release – Audiofemme

TRACK REVIEW: Goodman “Hiccup”

With a very Beatles-esque vibe, Goodman is here to bring a bit of sunshine and chill to your dreary winter days with his latest single “Hiccup.”

Singer/songwriter Michael Goodman delivers us this feel-good track that walks the line between pop rock and surf rock, and it’s got us feeling all sorts of feels. Its repetitive beat, peppered with claps and hiccups, will have you grooving in your seat.

Keep an eye out for his full-length album The Vicissitudes, which is expected to drop in February on Invertebrate Records.

<a href="http://goodmanmusic.bandcamp.com/album/the-vicissitudes-2">The Vicissitudes by Goodman</a>

TRACK REVIEW: Smallpools “Run with the Bulls”

Need an energy boost? Smallpools has got you covered with their latest song.

Upbeat, fast-paced, and energetic to an almost manic point, “Run with the Bulls” will shake you up and course throughout you. Then suddenly, just as you’re getting really into it, it’ll end, leaving you grasping in the darkness for more. With synths that won’t quit, a solid guitar riff, and vocals that bounce up, down, and around, you’ll feel yourself spinning out into a Smallpools-induced musical vortex. Don’t worry, it’s as exciting and wild as it sounds.

TRACK PREMIERE: Citrus & Katie “Sludge”

Citrus & Katie’s latest track “Sludge” embodies its title, dredging its way through your system and sitting contentedly in your ears. It’s parts garage rock, funk, soul, and pop, making for an upbeat fusion track that’ll leave you smiling. For the most part, “Sludge” is true to its name as a slow moving track, until the end when it really picks up pace, kicking up the rock ‘n’ roll vibes and ending on a fun note. Take a listen to it below! Their new album, NSTYLDY is out this month.

TRACK REVIEW: Zella Day “Man on the Moon”

Bypass your morning coffee! Starting out with a chorus-y bang and accompaniment of keys, Zella Day’s “Man on the Moon” is the type of track that’ll kickstart your day and give you that much-needed pep in your step.

“Man on the Moon” is an ethereal beauty, surreal and dream-like from start to finish. It holds an air of normalcy until every chorus breaks down into the otherworldly again–its ability to capture the transcendental aligns oh so perfectly with the title. Appropriately, each chorus also has vocals that sound like a martian’s.

Take a listen below to this entrancing number.

TRACK REVIEW: MisterWives “Same Drugs”

You know what life has been missing? A new MisterWives track! And although it’s not a new track per se, as it’s a Chance the Rapper cover, it’s still a worthwhile song to add to your weekly playlist (because everyone has one of those, right?).

In a lot of ways, this single is a deviation from the MisterWives we’ve come to know and love. “Same Drugs” holds elements of gospel music, complete with clapping and soft “ooh’s” in the background, and is overall more low-key and serious compared their usual bubbly, fun sound. Frontwoman Mandy Lee slays the track with her signature quirky vocals, yet this track has a more sobering effect. She handles it masterfully, hitting highs, lows, and everything in between while dodging playfully alongside keys and brass. It’s a great reminder that we all need a lot more MisterWives in our lives–and hopefully sooner rather than later.

TRACK REVIEW: Trails and Ways “Get Loud”

It’s been a minute since we’ve heard new releases from Trails and Ways, but after a four-year pause, it’s exciting to see a slew of fresh music from the band. One of which is the energetic power pop single “Get Loud.”

The track has an addictive beat and subdued yet captivating vocals that do a fantastic job of staying on top of the pace. Short, sweet, and relatively simple, “Get Loud” is just an overall fantastic feel-good song. It also somehow feels very early 2000s mainstream rock while maintaining an air of relevance that one-hit wonders of the late 90s would be enviable of.

Keep a tab on Trails and Ways to see what else they’ll be sending our way!

