Tag: Mickey Guyton

PLAYING NASHVILLE: 2020 Was a Tumultuous Year for Music City

Photo by Tanner Boriack on Unsplash

Needless to say, 2020 was a challenging year. In a year bookended by a devastating tornado in March and a bombing on Christmas morning, with the COVID-19 pandemic sandwiched in between, Nashville has been dealt its fair share of blows this year. But these challenges also held a mirror up to the city’s resiliency, and through the highs and lows, the city proved not to be merely a group of citizens, but a family. 

High: ACM Awards & CMT Awards cater to socially distanced format  

Following suit with the many other awards shows, both the Academy of Country Music and CMT decided to go (mostly) virtual for their respective awards shows, adapting their formats to pandemic times. CMT wins the award for most creative, as the network invited its artists to perform at separate locations consisting mainly of outdoor venues across the Nashville area. From Little Big Town’s soaring harmonies bouncing off the walls of a cave, to Dan + Shay serenading us from a beautiful outdoor wedding venue while Luke Combs and Brooks & Dunn rocked the Bicentennial Capitol Mall Amphitheater, with Combs shotgunning a beer in the middle of the performance, CMT broke the mold on what a traditional award show looks like in a way that was both safe and entertaining. 

The ACM also found a way to impressively adapt to the pandemic by hosting artists at three of Nashville’s iconic venues, the Ryman Auditorium, Grand Ole Opry and Bluebird Cafe. The artists performed to empty venues and were socially distanced with their band members on stage, the Academy going so far as to distribute the awards by placing the trophy on a stool that the artist would then solely collect. It was impressive to see the lengths that the Academy went to adapt appropriately to the public health situation while still honoring the best and brightest in the genre while making the participants – and viewers – feel safe.

Low: The CMA Awards 

During a time when major awards shows opted to host virtual ceremonies in light of the pandemic, the CMA decided to forge ahead with an in-person November event in an effort to remain “representative of the brand,” according to show producer Robert Deaton. Filmed non-audience at the Music City Center with only the nominees and one guest peer nominee allowed in the venue, the CMA went through rigorous protocols to keep the environment as safe as possible with measures including rapid testing, sanitizing equipment between each award, seating a maximum of four people per table that were spaced eight feet apart, among them. But that still wasn’t enough to make this viewer and local journalist feel like it was worth the risk. It was disheartening to see the most prominent names in country music walking around the room without masks on, smiling and laughing with each other without following social distancing practices, especially during a time when COVID-19 cases were surging in Tennessee and local officials were urging citizens not to gather in groups larger than 10 people.  Additionally, five acts had to drop out leading up to the day of the show due to testing positive for the virus or coming into contact with family members who had tested positive.

Photo Credit: John Russell/CMA

Perhaps the most devastating blow came weeks later; the country music world was heartbroken when Charley Pride, who flew from Dallas to Nashville to attend the show and accept the Willie Nelson Lifetime Achievement Award, tragically passed away due to complications from COVID-19 at the age of 86 after he was hospitalized with COVID-19-type symptoms in late November.

While it’s uncertain where Pride caught the virus – his manager Kevin Bailey tells The Dallas Morning News that the CMA “took every precaution that you can imagine” and CMA asserts in a statement that Pride tested negative for COVID-19 multiple times after returning home to Dallas – it served as a sobering reminder that hosting a virtual show would have perhaps been the safest and more proactive choice. 

Charley Pride was one of country music’s big losses this year. Photo credit: Joseph Llanes

Low: The loss of legends

Loss has sadly been a commonplace in 2020, and the country music community lost many beloved artists this year. Kenny Rogers passed away from natural causes in early March just before the pandemic hit, while Charlie Daniels suddenly passed away from a stroke in July, months before his annual Volunteer Jam was scheduled to take place in Nashville (it’s since been rescheduled to February and re-branded as a tribute concert to Daniels).

