Welcome to our weekly show recommendation column RSVP HERE. Due to live show cancellations we will be covering virtual live music events and festivals.
SUO is the solo project of artist and musician Saara Untracht-Oakner that came to fruition after 15 years of songwriting and a decade of touring. SUO’s retro-inspired debut Dancing Spots and Dungeons was released October 2019 via Stolen Body Records and was followed up with a European tour with dates supporting The Growlers in February. Soon after that tour ended Saara quarantined in Brooklyn with her roommate Lorelei Bandrovschi, the founder of the NYC booze-free bar Listen Bar. What makes Listen Bar special is that their bartenders are exclusively musicians that curate great playlists that are played during their shifts. On 4/11 you can tune in to see Saara and Lorelei demonstrate how to make Listen Bar’s signature cocktails during their virtual happy hour. It is now a FREE event thanks to support from Lyre’s Spirit Co., but when you RSVP you can make a donation for Listen Bar’s staff that has been effected by the covid-19 closures. We chatted with Saara about her favorite Listen Bar cocktails, what will be on her playlist, and her favorite European cities…
AF: What Listen Bar cocktails will you be making for the virtual happy hour? Which is your favorite?
SUO: This time around we’re going to be making “Smoked with Snoop,” “Because The Night,” and “Spritz Lyfe.” All are made with Lyre’s brand spirits. I haven’t actually tried any of these but I’m most excited to try “Because The Night” – it’s like a twist on a spiked coffee drink with coconut whipped cream. I’m lactose intolerant so any time I can indulge in dairy-free treats I’m excited.
AF: How did you get involved with Listen Bar? If you were bartending Listen Bar IRL, what songs would be on your playlist?
SUO: Lorelei is my roommate. She says I was the inspiration for having musicians as bartenders at Listen Bar. And this is IRL now and I will be playing my Playlist #3 this weekend. Weeks #1 and #2 include Jacques Dutronc, Doris Troy, ABBA, Los Saicos, and contemporaries like Faux Real, Brower, The Josephine Network, Habibi, Sunflower Bean and a little SUO ;)
AF: Other than making great nonalcoholic drinks, what does your daily quarantine life look like?
SUO: I do five minute planks and stretches at some point each day. When it’s sunny I spend the daytime in my yard reading and tending to the garden here and there. I go on at least two walks with my dog. I’m learning French on Duo Lingo. I try to do at least one creative thing a day, pick up my guitar, make a drawing or painting. And a shower. I make my room smell good with some Palo Santo and my room spray by Shocks Of Love. I spend a lot of time just laying and thinking. I’ve made a few dishes I’ve never cooked before.
AF: How was your recent European tour with the Growlers? What were your favorite shows and cities?
SUO: It was so amazing and it was already hard to come home after it. Seems like we were riding just in front of the Corona wave. Every show was so different that it’s hard to pick a favorite. We got the whole spectrum of crowds and venues from 1,000 capacity rooms to small cafes. But the crowds were always good and vibrant. I’m in love with Basque Country and southern France. Favorite shows include Paris, Lyon, Madrid, Valencia, Brussels.
AF: If you could be quarantined anywhere else in the world than where you are now, where would it be?
SUO: Somewhere tropical where I could surf everyday and eat fruit off a tree. I think that’s my wish quarantine or not.
AF: Do you have any other live streams planned for the future?
SUO: No plans. Every day is just day to day.
RSVP HERE for Listen’s Bars Virtual Happy Hour 4/11 at 2pm est featuring Saara from SUO and founder Loreli Bandrovschi.
Here we are again! As the new year approaches, it’s time to look back and take stock of the albums and singles that defined this moment in music history. 2018 was an eclectic year, to say the least, and there are a lot of new names on the list: Tirzah, Snail Mail, Soccer Mommy, Noname, King Princess, and Kali Uchis all had phenomenal debuts this year, not to mention the inimitable Cardi B, who made good on the promise of last year’s smash hit “Bodak Yellow” with Invasion of Privacy in April. There were established artists who still managed to surprise us, whether in the form of unearthed Prince demos, The Arctic Monkeys’ loungey sci-fi concept album, Tim Hecker introducing us to ancient Japanese court music, Dev Hynes making his most personal Blood Orange record yet, or Lil Wayne finally dropping Tha Carter V. And then there are those artists who fall somewhere in between, their ascendant careers a thrill to watch as 2018 saw them finally hit their stride. US Girls. Yves Tumor. serpentwithfeet. And perhaps most spectacularly, Mitski and Janelle Monáe.