TRACK REVIEW: Memoryy “Read My Lips (King Deco Remix)”

Have you ever listened to a song that feels both fast and slow at the same time? Well, once you’ve listened to Memoryy’s “Read My Lips King Deco Remix” you can say you have.

Memoryy’s remix adds a sultry, sexy twang to King Deco’s original track, commanding your attention with spine-tingling synths and bass. The song carries you along a slow build up of snaps and airy vocals to end with a fiery synth explosion that’s endearingly cacophonic. It grows outward and upward, climbing like a vine along a wall, and before you know it, you’ll be sitting on the edge of your seat sitting straight up, fully immersed in its beauty as it blooms before you.

Take a listen to the track below, and let it shape your week.

EP REVIEW: Ex Reyes “Do Something”

Flowery and airy, carrying you away from the hellscape that our country has become in the last two weeks to instead deliver you to a place where beauty and comfort exists is Ex Reyes’ new EP Do Something.

The EP starts out with their single “Bad Timing,” which is a jazzy, upbeat track that showcases falsetto vocals from Ex Reyes, aka Mikey Hart. It’s epiphanic and revelatory, which is a perfect lead into the piece as a whole. It also flows smoothly into the next track, “If U Come Runnin,” which will tinkle around your head for days with its quirky synths that spiral away.

From there, you’ll experience “Keeping You in Line,” which will do anything but that. You’ll feel yourself floating this way and that throughout this track as the music washes over you and transports you to a different world. Following that is a sobering dose of reality from the brief interlude track “Hard to Stand,” which will ground you after your mysterious journey from the prior song. The EP closes out with “Where U Callin From,” which features Wild Belle. With brassy elements that recall ska days of yesteryear and tinkling keys that dance up and down your spine, it’s a fantastic note to end the album on. Plus, Wild Belle and Ex Reyes’ vocals seamlessly complement one another.

If you’re looking for a bit of music to help you realign and center your soul, then you’ve found the artist to follow.

ARTIST INTERVIEW: Heat Thunder

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Heat Thunder, aka Joe Montone, hailing from Doylestown, Pennsylvania, is a folk musician whose music you’ll want to become quickly acquainted with. He recently opened for Anthony Green of Circa Survive on his Pixie Queen Tour and also released his long-awaited EP Phoenix. His thought-provoking lyrics and entrancing guitar chords are enough to make anyone more than slightly curious about the man behind the music — it’s immediately apparent upon first listen that Montone has an enviable natural and clear connection with music that goes far beyond being a hobby. Passion is embedded in his music because it has become so deeply ingrained in his life, and Montone’s appreciation for the process behind creating and performing music is humbling.

AudioFemme got a chance to chat with Montone about a bit of his musical history and what plans he has for the future.

AudioFemme: Tell me about your musical background. How did you get to this place in your musical career?

Joe Montone: The summer before I began high school, my suburban world changed and expanded. Skateboarding and music were still cultural rites of passage, and I knew I needed the good stuff. But all I had was Kmart. That year, 2003, my older sister Mary picked me up and drove me an hour away to get my first skateboard. That’s what it took to get to a REAL shop.

She bought me a skateboard video that day—the music behind those skate parts still gives me chills thinking about it. Sunny Day Real Estate, Placebo, and Built to Spill were featured. My cousin John further contributed to this expansion infinitely. He brought me to Warped Tour that same year. 2003 was still legit: Coheed, Taking Back Sunday, Brand New (before Deja Entendu was released!). It’s funny to think about now.

I aspired to start a band all throughout high school. Writing lyrics, playing piano and guitar—it was something I demanded, and it was my entire life.

It was then I found the Doylestown’s punk and hardcore scene and later joined my first band, I Am Alaska, featuring ex-members of Phineas, which was my favorite band at that time. Getting invited to sit in on one of their practices and then becoming a full-time member was an insane honor. I played piano and synth. We signed to a label, toured, put out EPs, and then the main songwriter left. So I followed.

