NEWS ROUNDUP: RIP Dolores O’Riordan, New LP Releases, & More

  • RIP Dolores O’Riordan (September 6, 1971 – January 15, 2018)

    We lost one of the greats this week. On Monday, January 15th, Dolores O’Riordan, lead singer of Irish rock band, the Cranberries, passed away in London, where she had been recording. She was 46. The sad news was announced by her publicist. The cause of death has not been announced but authorities are not treating it as suspicious and are awaiting the test results of a coroner’s examination.

    Born in 1971 in Ireland, O’Riordan auditioned for the Cranberries (then called The Cranberry Saw Us) in 1990 after answering an advertisement seeking a female singer. After recording a rough demo of “Linger,” she was officially in the band. They soon went on to record the EP, Nothing Left At All and eventually signed to Island Records. The group achieved mainstream success with the single “Dreams,” off of their 1993 debut album, Everybody Else Is Doing It, So Why Can’t We? The song immortalized nineties teen angst (visually preserved in an especially memorable scene of “My So-Called Life”). The album eventually sold over 40 million records. In 1994, the band took a more serious turn with the release of No Need To Argue which featured the hit single, “Zombie,” a protest song written in memory of two victims of the 1993 IRA bombings in Warrington, England. After No Need to Argue the Cranberries released three more albums – To the Faithful Departed (1996), Bury The Hatchet (1999), and Wake Up and Smell the Coffee (2001), before breaking up in 2002. O’Riordan then went on to put out two solo albums, Are You Listening? (2007), and No Baggage.

    In 2009, the same year that she released No Baggage, The Cranberries reunited on tour and recorded material for their 2012 release, Roses. In April of last year they released their seventh studio album, Something Else. They embarked on an international tour in support of the album before having to cancel in July 2017 due to health issues with O’Riordan’s back. Despite this knowledge, O’Riordan’s fans were hoping for a comeback as the singer had posted on Facebook during the recent holidays, saying that “she was feeling good” and accomplished her “first bit of gigging in months.”

    O’ Riordan will be buried in Ireland next week. She is survived by her three children.

  • New Albums from Belle & Sebastian, Porches, Tune-Yards & More!

    This has been the biggest week for album releases in the year thus far. Belle and Sebastian released How to Solve Our Human Problems, Pt. 2. It’s the second part of their much anticipated EP trilogy; the final installment is slated to arrive February 16th.

    Just in time for his upcoming tour with Miguel, SiR released his latest album, November. The jazz-inflected R&B singer is signed with TDE; the label is riding a incredibly high wave thanks to their critically-lauded 2017 releases, including Kendrick Lamar’s DAMN. and SZA’s Ctrl.

    The Go! Team made us feel old by releasing their fifth (!) album this week. Semicircle features their signature mash-up of cheerleader shouts and marching band sounds, with some ’60s sitar thrown in for good measure. They play NYC in April.

    Swedish band First Aid Kit gave us Ruins this week. It’s their first album in four years. Aaron Maine released The House, his third album as Porches. Two tracks off the release, “Find Me,” and “Country,” have already been given the video treatment.

    British dancepunk trio Shopping also released their third full-length this week. The Official Body will have you contemplating current events and social institutions while grooving to dance synths and heavy basslines reminiscent of Bush Tetras and Au Pairs.

    Last but definitely not least, Tune-Yards released I can feel you creep into my private life. The band’s founder, Merrill Garbus, recently told The New York Times that the new album is heavily influenced by learning how to DJ and attending seminars about race relations. Case in point? The catchy pop grooves of lead single, “ABC 123,” will have you bopping your head to the lyric, “I can ask myself, what should I do? But all I know is white centrality. My country served me horror coke. My natural freedom up in smoke.”

  • Other Highlights

    Wu-Tang’s RZA appears in a brand new video for PETA. The ad features the longtime vegan’s voiceover as his face shifts into different people and animals. Governors Ball announced James Blake as its final headliner for the 2018 June lineup. Kylie Minogue’s new single, “Dancing,” gives us a taste of her fourteenth studio album, Golden, out April 6th. Cardi B is the subject of a new Tidal “mini-documentary.” I’m Here Muthaf*ckas follows her as she headlines Jeremy Scott’s Art Basel dinner party for Moschino. Julien Barbagallo, the drummer of Tame Impala, released a video for “L’échappée.” The single is off of his upcoming album, Danse Dans Les Ailleurs, which is sung entirely in French. Five of David Bowie’s albums are getting vinyl re-issuesLow, Heroes, Lodger, Scary Monsters, and Stage will be available individually on February 23rd via Parlophone. Migos member Offset has offended many with a homophobic statement (this time in a lyric), AGAIN. Mary J. Blige honors the Time’s Up movement with new single, “Bounce Back 2.0.” Fischerspooner’s new NSFW music video celebrates male sexuality. Bad Wolves have released their cover of the Cranberries’ “Zombie.” Dolores O’Riordan was scheduled to record vocals for the track before her passing; proceeds from the single will benefit her children.