Additionally, K.T. Oslin, who made history as the first female songwriter to win the CMA Award for Song of the Year with “80’s Ladies,” lost her battle with Parkinson’s Disease one week after being diagnosed with COVID-19, merely days before Christmas. The ramifications of COVID-19 where also felt when Charley Pride, John Prine and Joe Diffie all succumbed to complications after contracting the virus, leaving their loved ones, fans and the music community at large to mourn the loss of such tremendous figures.   

High: Country music reckons with systemic racism 

In the midst of a raging pandemic, a mirror was held up to America’s long-rooted history of systemic racism following the deaths of Ahmaud Arbery, Breonna Taylor and George Floyd. Their deaths inspired countless marches and protests and sent shock waves throughout the country that ultimately arrived at country music’s doorsteps, leading to several panels about the topic of diversity and breaking the cycle of racism in country music, with industry professionals and artists alike openly sharing their experiences.

This summer, during a panel called “A Conversation on Being African American in the Nashville Music Industry,” EntertainmentOne’s Senior Vice President and General Manager, Gina Miller, spoke out, saying, “The best data we have are your stories.” She related her own experience in which she greeted a woman at her former workplace every day, her cheerful “Good morning!” going totally unanswered. She persisted for nearly two years, until she the woman finally reciprocated. “From that grumble of ‘good morning,’ I still said ‘good morning’ the next day and the grumble got clearer and clearer,” Miller recalled. “The day that I had the clear ‘good morning,’ I knew we had turned a different corner.”  

As a white woman who covers country music daily, these discussions, and the Black Lives Matter movement as a whole, have opened my eyes to how I have unintentionally been a part of this system. Miller’s perseverance truly resonated with me and her story often comes to mind, even months later. Miller’s story, and the many others like it, have motivated me to take a hard look at my role as a journalist and be more intentional about shining a spotlight on the voices that deserve to be heard.

Though country music still has a long way to go before it achieves true equity, it feels as though the blindfolds came off this year in many respects, the industry now willing to not only have conversations about race, but make changes to establish a more inclusive genre. As Mickey Guyton’s star power continues to rise in light of her powerful songs “What Are You Gonna Tell Her?” and “Black Like Me,” the former of which made her the first Black woman to perform her own song at the ACM Awards in its 55-year history and the latter designating her the first solo Black female to be nominated for Best Country Solo Performance at the Grammy Awards, it feels like a glimmer of hope for a future that is more accepting, welcoming and loving toward all. 

High & low: Tennessee tornado & recovery efforts 

When a tornado tore through multiple towns in Tennessee in the middle of the night on March 3, it left 24 people dead and multiple businesses destroyed in its path. Nashville was among one of the hardest hit areas, leaving many local business owners to clean up the damage and piece their livelihoods back together – but they didn’t do it alone. Residents-turned-volunteers demonstrated why Tennessee is nicknamed the “Volunteer State,” whether donating money and resources or showing up by the thousands to help clean up the damage. The effort was so massive that there was a waitlist to volunteer while other times volunteers were turned away.

Photo courtesy of I Believe in Nashville

As one of those volunteers, I can attest to the awe-inspiring service of this city. Having only seen pictures of tornado devastation on the news, it was shocking to stand in the rubble of a home that had been torn apart in minutes, the owner remarkably surviving with only a few minor scrapes despite being trapped in the middle of the destruction. But the fear and heartache I felt as we picked up the remnants of someone’s life was immediately met with comfort and relief, working alongside selfless strangers who became friends through the experience.

While Nashville is a city of transplants, I believe it is reflective of our nation as a whole. As people who have moved here from across the country with a dream in hand collectively rushed to the call of duty, helping their fellow neighbors, the “I Believe in Nashville” mural – which remained unharmed while the buildings around it were destroyed – took on new meaning. It not only represents the resiliency of Nashville, but proves that we the people are invincible when we join together for the greater good.  