For the next three years, I started really crafting my own songs. I released my first EP as Heat Thunder (Melody, Love & Soul) in 2010 while everyone else was graduating college. It was during this time that I really just played guitar, absorbed music, and worked in a coffee shop on repeat every day.

I have been guided to ever-changing, natural progressions in my life inspired by new friends sharing sounds and art. And I am so grateful.

What does Heat Thunder mean to you?

“Heat Thunder” to me means a space given to listen and express. However fast or slow the rhythm may be. Something I can be enveloped by.

What was the inspiration that led you to create Phoenix?

Phoenix was created while the four-piece band variation of Heat Thunder was fizzling. Another gigantic shift began to happen. I began reading “The Artist’s Way,” living on my own, and listening to Scott Walker featuring Sunn O))), Roy Orbison, as well as any honky tonk/country western song before 1980. The main theme during all of this though was to begin honoring myself and listening to my heart. I began to cultivate a deeper relationship with myself and the artistic process.

How was it touring with Anthony Green on the Pixie Queen Tour?

It was an honor to be invited onto that tour by Anthony. Throughout the past 11 years, Circa Survive has also been a constant. Being on that tour was so deep because I felt like I knew everyone in those audiences. This was also the first time I ever played my own music in a different city other than Philadelphia. With a friend and inspiration like Anthony? It’s an indescribable feeling.

What was the most unique or interesting thing that happened while on the Pixie Queen Tour?

The most interesting and unique thing was on this tour was to meet so many people. Reflecting on mine or Anthony’s music with them reinvigorated and further instilled my own bond with music and the journey of life. This sort of connection was impacting. Everything since has felt more personal than I could have ever comprehended. It is all a gift.

Who are some of your musical inspirations?

Besides The Beatles: Nirvana, Springsteen, Circa Survive, old Western stuff, weird awesome afro-beat grooves, endless YouTube discoveries—mmm—old blues records. Anything I can get my hands on, truly. It comes back to rhythm and soul for me. Something that moves and I can believe in.

What do you enjoy doing when you aren’t creating music?

I like hanging. Whether with my girlfriend or close friends. Riding my bike or swimming. Eating sushi. Listening to music.

What are your plans for the future? Any musical milestones or goals you’re looking to hit?

Right now I am navigating how and where to play in other cities. I would like to put out something with label support in the future and connect with a manager. My goal is to keep sharing and feel the changes that come with growing.

TRACK REVIEW: Dia “Covered in Light”

Composer and singer, Danielle Birrittella, under the moniker Dia, is releasing airy, ethereal tracks that’ll transport you in space and time—or so it’ll feel like.

After performing ceremonial ragas on a Hindu ashram where she was raised, she went on to train and perform as an opera singer, which is a background that clearly shines through in her current music, with its rich and velvety baroque pop sound. Her music utilizes a variety of string instruments: guitar, ukulele, and cello, to name a few. Her single “Covered in Light” is a perfect example of her unique background; she draws heavily on classical elements and gives them a unique experimental twist that’ll make your head spin.

Dia just released her first EP Tiny Ocean on Manimal Records. Check out “Covered in Light” below, then head to her SoundCloud to complete the journey.

ALBUM REVIEW: Cool Company “Slice of Paradise”

You may recognize Cool Company from a few of the recent reviews we’ve done on them. We featured their single “Slice of Paradise” and chatted with them for a brief interview on their inspirations and upcoming work, and now we’re here to showcase the release of their full-length album Slice of Paradise.

Cool Company is a hip-hop/R&B duo made up of two fellas based in Bushwick, Brooklyn: Yannick Hughes (Cool Yan) and Matt Fishman (Fat Matt). The pair met back in 2006 during a choir class and have been making chill, laid-back jams together since 2012. At first, it was just friends making music together, but that relationship quickly expanded to a more serious musical adventure, which led to the May 2013 debut of their self-titled full-length.