As each of our writers (and editors, too) created their own mini-lists, those were two names that kept cropping up, and there’s no doubt you’ve seen them on just about every year-end list on the interwebs. If there’s any chance you haven’t heard Be The Cowboy or Dirty Computer, by all means, fire up that Spotify Premium post haste. But the recommendations here are as diverse as our writers themselves, so we hope you’ll take time to explore some of the lesser-known, hardly hyped artists we’ve highlighted, too – and keep your eyes peeled for more year-end coverage as we cruise in to 2019.
EDITOR LISTS
Marianne White (Executive Director)
Top 10 Albums:
1) boygenuis – boygenius
2) Soccer Mommy – Clean
3) Nenah Cherry – Broken Politics
4) Mitski – Be the Cowboy
5) serpentwithfeet – soil
6) CupcakKE – Ephorize
7) Blood Orange – Negro Swan
8) Autechre – NTS Sessions 1-4
9) Snail Mail – Lush
10) Cardi B – Invasion of Privacy Top 5 Singles:
1) Let’s Eat Grandma – “Hot Pink”
2) Jon Hopkins – “Emerald Rush”
3) The Internet – “Look What You Started”
4) Cardi B, Bad Bunny, J Balvin – “I Like It”
5) boygenius – “Bite The Hand”
Lindsey Rhoades (Editor-in-Chief)
Top 10 Albums:
1) Low – Double Negative
2) US Girls – In A Poem Unlimited
3) Madeline Kenney – Perfect Shapes
4) Yves Tumor – Safe In The Hands of Love
5) DJ Koze – Knock Knock
6) Caroline Rose – Loner
7) Tim Hecker – Konoyo
8) Virginia Wing – Ecstatic Arrow
9) Frigs – Basic Behaviour
10) bedbug – i’ll count to heaven in years without seasons Top 10 Singles:
1) Janelle Monáe – “Make Me Feel”
2) Loma – “Black Willow”
3) The Breeders – “All Nerve”
4) SOPHIE – “Is It Cold In The Water?”
5) Jonathan Wilson – “Loving You”
6) Empath – “The Eye”
7) Sibile Attar – “Paloma”
8) Jono Ma & Dreems – “Can’t Stop My Dreaming (Of You)”
9) Shopping – “Discover”
10) Ed Schrader’s Music Beat – “Dunce”
Mandy Brownholtz (Social Media)
Top 5 Albums:
1) Miserable – Lover Boy/Dog Days
2) Snail Mail – Lush
3) Mitski – Be The Cowboy
4) Teyana Taylor – K.T.S.E.
5) Janelle Monáe – Dirty Computer Top 3 Singles:
1) Nothing – “Blue Line Baby”
2) Hinds – “The Club”
3) Mitski – “Nobody”
Lauren Zambri (Events)
Top 5 Albums:
1) Amen Dunes – Freedom
2) US Girls – In A Poem Unlimited
3) Beach House – 7
4) Iceage – Beyondless
5) Tirzah – Devotion Top 5 Singles:
1) Jenny Hval – “Spells”
2) US Girls – “Velvet 4 Sale”
3) Yves Tumor – “Licking An Orchid”
4) Amen Dunes – “Believe”
5) Low – “Always Trying to Work it Out”
Top 5 Albums:
1) Alice Ivy – I’m Dreaming
2) Sudan Archives – Sink
3) Marlon Williams – Make Way For Love
4) Earth Girl Helen Brown – Venus
5) Rüfüs Du Sol – Solace Top 3 Singles:
1) Rhye – “Taste”
2) Alice Ivy – “Chasing Stars”
3) Sudan Archives – “Nont For Sale”
Top 5 Albums:
1) DRINKS – Hippo Lite
2) Shannon & the Clams – Onion
3) Lost Boy ? – Paranoid Fiction
4) Prince – Piano & a Microphone 1983
5) Sloppy Jane – Willow Top 3 Singles:
1) Public Practice – “Fate/Glory”
2) The Nude Party – “Chevrolet Van”
3) Big Bliss – “Surface”
Top 10 Releases Out of the Brooklyn DIY Scene (in Chronological Order):
1) THICK — Would You Rather? (Self-Released)
2) BODEGA — Endless Scroll (What’s Your Rupture?)
