Tag: nra

NEWS ROUNDUP: Killer Mike’s NRA Interview, New R. Kelly Doc & More

NEWS ROUNDUP: Killer Mike, R. Kelly & More

By Jasmine Williams

Killer Mike ❤’s the NRA

While country musicians are distancing themselves from the National Rifle Association, the pro-gun lobby is getting support from an unlikely ally – Killer Mike. As half of explosive rap duo Run The Jewels the musician has never been known for his subtlety; however, he still managed to catch his fans off-guard earlier this week when he was the featured subject of an NRA interview. The NRATV segment was broadcast on March 22nd, two days before the March for Our Lives. During the 42-minute Q&A, Mike backs up the NRA, criticizes student gun-reform activists and attempts to link civil rights to the right to bear arms.

To be fair, Killer Mike has defended black gun ownership in the past so his arguments weren’t completely new and he did bring up some interesting points about the disparity in the treatment of black versus white activists. However, to choose NRATV to air his opinions was confusing and unacceptable to many; critics pointed out that his partnership with the gun lobbyists undermines some of the core arguments he makes in the interview. In fact, one of the only times that the NRA backed gun reform was in 1967 when it helped get the Mulford Gun Ban Act through. The law banned the open carrying of guns in California. It’s not a coincidence that the act was passed during the same period that the Black Panthers were rising to prominence.

Killer Mike has since apologized for some of his statements and the timing of his interview.

Is R. Kelly the Harvey Weinstein of the music industry?

Compared to the movie industry, the music world has been slow to catch onto the #MeToo movement. Case in point? R. Kelly. For years we’ve known that the R&B hitmaker was a sexual predator. He supposedly married Aaliyah at the ripe old age of fifteen and has since been accused of myriad forms of sexual abuse, starting a cult, and holding women at his home against their will. Recently released BBC documentary, R . Kelly: Sex, Girls and Videotapes has added more disturbing allegations to the musician’s list. The film features interviews with ex-girlfriend Kitti Jones, who describes how she was forced to engage with Kelly and others in a “sex dungeon” and his disturbing practice of “grooming” underaged girls.

Kelly has paid various court settlements to women over the years but has yet to be convicted of any crimes. He is currently on tour.

In other shitty-men-in-the-music-industry news: Charlie Walk is officially out at Republic Group. The record executive is the subject of an ongoing sexual misconduct investigation.

That New New:

Next month the Tribeca Film Festival will screen a new Patti Smith documentary. Horses: Patti Smith and her Band features the final concert of her 2016 tour which honored the 40-year anniversary of her 1975 album. Garbage will also celebrate an impressive milestone with a new-old release. The 20th anniversary of the band’s sophomore album, Version 2.0, will be commemorated with a reissue of the album on June 22nd.

Soul, psych, chill-out queen, Kadhja Bonet released a new track, “Mother Maybe.” It’s the first single off of her upcoming album, Childqueen, out June 8th.

Frankie Cosmos has a new album out this weekend. Vessel is Greta Kline’s third LP.

Phoenix, Real Estate, Nils Frahm, Ty Segall, and Cut Copy have all announced new tour dates.

The festival lineup for the Brooklyn edition of Afropunk is here! Erykah Badu, Miguel, The Internet, Janelle Monae, Ibeyi and many more will play Commodore Barry Park on August 25th and 26th.

A Tribe Called Quest has released their final video. Erykah Badu, Questlove, Common, Janelle Monae and many more guests pop up in “The Space Program,” an eight-minute Afro-futuristic journey that celebrates the seminal hip-hop group’s history while maintaining Tribe’s usual dose of political commentary. Audiofemme faves, Wax Idols, also have a new video out. Watch Mausoleum here and look out for their upcoming album, Happy Ending, out May 16th.

For more new music clips, check out Desdemona Dallas’ new Audiofemme column, Video of the Week.

