Lipa – Future Nostalgia
      2) Taylor Swift – folklore
      3) Shamir – Shamir
      4) Jessie Ware – What’s Your Pleasure?
      5) HAIM – Women in Music Pt. III
    • Top 3 Singles:
      1) Porches – “I Miss That” 
      2) Annabel Jones – “Spiritual Violence”
      3) Wolf – “High Waist Jeans”  

  • Sara Barron (Playing Detroit)
    • Top 5 Albums:
      1) Summer Walker – Over It
      2) Yaeji – WHAT WE DREW
      3) Liv.e – Couldn’t Wait to Tell You
      4) Ojerime – B4 I Breakdown
      5) KeiyaA – Forever, Ya Girl
    • Top 3 Singles:
      1) Yves Tumor – “Kerosene!”
      2) Kali Uchis, Jhay Cortez – “la luz (fin)”
      3) fleet.dreams – “Selph Love”

  • Sophia Vaccaro (Playing the Bay)
    • Top 5 Albums:
      1) Charli XCX – how i’m feeling now
      2) The Front Bottoms – In Sickness & In Flames
      3) Zheani – Zheani Sparkes EP
      4) Various Artists – Save Stereogum: A ’00s Covers Comp
      5) Halsey – Manic
    • Top 3 Singles:
      1) Charli XCX – “forever”
      2) Doja Cat – “Boss Bitch”
      3) Wolf – “Hoops”

  • Suzannah Weiss (Contributor)
    • Top 5 Albums:
      1) Galantis – Church
      2) Best Coast – Always Tomorrow
      3) Overcoats – The Fight
      4) Holy Motors – Horse
      5) Suzanne Vallie – Love Lives Where Rules Die
    • Top 3 Singles:
      1) CAMÍNA – “Cinnamon”
      2) Naïka – “African Sun”
      3) Edoheart – “Original Sufferhead”

  • Tarra Thiessen (RSVP Here, Check the Spreadsheet)
    • Top 5 Albums:
      1) Brigid Dawson & The Mothers Network – Ballet of Apes
      2) Ganser – Just Look At That Sky
      3) Death Valley Girls – Under The Spell of Joy
      4) The Koreatown Oddity – Little Dominiques Nosebleed
      5) Ghost Funk Orchestra – An Ode To Escapism
    • Top 3 Singles:
      1) Miss Eaves – “Belly Bounce”
      2) Purple Witch of Culver – “Trig”
      3) Shilpa Ray – “Heteronormative Horseshit Blues”

  • Victoria Moorwood (Playing Cincy)
    • Top 5 Albums:
      1) Lil Baby – My Turn
      2) A$AP Ferg – Floor Seats II
      3) Polo G – The Goat
      4) The Weeknd – After Hours
      5) Teyana Taylor – The Album
    • Top 3 Singles:
      1) Cardi B & Megan Thee Stallion – “WAP”
      2) Roddy Ricch  – “The Box”
      3) Big Sean & Nipsey Hussle – “Deep Reverence”

RSVP HERE: Lubo Smilenov of Amalgamy Streams via Instagram + MORE

Welcome to our weekly show recommendation column RSVP HERE. Due to live show cancellations we will be covering virtual live music events and festivals.

If you’re thinking of learning a new exotic instrument and/or how to become an electronic music producer while in lockdown, look no further than Lubo Smilenov for inspiration. For his musical project Amalgamy he plays every beautiful instrument you’ve never heard of including Kora, Kaval, and Gadulka. He is a one-man band and electronic music producer who can play guitar, bass, keys, program drums and is an Ableton Push master. In 2018, Lubo teamed up with cellist Bryan Wilson on Amalgamy’s debut album Cynefin. The album is full of film score-esque textures, homages to various world musical traditions and electronic soundscape experiments. It’s the music you would imagine playing before an ancient battle.

The next chance you can see Lubo shredding his Ableton Push and playing anything from the Kora to Bulgarian bagpipes is Saturday, May 2nd at 8pm. We chatted with Lubo about how he approaches his sound, his practice routine and the $5 key to his live stream set up.

AF: The music you’re performing live these days is a departure from your first album with Amalgamy. How would you describe it and how are you are approaching it?

