NEWS ROUNDUP: Kelis, Avicii & More

Kelis, Avicii & More

By Jasmine Williams

Kelis Opens Up About Abusive Marriage

Compared to the film industry, the music has been slow to acknowledge the #MeToo movement. While the rock and rap blares, sexual abuse accusations against major musicians have largely fallen on deaf ears. Thanks to Kelis, this may be about to change. Yesterday, in a seemingly routine interview with Hollywood Unlocked, the “Bossy” singer dropped a bombshell when she revealed that her ex-husband Nas was physically and mentally abusive during their five years of marriage. They married in 2005 and were instantly seen as one of music’s most indomitable pairs. However, their public image was far from Kelis’ reality – in the interview she described a highly explosive relationship, where Nas would become highly intoxicated and physical violence would follow. The couple divorced in 2009, citing “irreconcilable differences.” Kelis has been largely silent on their split, until now. She told interviewer Jason Lee, “I have edited myself for nine years and I woke up this morning and said, ‘not today.’ “

Avicii Dead of Possible Suicide

The EDM world was hit with a major tragedy late last week after it was announced that mega-DJ/producer Tim Bergling, better known as Avicii, was found dead at age 28. The “Wake Me Up” artist had long suffered from health issues, partly due to excessive drinking. Yesterday his family released a statement hinting that he may have taken his own life, writing, “He really struggled with thoughts about Meaning, Life, Happiness. He could not go on any longer. He wanted to find peace.”

That New New

Janelle Monae’s new album, Dirty Computer, is out today. The “Make Me Feel” singer blew up the internet this week after telling Rolling Stone that she identifies as pansexual and is “someone who has been in relationships with both men and women.” She premiered a 42-minute film in support of the album on BET last night.

Today is a big day for jazzy genre-blasters; The Internet released a video for new single “Roll.”

Grouper’s new LP is out now. She hits the road today in support of Grid of Points.

Neil Young and Crazy Horse are approaching 50 years together; they’ll celebrate with California shows on May 1st and 2nd at Warnors Theatre in Fresno. New legends, Florence + the Machine, are also playing a few special shows in May. Tickets go on sale today for May 13th & May 14th shows at Brooklyn Academy of Music. Also on sale this week are tickets for My Bloody Valentine’s seven United States stops.

End Notes

  • When fame emerges, lawsuits are sure to follow. Cardi B is being sued by her ex-manager for $10 million. In unrelated Cardi news, the “Bodak Yellow” artist just announced cancellations of her spring and summer tour dates due to her pregnancy. Sorry New Yorkers – that means no Panorama appearance.
  • This week in Kanye West’s Twitter:

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ONLY NOISE: Back In The New York Groove

It was native New Yorker Lou Reed who sang, “Give me your hungry, your tired, your poor/I’ll piss on ’em/that’s what the Statue of Bigotry says” in “Dirty Blvd.” The wry piece of poetry was one of many city-centric tracks to grace Reed’s New York LP from 1989. While Reed’s lyrics sound hateful towards NYC, you might consider them more love/hate when you realize that the man who wrote them never left New York (well, New York State, at least). Lou Reed remained a New Yorker when he passed in 2013, and his city praises him still. I am no stranger to the Big Apple ambivalence Reed has put to music since the 1960s. Once you’ve put in enough time here, you tend to make love and fight with this city like a spouse. But good times and bad times aside, New York is hands-down the best boyfriend I’ve ever had.

Today is my first day back in town after being away for more than a month. You can imagine my delight the moment I landed, grabbed my luggage, and ran down JFK Airport’s many moving sidewalks after weeks of sitting. That’s a lot of what you do on the West Coast: sit. I sat in cars, on couches, and at bars, my legs nearly atrophied from disuse. So thirsty was I for the unrelenting motion of this city, and the ability to walk anywhere if you have the time. I longed for efficient but banal things like the Air Train and the MTA, and I beamed when finally boarding them, despite it being 5:38 in the morning. My MetroCard even had $10.50 left on it. Damn, I love this place.

It’s surprising to me that I haven’t written an I <3 NY piece until now, but sometimes you have to step away from something to appreciate it, as the old cliché goes. Fortunately, hundreds – likely thousands – of artists have enshrined their love of New York in song, and that makes things a lot easier for me. Why use my own words, when I can defer to the borough-praising rhymes of say, The Beastie Boys? Their 2004 hit “An Open Letter To NYC” is a sprawling poem to the city, with more New York in-jokes than Seinfeld. But the chorus alone says it all:

“Brooklyn, Bronx, Queens and Staten/From the Battery to the top of Manhattan/Asian, Middle-Eastern and Latin/Black, White, New York you make it happen.”

I can’t boast East Coast origins like The Beastie Boys, but creeping up on a decade of living here, I’m that much closer to earning my I <3 NY t-shirt, and I sure as hell feel all the love for this place evident in “An Open Letter To NYC.”

If you’ve been reading my column lately, you may have noticed a less-than-optimistic taint to my voice. I blame the infernal state of the world, of course – but why the sudden burst of joy? It’s because I am back. And dear sweet New York, I am never leaving you again.

I have just come from Huntington Beach, California, where the idea of culture is bottle-blonde, bronzed, fond of CrossFit. Young professionals can be found dancing to “Margaritaville” and the musical cannon of Pitbull, all while shouting “let’s do shots!” sorority style. One such cultured resident harassed me at a bar a few days ago. She was a former hairstylist-turned-Billabong-clothing-designer and breathing stereotype who proceeded to tell me to shut the fuck up, threaten me with her assault history, and hug me while saying, “I love you” in the span of 10 minutes. Then she flashed me.