More Music News:

  • At the beginning of this week, Chance The Rapper put attention on an incredibly racist advertisement for Heineken Light and brought up an interesting point by tweeting “I think some companies are purposely putting out noticeably racist ads so they can get more views.” He might be right – in this age of increasing political correctness and social media sharing, cultural controversies often go viral. Maybe advertisement firms are using this as a strategy; after all, no one has ever touted the industry for its upstanding morality. Heineken has since pulled the commercial but on Thursday, the beer company’s stock was up.
  • On Monday, The Associated Press reported that a toxicology report from Prince’s death reveals that he had an “exceedingly high” concentration of fetanyl in his body. The synthetic painkiller is 50 times more powerful than heroin and is a key facet of the current opioid crisis in the United States. The investigation in to the music legend’s passing remains open.
  • The Bushwick building that hosts soon-to-close venue, Silent Barn, may become the headquarters of Educated Little Monsters. ELM is a “local grassroots youth program and movement dedicated to providing artistic outlets and economic opportunity to native-Brooklyn youth of color.” The organization has launched a fundraiser to raise $50,000 to take over the space. Read ELM’s full statement and donate here.

ONLY NOISE: With A Bullet


Last week, after publishing “Don’t Take Your Guns to Town,” I took the train across the East River to see a movie. A bit of distraction seemed necessary in that moment, even if it was in the form of a demonic clown named Pennywise. Sitting on the Manhattan-bound C train, I noticed a man in a grey flannel suit to my left. He, like most modern passengers, was fixated on his smart phone. The glow of its screen did not reflect Candy Crush, Snapchat, or Instagram, however, but a P.O.V. shooter game. The tap of his thumb did not cause hearts of affirmation to burst with confetti, but rather, launched bullets from a high-power rifle, bumping off “bad guys” one by one. I watched as my well-dressed neighbor selected guns, tightened his scope, and fired and rooftop gunmen.

At that moment, it had only been four days since the mass murder of festival goers in Las Vegas, and seeing any gun, whether real, toy, or two-dimensional gave me a swift kick of nausea. It goes without saying that the events that plagued Las Vegas on October 1st still plague us today, and will continue to do so – and it is because of that lasting sickness I write on this topic again.

There were a lot of things that didn’t make the final draft of last week’s Only Noise, in part because I felt there was a hierarchy of importance with certain details – namely pointing out the arcane excuses for assault rifle-ownership in America. What I did not have the word count to include, were profiles on the scores of musicians who have had the guts to protest groups like the N.R.A., and ideologies which uphold the mass armament of US citizens with little to no discernment.

Artists like Harry Nilsson, who, after his best friend John Lennon was murdered by a crazed fan with a .38 revolver, became the official spokesperson for the Coalition to Stop Gun Violence (CSGV). In 1981, a year following Lennon’s death, Nilsson told the L.A. Times, “I’ve never been an activist before, but when I was one of the people who had to hold Ringo’s hand after John Lennon was shot, I became involved. I said to Ringo one night just after the shooting, ‘If I could take this from you, I would. But I can’t.’ I was helpless, and that was the worst time in the world for me.” Nilsson’s life work became twofold: music, and gun control. Eventually he became National Chairman of a campaign called End Handgun Violence Week, which ran between October 25th and October 31st in the early 1980s.

247 people have been fatally shot in this country in the 10 days since the Route 91 Harvest Festival. Perhaps the CSGV could bring back End Handgun Violence Week, although the public faces far more frightening weaponry than just handguns these days.

Despite her recent op-ed in The New York Times, Roseanne Cash is no rookie to the gun control debate. Her activism traces back twenty years. She spoke out in 2015, when a gunman at Umpqua Community College in Roseburg, Oregon killed nine people. This tragedy coincidentally occurred on the first of October as well – two years to the day before Stephen Paddock wreaked death on Las Vegas. The day after the 2015 attack, Cash urged citizens to sign a petition to reinstate the 1994 federal ban on assault weapons. “If you are as sick of gun violence in this country as I am,” the country artist wrote on her Facebook page, “then let’s stop talking about it and just do ONE simple thing.”