After their first LP dropped, Cool Company went on to release their popular single “Call You Back” in November 2014. It was a piece that catapulted the band into a new direction: It led to a publishing deal with CDF Records in Switzerland and Italy, and it was also a showcase of Fat Matt’s producing skills, as the single was released with a remix produced in-house by Matt.

In 2015, the duo released their poppy EP Summer Daze, and some remixes from pieces on the EP soon followed in 2016. However, the band was relatively dormant until June 2016, until they released their first single from Slice of Paradise, “Why You Gotta Make Me Do It.”

Slice of Paradise itself is a deviation from the more poppy side of what the band had been putting out so far, and it instead focuses on laid-back tracks that meld together in a seamless blend and is sprinkled throughout with multiple interludes. It almost feels like you’re listening to one long song; the album overall is cohesive and smooth, perfect to listen to on a relaxing afternoon.

It begins with “When Did We Get so High?,” which is the musical equivalent to that feeling you get when you open a new book and know within the first page that you’re going to have a hard time putting it down. It drags you in with gospel-esque singing and smooth rapping, then transitions into the next track, “Ride or Die” without missing a beat. This second track brings a more upbeat, fun energy to it, complete with expert producing. “Faded” goes a step further to kick it into a more energetic gear; it’s tantalizing and dream-like, moving through your mind in a blur –before you realize it, the track is over, and you’re moving onto the next one. After that follows the titular track, which is sexy and glamorous, making it the perfect centerpiece of the album.

After the first interlude, “Hopeless,” the album moves onto “Tuck You In.” It’s a sweet yet savory track that’ll make you want to get down in more than one sense. “End of the Night” is full of titillating keys and vibrant synths, and “Stare and Smile” takes the production to another level. “Habit” is an eccentric yet relaxed track that’ll fully immerse you into the album (if that hasn’t already happened, anyway).

Following yet another interlude, “Headphones,” is the enjoyable and much-awaited “Why You Gotta Make Me Do It.” It’s full of switchbacks that make your head spin, but in the best way possible–it’s an exciting track to keep on repeat. From there, we reach the final interlude, “$50,” and close the album out with “Life.” As its name suggests, it vivacious and stunning; it’s a great way to end a piece that has most definitely provided its listeners with ample material to groove on.

Slice of Paradise overall is a fun, chilled out album that, at times, will make you want to dance and then switch in one seamless motion to wanting to Netflix and chill. It’s seamless production, never-ending supply of synths, and fresh raps make it an album to digest as soon as you have the time to devout to it.

TRACK OF THE WEEK: Heat Thunder “Wind Whips the Veil”

Singer/songwriter Joe Montone, under the moniker Heat Thunder, is serving up tasty folk tracks, the latest of which comes in the form of “Wind Whips the Veil.”

An accompaniment of strings alongside acoustic guitar and Montone’s crooning vocals leads to a track you’ll want to either sway or cuddle to (or both). It’s passionate and fiery yet subdued and vulnerable, the perfect accompaniment to a chilly fall afternoon spent indoors sipping tea. Listening to “Wind Whips the Veil” brings you to a musical place that you might not have known existed before, a quality you can find in much of Montone’s music.

Heat Thunder recently opened for Anthony Green of Circa Survive on his Pixie Queen Tour and also released his latest EP, Phoenix. With so much going on lately, it seems that Heat Thunder might be a good artist to keep a tab on.

TRACK REVIEW: Capital Cities “Vowels”

It has been far, far too long since there’s been a new Capital Cities song to jam out to, but thankfully we don’t have to go by deprived any longer.

Their latest single “Vowels” is not one to disappoint. It holds true to what we’ve come to expect from Capital Cities already: plenty of synths, a beat worthy of boogieing down to, and some spine-tingling brass breakdowns. Let this new track be the jump-start to get your week started, the pick-me-up you need at the middle of the week, and the anthem to your weekend.