3) Baked — II (Exploding In Sound)
4) Pecas — After Dark (Broken Circles)
5) Big Bliss – At Middle Distance (Exit Stencil Recordings)
6) Kevin Hairs — Freak In The Streets (GP Stripes)
7) PILL – Soft Hell (Mexican Summer)
8) Stove – ‘s Favorite Friend (Exploding In Sound)
9) Lost Boy ? – Paranoid Fiction (Little Dickman Records/ Rich Moms)
10) Janet LaBelle – I Only See You (Loantaka Records)
Top 5 Albums:
1) The Arctic Monkeys – Tranquility Base Hotel & Casino
2) The 1975 – A Brief Inquiry Into Online Relationships
3) Charles Bradley – Black Velvet
4) Brandi Carlile – By The Way, I Forgive You
5) Jack White – Boarding House Reach Top 3 Singles:
1) The Raconteurs – “Now That You’re Gone”
2) Mac Miller – “2009”
3) Dead Naked Hippies – “Rare”
Top 5 Albums:
1) Cardi B – Invasion of Privacy
2) Lil Wayne – Tha Carter V
3) J. Cole – KOD
4) Preme – Light of Day
5) Jazz Cartier – Fleurever Top 3 Singles:
1) Lil Wayne feat. Reginae Carter – “Famous”
2) Cardi B – “Thru Your Phone”
3) J. Cole – “Brackets”
Desdemona Dallas
Top 5 Albums:
1) Noname – Room 25
2) Flatbush Zombies – Vacation In Hell
3) Mountain Man – Magic Ship
4) Lucy Dacus – Historian
5) Nao – Saturn Top 3 Singles:
1) Janelle Monáe – “Make Me Feel”
2) Twin Shadow – “Saturdays”
3) Sudan Archives – “Nont For Sale”
Erin Rose O’Brien
Top 5 Albums:
1) Mitski — Be The Cowboy
2) Antarctigo Vespucci — Love in the Time of E-mail
3) Car Seat Headrest — Twin Fantasy
4) Soccer Mommy — Clean
5) Janelle Monáe — Dirty Computer Top 3 Singles:
1) Bad Moves — “Cool Generator”
2) The Beths — “Future Me Hates Me”
3) Miya Folick — “Stop Talking”
Ysabella Monton
Top 5 Albums:
1) Mitski – Be The Cowboy
2) Janelle Monáe – Dirty Computer
3) Brockhampton – Iridescence
4) Soccer Mommy – Clean
5) Cardi B – Invasion of Privacy Top 3 Singles:
1) King Princess – “1950”
2) Childish Gambino – “This is America”
3) Pusha T – “If You Know You Know”
Another year of South by Southwest has come and gone. It was a landmark year for us at AudioFemme, as we hosted our first ever SXSW showcases. It was certainly a learning experience, to say the least. Just as we have in years past, we met a wide array of musicians, promoters, industry folks, and music fans from around the world, an experience as enriching as ever. But networking and seeing as many bands as one can in five days aren’t the only things that go into the SXSW experience. At its heart is one weird little city redefining the festival experience. Here’s a rundown of our best moments from Austin, TX.
Most Memorable Performances:
Traams
The sun doesn’t shine in the UK the way it does in Austin, and the visible sunburn on these three lads made me feel an empathetic sting. I caught the post-punk trio at El Sapo, a newly-opened hamburguesa joint on Manor Road, hosting showcases curated by Austin local radio station Music For Listeners. The showcase included performances from Dublin-based noise pop quartet September Girls, Manchester rockers Pins, and Mississippi psych-pop outfit Dead Gaze, all of whom were arresting. But there was something especially captivating about the sparks flying during Traams’ frenzied performance, with frontman Stu channeling Alec Ounsworth’s frantic wail. The boys worked up a real sweat blasting everyone with pummeling pop.
Future Islands
The Baltimore synth punk outfit has long had a reputation as a hardworking and talented live band who’ve released some great albums over the last seven years. Singles is out March 25th on 4AD and the band took to SXSW for their first time ever to showcase the material, resulting in heaps of long-deserved attention. I caught their triumphant final performance of eight at Impose’s free Longbranch Inn party, and the vibes were stellar. Lead singer Samuel T. Herring was absolutely brimming with joy, repeatedly stating how good the energy in the room felt, promising to belt it out until his vocal chords gave up. The crowd loved him back, bouncing up and down to some stellar new songs, pumping fists, crowd surfing, and begging for another jam before the bar closed for the night. Future Islands obliged with a hushed version of “Little Dreamer” from 2008’s Wave Like Home.