Unfortunately, this ONE simple thing has not appeared so simple to lawmakers. The 1994 assault weapon ban was never reinstated. Assault weapon opposition does continue to grow, however, especially after so many lives were lost at the Route 91 Harvest Festival. Guitarist Caleb Keeter of Josh Abbott Band was one of the first country musicians to completely alter his stance on gun ownership in this country, after the massacre in Las Vegas (he was at the festival when the shooting occurred). “I’ve been a proponent of the 2nd amendment my entire life,” Keeter wrote on Twitter the day following the shooting. “Until the events of last night. I cannot express how wrong I was.” He added, “We need gun control RIGHT. NOW.”

Unfortunately, there hasn’t been a long list of country musicians who have done a 180 on their firearms position since the massacre – but a few do seem to be distancing themselves from the NRA. On October 2nd, the artist roster on the website for NRA Country (an organization linking upcoming country artists with the NRA brand and lifestyle) shrunk from 39 names to 37 – the slots for Florida Georgia Line and Rhett Miller had suddenly vanished.

Of course, more opposition has come from musicians outside of the country bubble. Artists like Lady Gaga, John Mayer, The Chainsmokers, and Vic Mensa have all spoken out on social media, demanding gun control. Ariana Grande, who has seen her fair share of concert-targeted violence, tweeted, “My heart is breaking for Las Vegas. We need love, unity, peace, gun control & for people to look at this & call this what it is = terrorism.”

Moby posted a meme on his Instagram reading, “MAKE IT STOP” above an assault rifle graphic. Below it, the artist wrote, “How many more mass shootings will it take? How many more lives ended? How many more families destroyed? We need sane, rational, sensible #guncontrolnow. The @nationalrifleassociation and every Republican who opposes gun control has so much blood on their hands. Mass shootings are evil, passing legislation that enables them to happen even more so.”

One can only hope that players in the country music scene – the scene most affiliated with the NRA and gun ownership – will eventually put aside the political demographics of their fan base and speak out. Perhaps country artist Will Hoge put it best when he spoke to Marissa Moss for Politico Magazine:

“Will this be the thing where all of a sudden every conservative artist comes out and supports gun control? That’s an unrealistic idea,” he said. “I do think this is the point where country artists are going to have to take long hard looks in the mirror and ask, ‘What’s more important to me: maintaining success at commercial radio, or doing what’s right?’”

I hope there are plenty of mirrors in Nashville.

ONLY NOISE: Don’t Take Your Guns To Town

Last Saturday, while performing at New York’s Hammerstein Ballroom, Marilyn Manson was crushed by a falling stage prop. The assailing object was not a steel cage, nor a neon pentagram, but a sculpture of two massive handguns affixed to scaffolding. Manson was rushed to the hospital with undisclosed injuries.

Though it was a frightening incident (and one that led him to eventually cancel several upcoming tour dates), the knowledge that Manson was not in critical condition allowed a bit of black humor to creep into the scenario. Not 10 days prior, Manson pulled a toy gun on The Guardian’s Alexis Petridis during an interview, and later told him that, “the Columbine era destroyed my entire career at the time.”

Manson was of course referring to the 1999 Columbine High School shooting at the hands of teenagers Eric Harris and Dylan Klebold. The post-Columbine news media, eager to blame the violence on anything but America’s lax firearms policies and clueless approach toward disaffected youth, found a horned scapegoat in Manson. Countless pundits and members of the religious right made reference to his devil-worshipping ways, as well as his messages of “hate, violence, suicide, death, drug use, and Columbine-like behavior.” In the late ‘90s, Manson became an even greater pariah than he already was. If, before Columbine, his name evoked satanic orgies and platform shoes, it was now irrevocably linked with one of the most terrifying acts of gun violence in American history.