AF 2020 IN REVIEW: Our Favorite Albums & Singles of The Year

In a year that’s been like no other for the music industry, it feels a bit weird to make a best of 2020 list – there have been no tours, venues and clubs across the globe are in danger of closing their doors for good, release schedules were shuffled beyond recognition, and musicians have had to find other ways to make ends meet while those in the U.S. await the next round of paltry stimulus checks. With a situation so dire, the metrics have changed – should we ascribe arbitrary value to the skill of producers, songwriters, performers, and the execution of their finished projects, or simply celebrate records that made us feel like the whole world wasn’t crumbling?

Definitively ranking releases has never been the Audiofemme model for looking back on the year in music. Instead, our writers each share a short list of what moved them most, in the hopes that our readers will find something that moves them, too. Whether you spent the lockdown voraciously listening to more new music this year than ever before, or fell back on comforting favorites, or didn’t have the headspace to absorb the wealth of music inspired by the pandemic, the variety here emphasizes how truly essential music can be to our well-being. If you’re in the position to do so, support your favorite artists and venues by buying merch, and check out the National Independent Venue Association to stay updated on what’s happening with the Save Our Stages act. Here’s to a brighter 2021.

EDITOR LISTS

  • Marianne White (Executive Director)
    • Top 10 Albums:
      1) Mary Lattimore – Silver Ladders
      2) the Microphones – Microphones in 2020
      3) Soccer Mommy – Color Theory
      4) Megan Thee Stallion – Good News
      5) Phoebe Bridgers – Punisher
      6) Amaarae – The Angel You Don’t Know
      7) Dua Lipa – Future Nostalgia
      8) Adrianne Lenker – songs/instrumentals
      9) Perfume Genius – Set My Heart On Fire Immediately
      10) Lomelda – Hannah
    • Top 5 Singles:
      1) Kinlaw – “Permissions”
      2) Billie Eilish – “Therefore I Am”
      3) Little Dragon & Moses Sumney – “The Other Lover”
      4) Yves Tumor – “Kerosene!”
      5) Megan Thee Stallion – “Shots Fired”

  • Lindsey Rhoades (Editor-in-Chief)
    • Top 10 Albums:
      1) Land of Talk – Indistinct Conversations
      2) Dehd – Flower of Devotion
      3) SAULT – Untitled (Black Is)/Untitled (Rise)
      4) Public Practice – Gentle Grip
      5) Cindy Lee – What’s Tonight to Eternity
      6) Fiona Apple – Fetch the Bolt Cutters
      7) Benny Yurco – You Are My Dreams
      8) Eve Owen – Don’t Let the Ink Dry
      9) Porridge Radio – Every Bad
      10) Jess Cornelius – Distance
    • Top 10 Singles:
      1) Little Hag – “Tetris”
      2) Elizabeth Moen – “Creature of Habit”
      3) Yo La Tengo – “Bleeding”
      4) Caribou – “Home”
      5) Jess Williamson – “Pictures of Flowers”
      6) Adrianne Lenker – “anything”
      7) Nicolás Jaar – “Mud”
      8) Soccer Mommy – “Circle the Drain”
      9) New Fries – “Ploce”
      10) El Perro Del Mar – “The Bells”

STAFF LISTS

  • Alexa Peters (Playing Seattle)
    • Top 5 Albums:
      1) Deep Sea Diver – Impossible Weight
      2) Blimes and Gab – Talk About It
      3) Perfume Genius – Set My Heart On Fire Immediately
      4) Tomo Nakayama – Melonday
      5) Matt Gold – Imagined Sky
    • Top 3 Singles:
      1) Stevie Wonder – “Can’t Put it in the Hands of Fate”
      2) Tomo Nakayama – “Get To Know You”
      3) Ariana Grande – “Positions”