The Wytches
When we previewed “Wire Frame Mattress” we knew that the UK band were not be missed, and the boys did not disappoint. Blending surf, sludge, and rockabilly elements with a healthy dose of reverb, The Wytches embodied worst-case-scenario teenage angst like we haven’t seen since watching The Craft at sleepovers.
Coachwhips
Jon Dwyer reunited his early aughts garage rock group and it felt so good. Eschewing stages as often as possible, Dwyer & Co. preferred to set up shop in the Austin dust and totally wreck it. I saw them once at the Castle Face Records showcase (that’s Dwyer’s label, which is set to re-release Coachwhips debut Hands on the Controls this month) and again on Pfluger Pedestrian Bridge, after which Dwyer set off fireworks during Tony Molina’s set. Dwyer sings into a mic that looks more like a wad of tape, resulting in a scratchy, unintelligible, yet somehow glorious garble, the short songs every bit as good as those from Thee Oh Sees catalogue but faster, looser, and somehow more primal.
Wye Oak
Another Baltimore act that’s been around for years, steadily releasing unnoticed but beautiful records, Wye Oak’s folk-inflected synth pop impressed many a South by audience. Andy Stack did double duty on drums and keys, using one hand to play each simultaneously. Just think about that for a minute. Try to mime those motions. It’s a good deal harder than rubbing your belly while patting your head, but Stack never missed a beat. Add to that Jenn Wasner’s honeyed voice, and space rock guitar riffs, and you’ve got a template for the galactic anthems of Shriek, the duo’s fourth studio album. It comes out April 29th on Merge.
Our inaugural SXSW showcase was a success! There’s no way we could thank everyone involved, but extra special thanks go out to eight bands who came from all over the world to play breathtaking sets for us and for our fans:
… and CreepStreet for providing goods to give away!
Worst Venue to Throw a Showcase: Upstairs on Trinity
It’s not actual a venue, it’s a wine bar. After reading the fine print on a very misleading contract, we learned that we’d have to rent an entire soundsystem to even have a show. We had to hire our own sound guy too. Even after pulling off both these feats (no easy task considering our out-of-town status), we weren’t allowed to set up until after 7pm, pushing our showcase back an hour. There weren’t even extension cords at the “venue” so I had to haul ass down 6th to a CVS to purchase whatever they had in stock. When psych rockers Electric Eye finally took the stage, their unravelling guitars definitely eased my frayed nerves.
Followed by Cheerleader’s uplifting pop punk, I was starting to feel a little better – until technical difficulties resurfaced. Live, learn and shrug it all off with some whiskey, that’s what I always say.
By the time we worked out our sound issues and Samsaya hit the area where a stage might have been in an actual club, I was admittedly wasted, but not enough that I failed to notice how inventive her acoustic set was, featuring musicians from all over the world, and how everyone in attendance – including the bartenders – responded to it. Leverage Models followed her lead, encouraging some seriously rowdy dancing with their artful antics, only helped by the (still) flowing libations. I didn’t get any decent pictures of the dance party because of the shitty lighting but also because, you know… libations. It all ended with me crying alongside I35, unable to get a cab, unidentified cables draped around my neck like someone’s pet python, ’til a random Austinite took pity on us and gave us a lift back to The Enterprise where I passed out in bed still wearing a leather jacket. We go to pick up our equipment the next day and the venue attempted to overcharge us for an event they had no business booking in the first place and hijacked our rented equipment as collateral while we disputed the bill. The process of getting it back took up a significant chunk of the rest of the week. All in all, it presents a gross example of the worst of SXSW profiteering. But wonderful performances from the bands who played the showcase are what saved the day, so big thanks to them!
Best Random Austin Moment: Salute!
Embattled with the venue from Hell, I was feeling a bit depressed – in part because the show hadn’t gone as planned, we’d inconvenienced Austin friends kind enough to give us rides while juggling insane work schedules, but also because I was missing out on a lot of bands I wanted to check out while going through the whole retracted process. I smoked some weed a bartender had given me the night before, ate a veggie burrito from Chillitos, and stumbled into The Vortex, a theater/bar in a barn hosting a party that featured Italian bands and a Patrizi’s food truck. I sat in the sun and took in the sounds of Omosumo, an electronic outfit that could be the lovechild of Led Zeppelin & Daft Punk sent away to boarding school in Palermo.