Knowing all of this, it’s hard to imagine Manson – whose wry and dark sense of humor infiltrates most of his interviews – didn’t at least smirk at the irony of two giant handguns pummeling him onstage. I must admit that after learning Manson did not suffer any serious wounds, I smirked, too. Until Sunday, that is.

The very next evening, across the nation from The Hammerstein Ballroom, a lone gunman opened fire on a country music festival in Las Vegas, murdering at least 59 people, and injuring over 500 others. I paraphrase The New Yorker journalist Adam Gopnik when I say that, the word “injured” is not commensurate with the scope of physical harm and psychological scars inflicted on those 500. Acknowledging the dead dozens doesn’t mend the phantom limbs nursed by their families.

Suddenly, one catastrophic weekend fanned the ever-burning flame of America’s gun control debate, and this time, the music world felt the heat. Country artist Rosanne Cash came forward with a powerful op-ed in the New York Times on Tuesday, imploring musicians – especially country musicians, who are so heavily burdened with the identity of the gun-toting American – to stand up against the N.R.A. and the armed culture of this nation:

“I encourage more artists in country and American roots music to end your silence,” Cash wrote. “It is no longer enough to separate yourself quietly. The laws the N.R.A. would pass are a threat to you, your fans, and to the concerts and festivals we enjoy.”

She went on, “This is a moment in American history that can’t be met with silence. According to PolitiFact, from 2005 to 2015, some 300,000 people in the US were killed by gun violence. That’s roughly the population of Pittsburgh.”

Fellow country guitarist Caleb Keeter, who was playing at the Las Vegas festival that weekend, met Cash’s challenge of squelching silence; the artist’s opinion on the second amendment is now altered forever.

“A small group (or one man) laid waste to a city with dedicated, fearless police officers desperately trying to help, because of access to an insane amount of firepower,” Keeter wrote. “Enough is enough.” In another sick twist of irony, the shooter, 64-year-old Stephen Paddock, bought most of his artillery at a shop so innocuously named, “Guns & Guitars.”

One might think that the deadliest mass shooting in U.S. history – as the Las Vegas massacre has now been classified – would move N.R.A. lobbyists and politicians to the same extent as Mr. Keeter. Instead, the N.R.A. is silent, and President Trump claims that the gun control conversation is, “not for now.”

But the President and the gun lobbyists weren’t at the Route 91 Harvest Festival. They didn’t spend Sunday night dodging hundreds of rounds of ammunition fired from the 32nd floor of the Mandalay Bay Hotel by Paddock. They weren’t there to suffer the carnage, and yet they continue to uphold laws which legalize the very implements that allowed Paddock to fire so relentlessly; namely, the easily acquired bump stock, which makes rapid-fire rifles out of semi-automatic ones, and can be purchased for $99.

Considering the coincidence that Marilyn Manson was once again in the news at the same time as a domestic mass shooting (though this time, not as a scapegoat), I couldn’t help but revisit Bowling For Columbine, Michael Moore’s 2002 documentary about America’s relationship with gun violence, in which Manson is interviewed.

When Bowling For Columbine hit theaters, I was 13. It was the first time I’d seen Marilyn Manson portrayed as a human being; sitting patiently in a chair and not writhing in fake blood or riding a potbellied pig. I was struck by his intelligence – by how articulate and gentle this agent of Satan could be. When Manson sat down with Moore, he spoke of Columbine and the media’s subsequent blame game.

“The two byproducts of that whole tragedy were violence in entertainment, and gun control,” he said, “and how perfect that those were the two things that we were going to talk about in the upcoming election. And also, then we forgot about Monica Lewinsky, and then we forgot about: the President was shooting bombs overseas, and yet I’m a bad guy because I sing some rock n’ roll songs,” he continued. “And who’s the bigger influence, the President? Or Marilyn Manson?”

Manson’s 15-year-old point is particularly sharp today, as conservatives strive to foist the responsibility for Las Vegas upon anything but the true culprit: the ease with which almost any American can waltz into a Walmart, and walk out with assault rifles, ammunition, and accoutrements that were never intended to hunt deer, but rather, humans. And for what?

