LIVE REVIEW: Blue Healer at Rockwood Music Hall

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Set the scene in your mind: An intimate setting at Rockwood Music Hall complete with dimmed lights, a hazy atmosphere, and a collection of swooning, folky, country-esque music courtesy of Blue Healer. Can you feel the relaxation and good vibes? Great. Then you now understand exactly what it was like seeing them perform last Wednesday.

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It was a mixture of synths and keys as well as heavy basslines and distorted upright bass. At times, the music had an older glam rock feel, surreal and ethereal, reverberating throughout your mind. Then it would transform to a folk, country-esque show complete with energetic synths — pop folk, if you will. A lot of their songs called to mind tracks of Melee and The Black Keys.

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The trio hailing from Austin recently released their debut self-titled album and played an array of tracks from it (and also tracks not on it). They played their popular single “30,000 Feet,” which was full of airy vocals from frontman and bassist David Beck and otherworldly synths from keyboardist Bryan Mammel. They also slowed things down when they played “Only the Rain,” with synths that perfectly emphasized its gentle nature. When they played “Empty Bottles” is when I really felt The Black Keys vibes from them (never a bad thing).

Their last song, “Bad Weather,” was an empowering, anthemic note to end on. But fortunately, it also wasn’t quite the end, as the crowd pretty much begged for an encore, and Blue Healer happily obliged. So their real last track, “Like Diamonds,” ended up being a way more fun way to go out. It was energetic and upbeat, complemented by crashing cymbals and a big finale drumline as well as contagious energy from the band who genuinely looked like they were having the time of their life.

As a show I went into hardly knowing the band, I was pleasantly surprised and had a great time. It also helps when the band is skilled at their instruments and loves what they’re doing, too.

ALBUM REVIEW: Regina Spektor “Remember Us to Life”

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It’s been some time since our eardrums have been graced by new music from Regina Spektor. At long last, the Russian-born New York-bred songstress has released a new full-length, Remember Us to Life, and while it isn’t a total deviation from her past works, it was also incredibly much-needed.

The album kicks off with her leading single from the piece, “Bleeding Heart.” It sees Spektor flexing her usual impressive vocal range, as well as an overall upbeat and high-spirited aura. It tinkles around in your head and ends on a more aggressive note, promising coming music that you’ll be captivated by. “Older and Taller” and “Grand Hotel” take more sentimental tones, which is completely expected with Spektor–a mix of high and low energies interspersed with intimacy and vulnerability.

From there, the album takes a turn toward the quirky and ethereal with “Small Bill$,” and just as quickly switchbacks to contemplative and personal with “The Light.” The back and forth continues as “Tornadoland” is full of energetic keys while “Obsolete” takes more of a solemn approach.

If you’re looking for a new sound and a reinvention from Spektor, then you might find yourself disappointed. However, if you’re looking for good vibe-y music and the talents of Regina Spektor that we’ve all come to know and love, then you’ll be head over heels for Remember Us to Life.

TRACK OF THE WEEK: Cool Company “Slice of Paradise”

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Cool Company is bringing us a bit of smooth jazzy hip-hop in their new single “Slice of Paradise.”

This Bushwick-based duo is full of genre-mashing hits that make you want to move around a dance floor. Their new track holds elements of sexy, passion-packed soul music with raw hip-hop breakdowns, a juxtaposition that’s both unique and completely entrancing. If you’re looking for a song to chill out to after a long week, this should be your go-to—it’ll get you humming and relaxed in no time. They’re planning to release a full-length in September, so keep a tab on these cool fellas.

TRACK REVIEW: Zula “Basketball”

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Feel like taking a musical voyage? Zula has got you covered with their psych pop jam “Basketball.”

While figuring out exactly what their genre is (experimental? psych pop? synthpop?) might not be entirely possible, it’s fun to get lost in their sound. It’s the sort of music that swirls around in your headspace, leaving you temporarily lost in the music—it’s the perfect place to forget about your daily worries and just relax. Their rhythms are intricate, their synths are plentiful, and their vocals are entrancing. This Brooklyn group is one you want to get familiar with, especially before the release of their full-length Grasshopper on August 26.