TRACK REVIEW: Blinders “Hero”

Need a bit of a midweek pick-me-up? “Hero” by Blinders is exactly what you need to make the week feel like it’s halfway over rather than just beginning.

The track kicks off with a burst of energy and vocals that practically beg you to get up and start dancing. Its entrancing synth beats and mix of surreal vocals will transport you directly to the weekend, where you can spend your time dancing to your heart’s content. While traveling Asia and Europe, Binders mixed this unique single. It ended up taking almost a year and experimentation with five different vocals to find exactly what he was looking for with this piece. And we think he got it just right.

This is Binders’ fourth release off Protocol Recordings, and he’ll be performing in Amsterdam in mid-October.

TRACK REVIEW: Gunslinger “All of Your Life”

Light up your day with the electrifying new single, “All of Your Life,” from Gunslinger.

This anthemic house track has everything you look for in an electronic piece: tons of synths, bass drops that get your heart racing, and upbeat jams that make you feel like you’re on a musical journey. In addition to personal inspiration, Gunslinger also utilized the Infected Mushroom “I Wish” plugin as an aid in producing this single. If you’re bummed about missing them at Burning Man last year, keep an eye out because you might be able to catch them at an upcoming show.

TRACK REVIEW: Jesse Mac Cormack “Repeat”

With his minimalist style and entrancing rhythms, Jesse Mac Cormack is putting out music that’ll have you grooving in no time. His single “Repeat” from his latest EP After the Glow is a shining example of that.

The track is full of gruff vocals, jangly guitar riffs, and rhythmic progressions that get your heart rate going and might just make you dance in your seat without realizing you’re doing so. It’s a great song to have along for a road trip or when you’re making an adventurous decision.

Check out “Relief” below, and head over to his SoundCloud to stream the rest of After the Glow.

VIDEO REVIEW: Kids of the Apocalypse “Better Life”

There isn’t enough thought put into what happens to the children once the apocalypse hits (step up your game, The Walking Dead), but Kids of the Apocalypse took the idea and ran with it, particularly in the video for their single “Better Life.” There’s symbolism for a world run by capitalism, it addresses love in an apocalyptic way, oh, and it also features astounding Gorillaz-esque graphics. It’s a chill rap song full of melodies and gloom with the cartoons to match that mood, the brain child of producer/musician Stefan Storm and animator Ernest Desumbila.

Sit back and watch this fascinating video—it’ll disturb you a bit, but it’ll also definitely resonate in a way that’ll have you wanting to watch it over and over again.

VIDEO REVIEW: Ex Reyes “Bad Timing”

Beautiful cinematography, chill vibes, and impressive Mardi Gras costumes and makeup are to be found in Ex Reyes’ recent video for his single “Bad Timing”—meaning, it’s a video worth watching. It gives a dark spin to the otherwise celebratory NOLA holiday, with standoffs and groups of people chucking guns into a burning police car as Ex Reyes hangs out in the periphery the entire time. Oh, and there is a lion mascot and baton twirlers that probably dance better than most people you know, too.

Mikey Hart, aka Ex Reyes, showcases his smooth falsetto vocals in this relaxed out single alongside crashing cymbals and an entrancing saxophone breakdown. It’ll have you wanting to hang with the cool kids (pretty much every single person in this video) while also inspiring you to head to New Orleans ASAP to see these festivities for yourself (as if you need further encouragement, though).

You can catch Ex Reyes on tour through October this year with How to Dress Well. Watch “Bad Timing” below.

VIDEO REVIEW: NENA “Genau Jetzt”

NENA, who you may know from her world famous single, “99 Luftballons,” has recently come out with a new video for her latest song “Genau Jetzt” (“Right Now”).

The video showcases different people, both by themselves and interacting with loved ones. With NENA’s powerful vocals over the video, you don’t need to speak German to feel impacted by this pop anthem. It’s a track where you can go from feeling empowered and inspired to dancing around the room completely lost in the music.