If people think New Yorkers are cold, I much prefer our brand of chilliness to the Southern Californian “warmth” I often experience. Everyone makes the assumption that New Yorkers are rude, brash people, but I never get offended more than when I go to other parts of the country, particularly Surf City USA. When the fit, well-hydrated inhabitants of Huntington Beach ask me why I’d ever want to live in such a dirty, crowded city, I just respond with the words of Judy Garland: “The more I see New York, the more I think of it/I like the sight and the sound and even the stink of it/I Happen to Like New York.”

No truer words have been sung. I love New York for its music, and films, and fine art, sure, but also for its sludge, and grime, and smog. When I travel to clean cities, my first question is always, “Where is all your trash?” Cleanliness unsettles me. Dirt=history. Do you think London and Paris would possess the same je ne sais quoi if their cobblestones hadn’t been washed in blood and filth for centuries? No. Filth=character, and if the lyrics of The Rolling Stones’ “Shattered” (“You got rats on the West Side/Bed bugs uptown”) or Fear’s “New York’s Alright If You Like Saxophones” (“New York’s alright if you like drunks in your doorway”) doesn’t convince you of that, I don’t know what will.

You can say what you will of New York. Call our city expensive and wretched and unsanitary. Call us snobs, hipsters, careerists, assholes and aesthetes. We’ve probably been called worse. We don’t mind the hassle or hustle so long as we never run out of music, or museums, or midnight movies to enjoy. And in New York, that’d be pretty unlikely.

Perhaps the countless songs by artists like Leonard Cohen, Grandmaster Flash, NAS, Tom Waits, Bob Dylan, and so many others will better encapsulate the sprawling organism of New York City. I certainly can’t do better than them. So here is a playlist of all of my favorite New York songs. If you still don’t like it here after listening to “Chelsea Hotel #2” or “The Message,” get out. No one is asking you to stay, and the subway’s too crowded.

TOP PICKS: Record Store Day’s Black Friday Releases

Record-Store-Day-Black-FridayHere’s another reason to love the holidays: Record Store Day’s Black Friday event—an opportunity to snag special vinyl and CD releases, re-acquaint yourself with your local record stores, and get a head start on the season’s general merrymaking. This Nov. 29 will be RSD’s third annual Black Friday celebration, which aims to subvert the prototypical, corporate-run Black Friday model by providing us with “pieces of art in the form of limited special editions” and “an excuse to celebrate both the pieces themselves and the special indie record stores who carry them.” Basically, it’s a chance for an ethically justifiable vinyl shopping binge, and a perfect way to stock up on some truly unique gifts for your friends and family (and yourself). Here are our top picks for this year’s Back to Black Friday bash, and our recommendations for where to find them:

Mystical Weapons — Crothesque

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A rare recording of an improvisational collaboration between Sean Lennon, Deerhoof’s Greg Saunier, and multi-instrumentalist Shahzad Ismaily, originally captured for WNYC show “Spinning on Air” and featuring original illustration by Sean Lennon himself.

 

Nas — Halftime

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Nas’ debut single, “Halftime,” was released in 1992 under his original moniker, Nasty Nas. This reproduction of the original 12” LP includes the song’s LP version, instrumental version, and a remix version.

 

Chocolate Milk — Action Speaks Louder Than Words

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Released in 1975, Chocolate Milk’s debut funk/soul album was later sampled by some legendary hip-hop artists like Eric B. & Rakim, the Geto Boys, and Stetsasonic, among others. Now the classic album is returning fully remastered and in limited edition colored vinyl (chocolate colored, of course)—a definite gem.

 

Dawes — Stripped Down At Grimey’s

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A 6-track live recording of Dawes’ intimate performance at Nashville’s Grimey’s in March 2013. Includes four tracks from the band’s third full-length album, Stories Don’t End, released earlier this year, and the LP comes in a pretty orange color!

 

Anti-Records Fall 2013 Compilation — Hot Wacks

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Designed after classic “loss leader” LPs of the ‘70s, this compilation offers an intro to a few of Anti-Records’ new artists as well as demo versions and unreleased tracks by some of the label’s well-established acts (Dr. Dog, Man Man, Mavis Staples). This is a fun purchase at a very low price ($5.99!).

 

Elvis Costello & The Roots — Wise Up: Thought — Remixes and Reworks

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Produced by Elvis Costello and ?uestlove alongside Steven Mandel, this collection of remixes is sure to take Costello and The Roots’ collaborative, genre-blending album, Wise Up Ghost from earlier this year, even further than it already went.

 

Sondre Lerche — Rejection #5

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This 12” single is the first of the Public Hi-Fi Sessions, a series of limited edition releases from Spoon’s Jim Eno’s new Public Hi-Fi Records. Eno plays drums on the single as well as B-side “Screen Door.” Once the series takes off, this debut is sure to become highly sought-after.

 

Our picks of participating record stores:

Rough Trade NYC

64 North 9th St., Brooklyn NY

Cake Shop

152 Ludlow St. , New York NY

Rebel Rebel

319 Bleecker St., New York NY

Academy Records Annex

83 Oak St., Brooklyn NY

Earwax Records

167 North 9th St., Brooklyn NY