LS: My approach to music has been so impromptu lately. It can go in any direction at any moment. One second I’m pursuing music fit for film scores. The next I’m putting break core beats over auctioneer samples and archaic goatskin bagpipes. I’ve recently embraced an anything goes approach more than ever.

A lot of the electronic music I’ve been making lately has been done through my Ableton Push launchpad. I really enjoy having a hands on approach to electronic music. Everything is I do is triggered by my fingers the same way it would be with a piano or guitar. It feels just like a sound palette. I just dip a brush into one of every sixty-four buttons and trigger an intended statement of sound. However, the culmination of all these statements creates something that was previously unintended. Sometimes it’s the idea within an idea that we’re looking for.

AF: What is your set up for live streaming?

LS: I plug a dual 1/4” TS to 1/8”TRS cable into my interface’s main output. The 1/8” side goes into a Radioshack Stereo Jack Adapter, and that piece goes into my cell phone. That adapter is the $5 key to this setup. Thereafter, I mix the audio by recording videos on my phone while playing and listen back to how it sound after I’m done. I make adjustments and repeat the process.

AF: You have a large collection of world instruments. Where did you get them?

LS: I’ve been very fortunate to have earned the trust of a few prominent luthiers whom I admire very much. Most of my instruments come from the the village of Kameno, Bulgaria. We’re talking about bagpipes (Gaida), flutes (Kaval), and bowed lyres (Gadulka). My Kora is from The Gambia via Sona Jobarteh’s website. No matter how rare the instrument I’m looking for, I always find it with the help of other musicians. Musicians in NYC generally have each other’s back with these things. It’s amazing.

AF: What is your favorite instrument? Which do you practice the most?

LS: I can’t seem to stick to one thing and it’s so liberating. What I usually do is spend 15-20 minutes a day picking up different instruments around the house at random. If I do end up practicing something disciplinary like scales, I always reward myself with improv at the end. I’ll play at least one bowed instrument, one regular string instrument, and one wind, before moving onto music production.

AF: Where do you think music and technology are going in the next decade? Do you think an extended quarantine will have an effect on the future direction of live music, or music in general?

LS: There are talks of a budding music renaissance based on the current influx of purchases made on music retail sites. Most of these purchases have to do with electronic music via keyboards, synths, beatmakers, etc. It’s still too early to say anything in confidence given the morbid reality we are facing. However, I do think that the role of the bedroom producer will become more prominent in the coming year(s). It really is becoming more important for people to express themselves through creativity. Remote recording and file sharing will certainly increase without a doubt. Cloud servers that host plugins and resources are going to be utilized more than ever.

Extended quarantine will certainly have an effect on the future direction of live music. Music is made differently when musicians prepare for a live show together vs. when they are alone at home. Music made at home has less restrictions. There’s no one to push back at your crazy idea. Suddenly, you have to fill the role of the drummer, singer, bassist, producer, songwriter, video editor, and marketer all at once. Live streaming has never been more valuable as a tool for musicians. As far as performance goes, it’s all we have now.

RSVP HERE for Amalgamy’s set on Instagram Live Saturday 5/2 at 8pm.

More great live streams this week…

5/1-5/3 Love from Philly: Kurt Vile, G. Love, John Oates, Man Man + More via YouTube. 12pm est, all donations benefit Philadelphia’s Entertainment Community. RSVP HERE

5/1 Foxygen via Pickathorn Twitch. 4pm est, RSVP HERE

5/2 Live From Here: Chris Thile, Watkins Family Hour, Sylvan Esso via WNYC. 6pm est, RSVP HERE

5/2 Remote Utopias: Tame Impala, Weyes Blood and more via NTS App. 5am est, raising money for Gloval Foodbank Network RSVP HERE

5/2 Nap Eyes via Baby’s TV. 8pm est $5, RSVP HERE

5/3 Bang On A Can 6-hour livestream. 3pm est RSVP HERE

5/6 Breathwork with Kimi Class via Instagram. 7pm pst, RSVP HERE 

5/7 Alkaline Trio via Riot Fest Facebook. 7pm est, RSVP HERE

5/7 Tori Amos via Murmrr Theatre YouTube 2pm est, RSVP HERE

 

NEWS ROUNDUP: Grimes is (Sort of) Back, RBMA Announce 2019 Shows, and MORE

Grimes photo by Eli Russell Linnetz

So, About Grimes…

Where to begin? Claire Boucher (who turned 31 on Sunday and now prefers to be addressed as the italicized, lowercase letter ‘c‘) gave an interview to the Wall Street Journal; between the very odd conversation and her recent Instagram posts, it seems like she’ll be appearing in our News Roundups for a while, so buckle up.