ARTIST INTERVIEW: Faulkner

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Photo by Jen Maler.
Photo by Jen Maler.

Early in the evening, I found myself at a soundcheck at a hole-in-the-wall called Friends and Lovers in Prospect Heights.  Even if they were just messing around to adjust levels, I was jarred by their large presence filling up the small space.  Bi-coastal, genre-bending newcomers Faulkner are quickly rising through the ranks with their tastefully aggressive sound.  Comprised of Lucas Asher (singer, guitarist), Dimitri Farougias (bassist), Eric Scullin (multi-instrumentalist), and Christian Hogan (drums), they are feeding on the positive acclaim for their EP Revanchist, and inching closer to the release of their first full-length album, Street Axioms.

Intimidatingly tall and sarcastic, yet sweet, Asher, Scullin, and Farougias opened up on topics like the recording process, working with the RZA, and nudism just before their show as a part of Mondo NYC.

Ysabella Monton for AudioFemme: First thing’s first, what creatively do you think each other brings to the project?

Lucas Asher: Eric brings the production and arrangement, and musicianship.  Dimitri, mostly rhythm, holding the rhythm down and performance, like incredible energy.  And then I’m a songwriter.

One thing I drew from is that you tend to cross genres — there’s no real boundary there.  Where do those influences come from?

Dimitri Farougias:  A lot of  ’70s, you know, some ’70s punk there, some ’80s pop, and ’90s hip-hop all kinda blended together.  No specific references, but those genres definitely come into our songs.

Does the songwriting and production cross over as well?  Is there a real cut process to it, or does it just happen?

DF: Lucas will bring the basic structure and the melody and the works, and the rest of the band will — or the entire band, actually — will just come into the room and start putting all the pieces together. All the instrumentation, everyone will write their parts.  It’s fairly, fairly smooth.  Everyone knows exactly what they’re supposed to do in the band, and it’s a very painless process.

So the album is coming together?

LA: Yeah, we released our EP called Revanchist, so that’s out right now, and then the album, you can look for it a little bit later in the fall.

And Revanchist, it’s very much a conceptual album.  Without explaining exactly where you went with it, where does that come from?

LA:  It has very strong themes of retribution, um those are found in the songs “Waters Are Rising” —

DF and Eric Scullin:  “Keep Your Enemies Closer”.

LA: Right.  There’s also a strong visual component that’s parallel to the music that’s reflected by the cover art, as well as the music video for “Revolutionary” which people can check out on YouTube.

And the album, is that meant to be conceptual as well?

LA:  Yeah.

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faulkner 3
Photo by Jen Maler.

So Lucas, your decision to move to New York?

LA:  I ran away from my orphanage in Oklahoma.

And since songwriting influences come a lot from life experiences, I know specifically you started writing a lot when you first came here. 

LA:  I think my biggest songwriting influence is 50 Cent, so…

DF:  Poetry.

LA:  Yeah, so just a lot of it, honestly, is from the streets, because I lived on the streets for a minute.  So coming up off the streets.

It’s a really cool way that you guys play with hip-hop, especially having worked with RZA from Wu-Tang, that’s amazing.

DF:  Yeah, that was wonderful.  That was really amazing.  It was really cool to write with him and record with him.  He originally signed on to produce a demo we sent him, and once we got into the studio with him at Rick Rubin’s Shangri-La, he really got into it.  He just got in the booth and started writing, spit the illest verse, so that was really magical.  That was definitely a highlight.

There have been some other big names there too, though.

DF:  Yeah!  JP Bowersock, who worked with The Strokes —

ES:  He’s also an expert of chardonnay.  He will school you in chardonnay.

DF:  He can school you in a lot of things.

ES:  He’s a connoisseur of a lot of things.  He’s a sommelier as well.