NENA will be embarking on her first U.S. tour starting in September where she’ll hit San Francisco, Los Angeles, and New York City. If you’re looking to experience this German pop legend and hear “Genau Jetzt” live, then this is probably exactly what you’ve been waiting for.

TRACK REVIEW: All Boy/All Girl “Pastels”

With a seven-piece band, sometimes a voice or instrument can get lost in the mix. But with All Boy/All Girl, that’s absolutely not the case. Particularly with their latest single “Pastels.”

The track features shimmery vocals from Danielle Lovier over a backdrop of various acoustic instruments (cello, bass, viola, and ukulele). Each shines through in a unique way, creating a dreamy melody that’ll make you want to close your eyes and sway. “Pastels” has an ethereal spirit, from the layered vocals to the wispy notes that seamlessly flow through your ears; it’s the sort of track that makes you want and need to see what a live performance entails. It’s the first single released from their upcoming full-length Slagroom, and it’s got us excited for more.

TRACK OF THE WEEK: Cool Company “Slice of Paradise”

Cool Company is bringing us a bit of smooth jazzy hip-hop in their new single “Slice of Paradise.”

This Bushwick-based duo is full of genre-mashing hits that make you want to move around a dance floor. Their new track holds elements of sexy, passion-packed soul music with raw hip-hop breakdowns, a juxtaposition that’s both unique and completely entrancing. If you’re looking for a song to chill out to after a long week, this should be your go-to—it’ll get you humming and relaxed in no time. They’re planning to release a full-length in September, so keep a tab on these cool fellas.

TRACK REVIEW: Zula “Basketball”

Feel like taking a musical voyage? Zula has got you covered with their psych pop jam “Basketball.”

While figuring out exactly what their genre is (experimental? psych pop? synthpop?) might not be entirely possible, it’s fun to get lost in their sound. It’s the sort of music that swirls around in your headspace, leaving you temporarily lost in the music—it’s the perfect place to forget about your daily worries and just relax. Their rhythms are intricate, their synths are plentiful, and their vocals are entrancing. This Brooklyn group is one you want to get familiar with, especially before the release of their full-length Grasshopper on August 26.

TRACK REVIEW: Sleigh Bells “Hyper Dark”

The second the spiraling music of Sleigh Bells starts and the distant “Uh-oh’s” sound, it’s apparent that “Hyper Dark” is a more than appropriate name for this new release. It’s a whole new sound from their past work, which is more upbeat and in-your-face, but it’s definitely a side of Sleigh Bells that we’ve been craving without even realizing it.

“Hyper Dark” is a slower piece that feels like it’s working toward something huge from the get-go. It gets in your head and builds you up until you’re sitting up straighter in your chair, waiting on the edge of your seat for the action. And when it doesn’t quite come, you realize that was never the point of the track anyway. Then you listen to it again, because you can’t and don’t want to shake a quality track.

Get caught up in Sleigh Bells’ new whirlwind of a song “Hyper Dark” as you patiently await the release of their upcoming fourth album.

VIDEO REVIEW: Phantogram “You Don’t Get Me High Anymore”

Phantogram’s latest video for “You Don’t Get Me High Anymore” is an empowering blast that’ll have you ready to cut that lingering crush out of your life for good, while leaving you deeply unnerved. The video is dark, a bit disconcerting at times, and full of bondage. Like we said, it’s empowering as hell, and it’s also going to send more than a few chills down your spine.

Frontwoman Sarah Barthel leads the charge (and wears the bondage), her vocals packing a punch while also coming across as incredibly tantalizing. The video and song are enough to put you on the edge of your seat and get your heart racing, but it’s a feeling you’ll want to keep chasing. In fact, the rush from the video is so addicting that it’s almost ironic given the title. Keep an eye out for their upcoming album Three, which is expected to drop on October 7, and then get your fix and watch the video for “You Don’t Get Me High Anymore” again.

Tag: release