First of all, she’s officially announced a new Grimes record. It’s called Miss_Anthropocene, and revolves around the concept of  the “anthropomorphic goddess of climate change,” according to her own Insta post. She describes the character thusly: “A psychedelic, space-dwelling demon/ beauty-Queen who relishes the end of the world. She’s composed of Ivory and Oil” and continues, “Each song will be a different embodiment of human extinction as depicted through a Pop star Demonology. The first song ‘we appreciate power’, introduced the pro-AI-propaganda girl group who embody our potential enslavement/destruction at the hands of Artificial General intelligence.”

In the same post, she also hinted that there might be an EP coming soon as well, which would ostensibly contain some of the stand-alone stuff she’s been working on while putting the LP together, like “Pretty Dark.”

On to the interview, which is behind a paywall I can’t afford and don’t want to pay to a conservative pub, so bear with me. c wants to “kill off” Grimes in a “public execution” because she feels limited by the branding she created back in 2009; her vision of herself as an artist is much more expansive, necessitating a Game of Thrones-esque book that will create a “lore” around her art and music. “It’s super, super pretentious,” she notes.

Reiterating her Instagram post, she says that she aims to make climate change “fun” with the new record, feeling that people ignore it largely because it makes them sad. Her solution to this dilemma is a series of “apocalyptic PSAs” in which she sits nude at a Last Supper-style dining table eating species on the brink of extinction, like a big bloody elephant head. You know, fun.

The album features an epic love ballad called “So Heavy I Fell Through The Earth” which Grimes says was inspired by the Assassin’s Creed movie trailer rather than her relationship with Elon Musk, whom she all but refused to talk about. She did say she “loves him” but was “simply unprepared” for the attention/criticism that dating him has brought her. WSJ did quote an email Musk sent to them about Grimes, saying, “I love c’s wild fae artistic creativity and hyper intense work ethic.”

Grimes tweeted that she was mostly pleased with the interview, but that generally she hates doing them because “it’s like fighting a battle with a fake version of urself to see who the public believes more.”

Red Bull’s NYC Music Academy Lineup is Here

Taking place across NYC throughout May every year, Red Bull Music Academy has become one of our favorite non-festivals – the lineup is always diverse and well-curated, with an eye on slightly more obscure avant-garde acts playing off-the-beaten path venues. Now in its 16th year, the programming for 2019 has been announced, and there’s a lot to be excited about.

For one thing, RBMA will host breakout Spanish singer-songwriter Rosalía for her first live appearances stateside. Her stunning 2018 album El Mal Querer flips Flamenco on its head, and the elaborate visuals that characterized her gorgeous visuals will likely make their way into the two performances scheduled for the newly-reopened Webster Hall.

Also performing over two nights, FKA Twigs returns to NYC for her first shows here since 2015, when Red Bull staged her vogue-opera Congregata in an abandoned hangar. This time, she’ll take over the Park Avenue Armory’s similarly cavernous drill hall. She hasn’t released new music in a while, so we’re curious to see what form these shows will take.

Four more women will bring immersive shows to the fest: Harlem’s own Teyana Taylor presents House of Petunia, a “spectacular audio-visual experience spearheaded by her all-female production company, The Aunties, featuring provocative stage design and mesmerizing choreography from a world-class team of dancers;” Tierra Whack headlines New York for the first time at the iconic Rainbow Room with “quirky and surreal stage design” that mirrors her surreal “Whack World” project; composer and sound artist Holly Herndon premieres the live iteration of her forthcoming album PROTO, “incorporating a fluid ensemble of eight vocalists, Spawn (a nascent machine intelligence), machine learning specialists, choreographers, and visual artists;” and Moor Mother weaves sound and history together with a “large-scale performance” she’s curated alongside an installation by Black Quantum Futurism, both of which are based on the race riots that engulfed America in the “Red Summer” of 1919.