  • Amanda Silberling (Playing Philly)
    • Top 5 Albums:
      1) Frances Quinlan – Likewise
      2) Bartees Strange – Live Forever
      3) Told Slant – Point the Flashlight and Walk
      4) Diet Cig – Do You Wonder About Me?
      5) Shamir – Shamir
    • Top 3 Singles:
      1) Kississippi – “Around Your Room”
      2) Sad13 – “Hysterical”
      3) The Garages – “Mike Townsend (Is a Disappointment)”

  • Ashley Prillaman (Contributor)
    • Top 5 Albums:
      1) Perfume Genius – Set My Heart On Fire Immediately
      2) Lasse Passage – Sunwards
      3) Megan Thee Stallion – Good News
      4) Grimes – Miss Anthropocene
      5) Yves Tumor – Heaven To A Tortured Mind
    • Top 3 Singles:
      1) Megan Thee Stallion – “B.I.T.C.H.”
      2) Perfume Genius – “On the Floor”
      3) SG Lewis & Robyn – “Impact” (feat. Robyn & Channel Tres)

  • Cat Woods (Playing Melbourne)
    • Top 5 Albums:
      1) Jarvis Cocker – Beyond the Pale
      2) Róisín Murphy – Róisín Machine
      3) Run the Jewels – RTJ4
      4) Emma Donovan & The Putbacks – Crossover
      5) Various Artists – Deadly Hearts: Walking Together
    • Top 3 Singles:
      1) Emma Donovan & The Putbacks – “Mob March”
      2) Laura Veirs – “Freedom Feeling”
      3) Miley Cyrus – “Never Be Me”

  • Chaka V. Grier (Playing Toronto)
    • Top 5 Albums:
      1) Lianne La Havas – Lianne La Havas
      2) Joya Mooi – Blossom Carefully
      3) Lady Gaga – Chromatica
      4) Witch Prophet – DNA Activation
      5) Tremendum – Winter
    • Top 3 Singles:
      1) Lianne La Havas – “Green Papaya”
      2) Lady Gaga – “Free Woman”
      3) Allie X – “Susie Save Your Love”

  • Cillea Houghton (Playing Nashville)
    • Top 5 Albums:
      1) Chris Stapleton  – Starting Over
      2) Brett Eldredge – Sunday Drive
      3) Little Big Town – Nightfall
      4) Ingrid Andress – Lady Like
      5) Ruston Kelly – Shape & Destroy
    • Top 3 Singles:
      1) The Weeknd – “Blinding Lights”
      2) Billie Eilish – “Therefore I Am”
      3) Remi Wolf  – “Hello Hello Hello”

  • Eleanor Forrest (Contributor)
    • Top 5 Albums:
      1) Grimes – Miss Anthropocene
      2) Rina Sawayama – SAWAYAMA
      3) Allie X – Cape Cod
      4) LEXXE – Meet Me in the Shadows
      5) Gustavo Santaolalla, Mac Quayle – The Last of Us Part II (Original Soundtrack)
    • Top 3 Singles:
      1) CL – “+5 STAR+”
      2) Yves Tumor & Kelsey Lu – “let all the poisons that lurk in the mud seep out”
      3)  Stephan Moccio – “Freddie’s Theme”

  • Gillian G. Gaar (Musique Boutique)
    • Top 10 Albums:
      1) Dust Bowl Faeries – Plague Garden
      2) Ganser – Just Look At That Sky
      3) Oceanator – Things I Never Said
      4) Loma – Don’t Shy Away
      5) Maggie Herron – Your Refrain
      6) Pretenders – Hate for Sale
      7) The Bird and the Bee – Put up the Lights
      8) Partner – Never Give Up
      9) Bully – Sugaregg
      10) Olivia Awbrey – Dishonorable Harvest