Runner Up: When Red 7 played The Hold Steady on the soundsystem right before The Hold Steady played
Queerest Showcase: Y’all or Nothing, Presented by Mouthfeel & Young Creature
Listed as a showcase for “not-so-straight shooters” the bill at Cheer-Up Charlies on Saturday night was stacked beginning-to-end with impressive performers, thoughtfully culled from queer scenes in Austin and beyond. There was a palpable feeling of community and camaraderie in the air and the evening was all about fun. Gretchen Phillips’ Disco Plague opened the night on the outdoor stage, situated in a white-stone grotto that forms the venue’s patio. Her improv dance-punk got the entire crowd going. Meanwhile, performance art duo Hyenaz brought glammed up electro to the inside stage, and it only got crazier from there. Austinites Mom Jeans‘ quirky pop punk had me beaming; they dedicated songs to John Waters, weed, and Satan. Leda introduced her band Crooked Bangs with the declaration “I’m a woman, and I don’t know what that means” before proceeding to mesmerize everyone watching with bass playing so nimble I still can’t get over it. BLXPLTN’s industrial punk-meets-hip-hop vibe is every bit as brutal as Death Grips, their lead single “Stop & Frisk” lambasting the racist practice. Big Dipper rapped. Ex Hex rocked. We deeply regret missing performances by TacocaT and Christeene and Sharon Needles due to some ongoing drama that needed taking care of. But we wish we could’ve stayed forever.
Not because I’m a stalker, just because they got to play early slots on some really rad bills. They were on point every time. Hopefully this means a lot more attention for the Philly-based trio in the upcoming year.
Best SXSW Tradition: Bridge Parties!
Night one I saw Perfect Pussy throw a bass into the Colorado while Meredith Graves wore a sparkly ball gown, followed by bang-up performances by Nothing and Ex-Cult.
Ex-Cult on the Pfluger Pedestrian Bridge
Night two was the aforementioned fireworks display courtesy of John Dwyer while Tony Molina played. The cops don’t seem to care and I want to be friends with everyone on that bridge forever.
Best Venue for Charging Phones: Cheer Up Charlie’s
Newly inhabiting the former Club DeVille compound as Wonderland has taken over its old East Side location, this is a haven for anyone with a near-dead battery, though Hotel Vegas was a close second. Both had multiple outlets that were conveniently accessible (rather than behind a bar that forced you to bug your bartender every time you wanted to Instagram something), often times in full view of a stage where bands were playing so you didn’t have to miss the fun.
Worst Venue for Charging Phones: Red 7
Home of Brooklyn Vegan’s day parties, not only was capacity over-policed after Tyler, the Creator incited a riot at Scoot Inn, but Red 7 has a peculiar sparseness that makes finding outlets nearly impossible. And you couldn’t just hand your phone over to the bartender without paying a $5 charging fee. A particularly hostile sign on the sound booth discouraged the uncharged masses from inquiring therein. Now, I know you don’t have to be able to snap a selfie at a show to have a good time. I was content to simply watch these lovely performances with documenting them. But ranting and raving about newly discovered bands enriches that fun and hopefully generates some buzz for the artist, which is kind of the whole point of SXSW. And communicating with friends still waiting in lines outside is pretty paramount, so cell phones at shows count as a necessary evil and everyone kind of has to get used to it.
Best-Kept Secret: Chain-Drive
This little-gay-bar-that-could is hunkered on a quiet street off the main drag of Rainey District. Met Christeene and Gretchen Phillips and Big Dipper on Tuesday, but the venue hosted out-of-control, unique line-ups every night.
Most Inflated Price: $6.99 Non-Bank ATM fee at 7th & Red River.
As in, $2 more than non-badgeholder admission to a show steps away at Beerland, where I caught Connections before heading to Hotel Vegas for Forest Swords.
Number of Chase ATMS in the immediate downtown area: 2
That were able to dispense cash: 0
Best Food: Gonzo
Every year I have to stop by Gonzo’s food truck at the East Side Fillin’ Station for a “Pig Roast” – sweet pulled pork topped with provolone, tangy carrot slaw, and spicy brown mustard on Texas toast. As I ate my annual sammie I literally found myself thinking about how ingenious Texans were for inventing really thick white bread grilled with butter on it. Austin’s first-ever In-N-Out location was a close second, because a Double Double Animal Style really is a life-changer.
Best Metal Band We Stayed With But Didn’t See Live: Christian Mistress of Portland
They were all very nice but their hair made us jealous.