More from RBMA’s press release:

Additional Red Bull Music Festival New York shows include: Rapper/producer JPEGMAFIA, who will showcase his gritty and abrasive beats with a dynamic live show in-the-round; NYC’s Onyx Collective bringing together their notable friends from the worlds of jazz, hip-hop, soul, and R&B for a free and unreplicable performance of intense, genre-expanding jazz at one of New York City’s beautiful parks; and the festival closes with Nyege Nyege Night featuring a propulsive and bass-heavy set from Ugandan DJKampire who – after laying the bedrock for the creation of safe party spaces for women and the LGBTQ+ community at home – will  make her US debut, co-headlining with rising singeli duo MCZO & Duke.

Tickets are sold for individual events and can be purchased here.

That New New

Speaking of Red Bull, break out that Hennessy – it’s Jenny Lewis Day, bitches.

Fresh off her Tim Presley collab DRINKS’ sophomore LP and tour, Cate Le Bon has announced her next solo album, Reward, out May 24 via Mexican Summer, with lead single “Daylight Matters.”

Nearly fifteen years after the release of their collaborative EP In The Reins, Calexico and Iron & Wine have reunited to record a full-length, Years to Burn. “Father Mountain” is the first single from the LP, out June 14 via City Slang.

Damien Jurado shared a new song from his stripped-down acoustic record In The Shape of a Storm, out April 12.

Juan Wauters has released the first single from Introducing Juan Pablo, out May 31. “Letter” was written in 2015; the record as a whole is something of a companion piece/prequel to his recently released La Onda de Juan Pablo LP.

Surprising no one, there’s a second volume to Broken Social Scene’s recent Let’s Try the After Vol. 1 EP on the way. Vol. 2 is out April 12 and its first single is “Can’t Find My Heart.”

Papercuts released a new three song EP, Kathleen Says, this week.

Lizzo and Missy Elliott have collaborated on a track, so music is basically over. Lizzo’s Cuz I Love You is out April 19.

Building on the momentum of recent single “Not What I Thought,” Somalia-born, Toronto-based vocalist Amaal brings the heat with another scorcher, “Coming & Going.”

Czarface, a hip-hop and comics collective featuring Inspectah Deck, has just released a collab LP with old Wu-Tang buddy Ghostface Killah. Czarface Meets Ghostface is out now, and so is this rad video for “Powers and Stuff,” seen from the POV of a very good boy.

Obliques are back with their first single since 2017’s “Instant Pleasure.”

Reptaliens’ sophomore LP VALIS arrives on April 26 – on cassette and limited edition pink vinyl. Watch the video for “Venetian Blinds” below.

Kero Kero Bonito released a video for “Swimming,” from last year’s Time ‘n’ Place.

Fat White Family return with a new video directed by Roisin Murphy. “Tastes Good With The Money” will appear on their third studio album, Serfs Up!, out April 19.

Plague Vendor unleash their new John Congleton-produced Epitaph Records LP By Night on June 7, and have shared a rowdy video for the raucous first track “New Comedown.”

Ibibio Sound Machine have a new album, Doko Mien, out today, and have shared a video for “Wanna Come Down.”

The latest video from Colombian breakout “Artist on the Rise” Elsa y Elmar is a journey, fam – and “Ojos Noche” is the Spanish-language alt-country bop you didn’t know you needed. Her next LP Eres Diamante arrives May 17.

Analogue special effects make for some gorgeous visuals in the dreamy new single from Heather Woods Broderick, who releases her newest album Invitation April 19. She’ll open for longtime collaborator and bandmate Sharon Van Etten at Webster Hall May 4.

Following the official announcement of her April 5 release Titanic Rising (and a video for “Everyday“) Weyes Blood shares a video for the album’s next single, “Movies.”

Tame Impala has released a new stand-alone single, “Patience,” to promote a headlining Coachella spot, numerous other festival appearances, and Saturday Night Live debut on March 30.

Honeyblood, now the solo project of Stina Tweeddale, releases their third LP In Plain Sight May 24, and have released a lyric video for “Glimmer.”

Here’s a ripper from new Queens-based band WIVES, who drop a two-part seven inch on City Slang in May.

Wes Miles unironically sings “Got the crew back together/Feels like it’s been forever” on “Bad To Worse,” the first song from Ra Ra Riot since the 2016 release of the LP Need Your Light; it’s produced and co-written by Discovery cohort Rostam Batmanglij.