  • Jason Scott (Contributor)
    • Top 5 Albums:
      1) Mickey Guyton – Bridges EP
      2) Katie Pruitt – Expectations
      3) Mandy Moore – Silver Landings
      4) Dua Lipa – Future Nostalgia
      5) Cf Watkins – Babygirl
    • Top 3 Singles:
      1) Mickey Guyton – “Black Like Me”
      2) Ashley McBryde – “Stone”
      3) Lori McKenna feat. Hillary Lindsey and Liz Rose – “When You’re My Age”

  • Jamila Aboushaca (Contributor)
    • Top 5 Albums:
      1) Tame Impala – The Slow Rush
      2) Khruangbin – Mordechai
      3) Kid Cudi – Man on the Moon III: The Chosen
      4) Tycho – Simulcast
      5) Run the Jewels – RTJ4
    • Top 3 Singles:
      1) Tame Impala – “Lost In Yesterday”
      2) Phoebe Bridgers – “Kyoto”
      3) Halsey – “You should be sad”

  • Liz Ohanesian (Contributor)
    • Top 5 Albums:
      1) Róisín Murphy – Róisín Machine
      2) Jessie Ware – What’s Your Pleasure?
      3) Phenomenal Handclap Band – PHB
      4) Khruangbin – Mordechai
      5) TootArd – Migrant Birds
    • Top 3 Singles:
      1) Anoraak – “Gang” 
      2) Kylie Minogue – “Magic”
      3) Horsemeat Disco feat. Phenomenal Handclap Band – “Sanctuary”  

  • Michelle Rose (Contributor)
    • Top 5 Albums:
      1) Dua Lipa – Future Nostalgia
      2) Taylor Swift – folklore
      3) Shamir – Shamir
      4) Jessie Ware – What’s Your Pleasure?
      5) HAIM – Women in Music Pt. III
    • Top 3 Singles:
      1) Porches – “I Miss That” 
      2) Annabel Jones – “Spiritual Violence”
      3) Wolf – “High Waist Jeans”  

  • Sara Barron (Playing Detroit)
    • Top 5 Albums:
      1) Summer Walker – Over It
      2) Yaeji – WHAT WE DREW
      3) Liv.e – Couldn’t Wait to Tell You
      4) Ojerime – B4 I Breakdown
      5) KeiyaA – Forever, Ya Girl
    • Top 3 Singles:
      1) Yves Tumor – “Kerosene!”
      2) Kali Uchis, Jhay Cortez – “la luz (fin)”
      3) fleet.dreams – “Selph Love”

  • Sophia Vaccaro (Playing the Bay)
    • Top 5 Albums:
      1) Charli XCX – how i’m feeling now
      2) The Front Bottoms – In Sickness & In Flames
      3) Zheani – Zheani Sparkes EP
      4) Various Artists – Save Stereogum: A ’00s Covers Comp
      5) Halsey – Manic
    • Top 3 Singles:
      1) Charli XCX – “forever”
      2) Doja Cat – “Boss Bitch”
      3) Wolf – “Hoops”

  • Suzannah Weiss (Contributor)
    • Top 5 Albums:
      1) Galantis – Church
      2) Best Coast – Always Tomorrow
      3) Overcoats – The Fight
      4) Holy Motors – Horse
      5) Suzanne Vallie – Love Lives Where Rules Die
    • Top 3 Singles:
      1) CAMÍNA – “Cinnamon”
      2) Naïka – “African Sun”
      3) Edoheart – “Original Sufferhead”

  • Tarra Thiessen (RSVP Here, Check the Spreadsheet)
    • Top 5 Albums:
      1) Brigid Dawson & The Mothers Network – Ballet of Apes
      2) Ganser – Just Look At That Sky
      3) Death Valley Girls – Under The Spell of Joy
      4) The Koreatown Oddity – Little Dominiques Nosebleed
      5) Ghost Funk Orchestra – An Ode To Escapism
    • Top 3 Singles:
      1) Miss Eaves – “Belly Bounce”
      2) Purple Witch of Culver – “Trig”
      3) Shilpa Ray – “Heteronormative Horseshit Blues”