DF:  Yeah, a connoisseur.  And then Mark Needham, who worked with The Killers and Imagine Dragons, and a whole lot of other acts.  He’s a very predominant mixer, engineer, producer in rock music.

ES:  He’s a mix pirate.  He’s got a toucan on his shoulder.  Like a parrot.  He just talks like a pirate, always making these funny sounds.

So, the trajectory of things that have been happening in the last couple of years, since you guys formed in 2013…

DF:  It’s happened very organically, you know.  I don’t know, we’re very hard workers, but we also need a lot of different elements for all of this to happen.  We have a great team that supports us, and we’re all very hard workers and dedicated to what we do.  Only good things can come from those elements.

So the festival that’s going on right now, Mondo, how did you guys get into that?

LA:  We heard it was a nudist festival, and then they told us no.

DF:  Yeah when we got here, we were pretty bummed out to be honest.

LA:  But we had already committed by that point, so…

DF:  We were ready to take it all off, and they were like, “No no no no, stop!”

It’s a very new thing for New York City, Mondo Fest. How did you sign onto it?

LA:  Our team brought it to us, and we have like, this punk rock attitude about playing shows.  We’ll play anywhere, at any time.  Not to sound desperate –

DF:  No, we love to play.  We love to play, we love to make new fans all the time, we love to meet people.

LA:  And we love New York.  We’ve been in New York for almost every week we’ve been in LA.

How did you all originally meet?  

DF:  The LA music scene.  We were all in different projects, different bands, and then Lucas kinda brought us all together.

LA:  And that’s the PR version.  I was on PlentyofFish.com looking for matches.

ES:  And then I came up, and I was like, fuck it, we’ll give it a shot.

That’s on the record.  That’s the real story now.

DF:  We met on a nudist beach on Ibiza.

ES and LA:  Yeah.

Just playing music.

ALL:  Yeah.

But really, the LA music scene.  What are the differences between the scenes here and there?

ES: I don’t know, I mean, LA seems to kinda be more central lately.  I’ve noticed people moving from NY to LA.  It’s more of a hub for music.  And I have my studio there, it would be a lot to

LA:  Studio plug!

ES:  [/fusion_builder_column][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][laughs] Yeah.

LA:  What’s your studio called?  Radio Quality Sounds?

ES: Yeah, it’s really, really nice.  I’m kidding.  My point is, to have the space like that here is not the same.  LA’s got a lot more space, and people move there increasingly.  I’m seeing more and more people headed there.  And I grew up there, so I love it.

LA:  I prefer New York, but it seems like LA is…there’s more of a live element right now.

ES:  Different vibes.  You gotta do both.  I prefer to live in New York and visit LA often.  They’re very different.  [pause] Wait, I meant live in LA, visit New York often.

LA:  The inverse of what you said.

ES:  Basically, anything I say I mean the opposite.

So you’re not nudists.

ALL:  Yeah.

Photo by Jen Maler.
Photo by Jen Maler.

Have you done any recording in New York?

ES:  Yeah we did at Avatar, which used to be the Record Plant,

DF:  Amazing studio.

ES:  Awesome.  Neve console, great room. Recording here is a different vibe.  Space too, you know.  Everything is on the third floor of some weird building.  LA is a different vibe.

LA:  You have to grab the piano.

ES:  Yeah, I have to carry my Steinway alone upstairs.  It’s terrible.

 No help from these guys?

ES:  Not at all.

I’ve heard about that kind of stuff from other people, saying they’ve gotten snowed into studios here in the winter or something.

ES:  Yeah, I can see that.  That’s not happening in Malibu.

I just wonder what it is about LA that draws people in.

LA:  I think it’s part of our generation as well.  Not to wax on here, but “I feel like everyone in the millennial generation is down to go anywhere.  People aren’t as chained to where they were born for example.

One hundred percent.

LA:  I blame Instagram for that.

DF:  Everyone’s a travel blogger.

Yeah, the glorification of that lifestyle.  Well, thank you guys so much for taking this time with me today, I appreciate it.

ES:  We appreciate it too.  All the knowledge off the top of your head, it’s amazing.

I do a little research!

LA:  You didn’t find any criminal records?

Not yet, I guess I didn’t look deep enough.

LA:  Look deeper.

It’s just stuff about nudity, right?

ES: Our interview is basically, “Faulkner: The Nudist Band You Need to Get to Know Now!”

I guess we took the wrong pictures for this article.

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