End Notes

  • Iconic surf guitarist Dick Dale, best known as the man behind “Miserlou,” passed away on Saturday at the age of 81.
  • Myspace deleted your shit.
  • Did you know that Limp Bizkit’s Fred Durst hosts a jazz night at Los Angeles club The Black Rabbit Rose every Thursday? Lady Gaga does – she showed up last week to perform some Frank Sinatra covers.
  • San Francisco’s Outside Lands have announced the semi-retired Paul Simon as a headliner and reveal the rest of the lineup on Tuesday.
  • Woodstock 50 has official released their previously leaked lineup.
  • The Lollapalooza lineup has been announced; we’d save you a click thru and tell you who’s playing except that it’s literally the same bands playing every other festival, but in Chicago.
  • Justin Vernon and The National’s Aaron Dessner will bring a topsy-turvy version of Berlin event PEOPLE called 37d03d (get it? good, because it’s annoying to type) to Red Hook’s Pioneer Works; it’s a five-day residency featuring experimental-ish musicians like Vernon, Dessner, Sinkane, Boys Noize, Greg Fox, Shahzad Ismaily, and others, culminating in two performances on May 3 and 4.
  • The David Lynch Foundation, which brings transcendental meditation to sufferers of PTSD, have also announced a lineup for their benefit showcase on May 17 and 18 at Brooklyn Steel, featuring Wye Oak, Garbage, Phoebe Bridgers, Nancy Whang of LCD Soundsystem, and more.
  • Presumably riding high on Pepsi’s Super Bowl endorsement, Cardi B has filed paperwork to trademark “Okurrr.”
  • In other Cardi B news, she’s been announced as part of the ensemble cast for Hustlers, a movie about vengeful strippers based on this New York Times article.
  • The Wyld Stallyns have announced a most excellent reunion.
  • Madlib squashed some rumors that his collab EP with the late Mac Miller (dubbed “Maclib”) will see ever the light of day.
  • Questlove is teaming up with SF-based vegetarian “meat” purveyor Impossible Burger to created a Questlove Cheesteak sold at sports stadiums nationwide.
  • Democratic Hot but actually pretty centrist presidential candidate hopeful Beto O’Rourke has unveiled a unique platform: reuniting the Mars Volta.

ALBUM REVIEW: Tame Impala “Currents”

tame_impala

“They say people never change, but that’s bullshit/ They do.”

That’s a line from Currents, the latest album by Tame Impala. If you’ve been following their music for the past seven years, you’ll notice immediately that the album is quite a change for the Australian psychedelic rock band led by Kevin Parker. Tame Impala’s debut album, Innerspeaker, was filled with the bluesy guitar riffs of “Half Full Glass Of Wine” and quirky pysch-pop of “Solitude Is Bliss.” The 2012 release Lonerism, which included the heavy, time-shifting rock track “Elephant,” mostly continued this sound. 

But on Currents, little is the same as before. The guitars have been replaced with synths, except for a few lines on “Disciples” and some delay-heavy melodies in “Love/Paranoia.” I cringed when an euphoric, Avicii-like synth melody started halfway through the opening track, but then it turned into a broken-record loop of noise, which melted into a psychedelic jam and finally a funky hook before fading out. That song is titled “Let It Happen,” as if Parker had a feeling this new direction would cause some resistance in listeners (or even have them double-checking their screens to make sure that yes, that is a Tame Impala album they’re streaming.) But go with it – though it sounds strange at first, the album is as good as it is different. I miss the old Tame Impala’s guitar riffs, but Parker proves that his songwriting talents extend beyond rock to soulful ballads and electronic music.  “Elephant” showed us that he has an amazing feeling for rhythm and beats, which makes him a natural when it comes to dance music. You can get anyone to move to something with a good beat, but Parker’s substantial, introspective lyrics will also hold the attention of listeners.

Key tracks are the long lost Tears For Fears single “Moment,” the shimmery pop of “Reality In Motion” and the soul-filled single “Cause I’m A Man.”

There may not be much overlap between Tame Impala’s old fans and the ones he gains from Currents – or, like in my case, someone could like both Innerspeaker and Currents, but for completely different reasons. Before, Kevin Parker wanted us to know he likes being alone. Now, he wants to make you dance. At least he hasn’t gone country.

Currents will be  released July 17th via Interscope. You can check out the new song “Let It Happen” below stream the album via NPR here.

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