  • Victoria Moorwood (Playing Cincy)
    • Top 5 Albums:
      1) Lil Baby – My Turn
      2) A$AP Ferg – Floor Seats II
      3) Polo G – The Goat
      4) The Weeknd – After Hours
      5) Teyana Taylor – The Album
    • Top 3 Singles:
      1) Cardi B & Megan Thee Stallion – “WAP”
      2) Roddy Ricch  – “The Box”
      3) Big Sean & Nipsey Hussle – “Deep Reverence”

Mickey Guyton Releases Powerful Single “Black Like Me” as Country Musicians Take Stand Against Racism

Photo Credit: Chelsea Thompson, courtesy of Capitol Records

The murder of George Floyd at the hands of a former Minneapolis police officer has sparked protests across the world calling for justice for Floyd and the end to systemic racism in America. Some of those voices are coming out of Nashville, from a genre of music that has largely remained quiet on issues related to justice and politics in the past. Kane Brown, Darius Rucker, Jimmie Allen, Carrie Underwood and Thomas Rhett are among the many artists who have spoken out against Floyd’s inhumane death, with reactions ranging from honest reflections on living in a racist society as a black person to steadfast support for the black community.

Perhaps one of the most profound statements has come from Mickey Guyton, who tells the world how it feels to be a black woman in America on her powerful new song, “Black Like Me.” As one of the few Black women working in mainstream country music, Guyton has long been outspoken about the obstacles she’s faced trying to have a voice in a genre dominated by white males. “Black Like Me” cuts through the noise to share an honest and important perspective about what it’s like to live in her skin. Guyton explained in an Instagram post that she co-wrote the song in 2019 with Nathan Chapman, Emma DD and Fraser Churchill as a response to the “hate” and “oppression” she was witnessing in the world. Across three minutes and 31 seconds, Guyton takes the listener inside her journey as a child on the playground where she was told for the first time that she was “different,” later watching her father work twice as hard to buy a home to raise his family in. But the chorus is where she delivers a truly gut-punching declaration:

“It’s a hard life on easy street/Just white painted picket fences far as you can see/And if you think we live in the land of the free/You should try to be/Black like me/Oh, and some day we’ll all be free/And I’m proud to be, oh, Black like me.”

“Our world is on fire right now. There is so much division and hate. I wrote this song over a year ago because I was so tired of seeing so much hate and oppression. And yet here we are in the exact same place!” Guyton explains in the post debuting the song. “We must change that. I hope this song can give you a small glimpse into what my brothers and sisters have endured for 400+ years.” While she continues to serve as a passionate advocate for racial justice, she is also calling on her country music peers to do the same, many of whom have answered the call.

Darius Rucker also expressed his viewpoint on how it feels to live as a Black American. In a vulnerable, three-page statement, Rucker shared the “raw feeling of pain” he experienced watching the video of Floyd’s murder.

“As an American, a father, a son, a brother, a singer, a man…I have faced racism my whole life from kindergarten to the life I live today,” he begins. “Racism is not a born thing; it is a taught thing. It is not a strong belief; it is a weak belief. It is not a financial issue; it is a hatred issue.” As a father of three children, Rucker explained the “anguish” and “anger” they’ve felt in the aftermath of Floyd’s murder, urging for people to unify in order to bring about change. “The only way it will ever change is if we can change people’s hearts,” he encourages. “I really hope that we get better as a nation. My request to you guys is to search your heart on behalf of all of us, and root out any fear, hate or division you have inside of you. We need to come together.”

Like Rucker, “Best Shot” singer Jimmie Allen is the father of a six-year-old Black son and welcomed a daughter with his fiancée Alexis Gale in March. Allen expressed deep sorrow and concern for his son’s future growing up in a racist culture, also calling for people to use love as a guiding force for systemic change. “The continued non value of life towards black men in America concerns me. As a black man and a father raising a black boy I’m worried. The uncertainty of his safety turns my stomach,” he confessed in a recent Instagram post. “I challenge everyone to love each other and let our hearts speak louder than the injustice. Love so hard that it suffocates the hate.”