Best Movie We Saw While Charging Phones/Re-Charging Selves At Jackalope: Daughters of Darkness
Best Austinites: It’s a tie!
Jenn from Guitar Center rented us four monitors, two speakers with stands, six fifty foot cables, a sixteen channel mixer, two DI boxes, and two mics with stands within a days notice, and didn’t change us extra when a snafu with the shittiest venue in Austin forced us to keep it longer than we’d planned. In general she was super understanding, knowledgable, professional, and friendly.
Chris English of Haunted ATX gave us a lift whenever we needed it in a hearse tricked out into a six-seat limo. We flagged him down out of a cab line a mile long trying to get from the downtown Hilton to the South Lama for Ground Control’s famed Pfluger Pedestrian Bridge punk party. The TV in the back was playing Dune. The next night, after another bridge party was announced, we texted him for another ride and he showed within fifteen minutes, giving us the same deal. Then he came in with an assist in The Great Equipment Rescue of SX2014 when none of our friends were able to help us schlep our equipment from venue to where we were staying, and he gave us a mini-tour of an Austin cemetery because that’s what he normally uses the limo for – haunted tours of Austin.
Best Non-Austinite: Giselle from Vancouver
…who came to our Tuesday showcase. Bowled over by our line-up, she proclaimed it was one of the best at SXSW and couldn’t understand why anyone would “wait so long to see Jay-Z ” when they could have been partying with us. Giselle is a little older, probably in her 40’s or maybe early 50’s. Having recently entered my thirties, I’ve often wondered if I was too old to be so invested in such a youth-centric industry. Giselle gives zero fucks about that. She isn’t even in the industry; she told me she “just likes to go to shows”. She makes trips to Austin each year (as well as to New York for CMJ), travels for other events and festivals and attends shows at home, where she uses her iPhone to snap pics of up-and-coming bands she started finding “when the internet came around and made it easier to discover bands”. It might be that Giselle is actually myself from the future, sent to the showcase to give me the hope and reassurance I need to keep going. If that’s so, I’m here to tell you that based on her outfit, normcore will be bigger than ever in fifteen years.
Best Almost-Brushes With Celebrity:
I was invited to go to Willie Nelson’s ranch and was hoping to hang with the country legend, but thanks to the showcase debacle didn’t make the limo. Annie almost interviewed Debbie Harry of Blondie but the Queen of New Wave rescheduled and switched to over-the phone.
Number of Wrist-bands Accrued: Only one.
A friend said to me, “That’s kinda sad and kinda really amazing.” But between putting on our own showcases and going to everyone else’s, I didn’t have time to wait around in lines for wristbands, then wait for lines to get into a venue, then wait for lines to get to the patio of the venue where bands were actually performing. And in what little time I did have, I chose to attend smaller events that lacked the corporate sponsorship necessitating said lines and said wristbands. So someone else was the one to Instagram Lady Gaga getting puked on; meanwhile I got to see shows unobstructed by big-box advertising that felt way, way more personal and memorable. For instance: I closed out SXSW at The Owl, a DIY space on the East Side with Eagulls, Tyvek, and Parquet Courts headlining.
Eagulls at The Owl. Phone died for the last time at SXSW shortly thereafter.
Number of Messages on Thursday morning asking if I was safe:
Lots & lots; truly felt loved. Our hearts go out to those that didn’t get a message back.
An Alphabetical List of Bands I Saw:
Amanda X, BLXPLTN, Big Dipper, Big Ups, Bo Ningen, The Casket Girls, Cheerleader, Coachwhips, Connections, Crooked Bangs, Dead Gaze, Eagulls, Electric Eye, Empires, Ex-Cult, Ex Hex, Far-Out Fangtooth, Fenster, Forest Swords, Future Islands, Gretchen’s Disco Plague, Guerilla Toss, Habibi, HighasaKite, The Hold Steady, Hundred Waters, Hyenaz, Jess Williamson, Juan Wauters, Kishi Bashi, Leverage Models, Mom Jeans, Nothing, Parquet Courts, Perfect Pussy, Pins, Potty Mouth, Residuels, Samsaya, September Girls, SOLDOUT, STRNGR, Tony Molina, Traams, Tyvek, Vadaat Charigim, Warm Soda, Weeknight, Wild Moccasins, Wildcat Apollo, Wye Oak, The Wytches, Young Magic[/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]
Ticket Giveaways
Each week Audiofemme gives away a set of tickets to our featured shows in NYC! Scroll down to enter for the following shindigs.