Ask any Libertarian, member of the N.R.A., or gun-owning uncle why they need their AK-47s and TEC-9s, and they will all say the same thing: “for self defense!” But there are many flaws in that answer. First, look at the cold, hard facts about home invasion and “self defense.” Last year, the FBI released its 2015 crime stats, which proved a 7.8% decline in burglaries nationwide. Moreover, in 2010, the Bureau of Justice Statistics released data that in only 7% of household burglaries did a household member experience some form of violent victimization. That 7% is not to be scoffed at, but it also begs a few questions: 1) wouldn’t it be more difficult for burglars to victimize household members if they too, could not readily access firearms? And 2) Does having guns in the home ever truly make you safer?

According to figures from Aftermath.com, no. From 2005-2010, almost 3,800 people in the U.S. died from unintentional shootings. Over 1,300 victims those shootings were under 25 years of age. Additionally, a 2001 study by Miller, Azrael, and Hemenway reported that regardless of age, people are significantly more likely to die from unintentional firearm injuries when they live in states with more guns, as opposed to states with fewer guns. On average, states with the highest gun levels had nine times the rate of unintentional firearms deaths compared to states with the lowest gun levels.

3,800 doesn’t seem like such a high number for a five year period…when you compare it to the 30,000 gun deaths this country witnesses annually. In 2010, 20,000 of those gun deaths were suicides  – suicides committed by people who didn’t have too much trouble procuring a gun.

I wonder if gun enthusiasts could use their “self-defense” logic on the victims of Mandalay Bay: could the concertgoers have protected themselves if each and every one of them was packing? No. When someone is shooting from the 32nd floor of a high-rise building, there is nothing you can do except run and duck for cover. Shooting back would do no good from the festival grounds – the man in the tower will always have the advantage. And yet, according to the logic of a Michigan Militiaman who was interviewed early in Bowling For Columbine, Paddock’s victims were ‘neglecting their obligation to be armed.’

“It’s an American responsibility to be armed. If you’re not armed, you’re not responsible,” he said in the film, struggling to buckle his belt. “It’s your job to defend you and yours,” he continued. “If you don’t do it, you’re in dereliction of duty as an American, period.” I wonder if that Militiaman could bear to accuse the Mandalay Bay victims of being “in dereliction of duty” as Americans,” today.

To me, passing legislation that allows citizens to purchase assault weapons and their vicious accessories; passively arming millions, and silently watching this happen again, and again, and again, is far more derelict of American duty than not owning an assault rifle. Raising our children in a culture that applauds and abets the “recreational” use of firearms is far more psychologically questionable, than going to town without your guns.

When the “self defense” argument doesn’t add up, gun-loving Americans turn to the Bill of Rights. “The Second Amendment says: I have the right to bear arms!” they shout. Well friends, there’s a big fucking difference between a musket and an AR-15. The fact of the matter is, most of the weaponry sold today didn’t exist when the Bill of Rights was written in 1789, and therefore should not be protected by it.

It is a nonsensical argument veiled in false patriotism and practicality, as if these trigger-happy citizens need their M16s for Fourth of July marches and weekend pheasant hunting. Their entitled cry that it’s “my right” to own an assault rifle bears the same insipid selfishness as a teenager trying to overthrow their parent’s household rules because they just turned 18. “Yes, legally, you may be an ‘adult,’ but you’re still in my house, eating my pot roast,” that parent might say. It seems that clinging to these weapons like toys and brandishing an irrelevant emblem of “freedom,” is more important to anti-gun control lobbyists than human life.

When Bowling For Columbine was first released, the wound opened by Harris and Klebold was still fresh and bleeding. The atrocity of Americans shooting scores of innocent people seemed at the time like a societal outlier. Now, it has become the hideous norm. And while Marilyn Manson will recover from his gun-inflicted wounds, I sometimes wonder if this country ever can.