Kane Brown echoed this sentiment, calling on people of all backgrounds to unite in order to achieve world peace. “We will never see peace in this world until we ALL see each other as PEOPLE. We will never understand each other when you have people on 2 different sides. We have to become one to be at peace,” he explains in a Twitter post.

While Black country artists made it a point to speak out, many white allies also raised their voices in support. Two of the most profound statements came from Thomas Rhett and his wife Lauren Akins, the parents of four-year-old daughter Willa Gray, who they adopted from Uganda in 2017. Both spoke honestly about it’s like to be white parents of a Black daughter, pledging their unconditional support not only to their child, but the Black community as a whole. In a open-hearted message shared on Instagram, Rhett reveals that while their blended family has been mostly met with unconditional love, they have dealt with racism “directly,” previously instilling him with a fear that stopped him from making a public statement. He also notes the fear that his Black crew members have felt while touring on the road with him, behavior he deems “unacceptable.”

“When I witnessed the horrific murder of George and think about the mistreatment of other black men and women in America, I am heartbroken and angry. I get scared when I think about my daughters and what kind of world they will be growing up in and how my JOB as a father is to show them how to lead with love in the face of hate. To know their worth and value as not only women but human beings,” he explains. “So if there is any question on where I stand let me be clear – I stand with you, I stand with George and his family and all those who have faced racism. I stand with my wife and my daughters. We will be fighting this fight for the rest of our lives. Rest In Peace, George. We are not letting this go.”

Akins also spoke about her role as a parent to their multi-race children, stating that in the past she has been shamed by people who believe she is unqualified to be the mother of a Black daughter, creating a sense of “anxiety” that has led her to not speak out publicly – until now. “But as her mother, I want her to be VERY sure that I am HER mother who stands up not only for her, but for every single person who shares her beautiful brown skin. I want to be her mother who raises her to know what it means to have brown skin and to be proud of it,” she pledges. “I believe if I stay silent I am betraying my brothers and sisters. I believe if I stay silent I am betraying my daughter… Together, let’s be an army for love. That means speaking up loudly for injustices whether or not we share the same skin color, language, beliefs… I want my children to cling to the good. Love, peace, kindness, joy. I want them to BE the good.”

For a genre that has historically been remiss in standing up for justice, it offers a glimmer of hope to see many country artists use their voices to take a firm stance in opposition to racism, asserting that Black Lives Matter. My hope is that the country community will continue to fight for equality and turn these words into action, adding to the ocean of voices that are rising to end systemic racism and change this world for the better.

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CMT Next Women of Country Proves There’s a Sisterhood in Nashville

Each year in Nashville, the women of country music gather to celebrate one another and provide an important platform for the new artists working to break ground in the genre through CMT Next Women of Country.

Founded by CMT Senior Vice President of Music Strategy & Talent Leslie Fram in 2013, CMT Next Women of Country shines a spotlight on nearly a dozen promising new female acts in Nashville, providing them with tools and resources to be successful in a male-dominated industry, with past inductees including Kacey Musgraves, Maren Morris and Kelsea Ballerini. During the 2019 CMT Next Women of Country event co-hosted by Fram and Martina McBride at the Country Music Hall of Fame in Nashville, the 2020 CMT Next Women of Country class was unveiled, comprised of Gabby Barrett, Caylee Hammack, Hailey Whitters, Madison Kozak, Walker County, Avenue Beat, Abbey Cone, Kylie Morgan, Sykamore, Tiera and Renee Blair.

A consistent theme carried throughout the annual event is empowerment, whether the artists are championing one another or singing introspective and thought-provoking songs they’ve penned. The 2019 event reflected the variety of the music these women are creating through an acoustic songwriters round that invites each of the new inductees to perform an original song. Caylee Hammack delivered a stirring performance of “Small Town Hypocrite,” a song inspired by the ex-boyfriend she gave up a scholarship for who ended up cheating on her, while Hailey Whitters also proved to be a compelling songwriter with her depiction of a fictional character named Janice, an 80-year-old woman who offers sage life advice like “stay off the pills, but get on the pill if you ain’t ready to start a family,” the line calling to mind Loretta Lynn’s 1975 feminist anthem, “The Pill.” Madison Kozak, the first artist signed to Nashville’s new all-female label Songs & Daughters led by groundbreaking songwriter Nicolle Galyon (Camilla Cabello’s “Consquences,” Dan + Shay’s “Tequila”), held every heart in the room like it was made of glass with “Household,” touching on the universal feeling of wanting to leave home, but longing for that very place when you’re finally gone.

Photo by Rick Diamond/Getty Images for CMT)

The talent displayed in the room reflected country radio’s glaring lack of inclusion for such artists. In December of 2018, it was reported that for the first time in the 28 years since the Billboard Country Airplay chart launched, there were no women in the Top 20. However, up-and-coming artists are slowly fighting their way out of these alarming statistics, as Hammack’s debut single “Family Tree” has cracked the Top 40 on the country charts, Ingrid Andress is in the Top 20 with “More Hearts Than Mine” and Runaway June became the first all-female trio since the Dixie Chicks to have a Top 5 hit with “Buy My Own Drinks.”

But the conversation surrounding the lack of women on country radio still lingers, with Mickey Guyton remarking on “the elephant in the room” the moment she took the stage to open the show. “There is without question an injustice happening to women in country music. There are a lot of great songs that are not getting a shot,” Guyton professed before performing her new song “Sister” with her country music “sisters” Tenille Townes, Clare Dunn, Rachel Wammack and Leah Turner. “But one thing is for certain: it is going to take us women to lift each other up out of these trenches.”

A burgeoning superstar who has gone above and beyond to support her female contemporaries is Brandi Carlile, who was honored with the Next Women of Country Impact Award. Carlile, who scooped up three Grammy Awards in 2019 for her acclaimed album By the Way, I Forgive You, has made it an integral part of her mission to elevate the women around her, curating the all-female stage at the 2019 Newport Folk Festival that featured her supergroup The Highwomen and a surprise performance by Dolly Parton, in addition to creating the women-centric festival Girls Just Wanna Weekend. She’s also pivoting her support for women into a behind-the-scenes role, serving as co-producer of Tanya Tucker’s new album While I’m Livin’ with Shooter Jennings.

Photo by Rick Diamond/Getty Images for CMT)

Rather than point a finger at country radio, Carlile encouraged radio employees in attendance to be intentional about the songs they’re sharing through the format while expressing the reverence she has for the genre that raised her. “If country music is the story of rural America, then what is the story that we’re telling to our young girls?” she questioned. “What we’re hoping, and what we’re inviting country radio to do is to catch up with the way that we all understand. I would urge anybody that’s involved in country radio…ask yourself the question every morning before you go to work ‘what do I want my job to say to my daughter today?’ Because she’s an American girl, she’s in love with a boy, she needs wide open spaces, she’s a wild one,” she continued, referencing iconic songs by Trisha Yearwood, the Dixie Chicks and Faith Hill. “She’s more than a pair of blue jeans in a cab of a truck.”

Additionally, a handful of behind-the-scenes movers and shakers were present at the ceremony, including Cindy Mabe, president of Universal Music Group Nashville, who made it a point to continue to call for change in the industry regarding support for women. “We can all keep moving through and thinking that things have changed at the rate that they need to change, and they haven’t,” she stated. “This is about how we give a voice and a perspective to half the world.”

She encouraged emerging artists to explore other methods of promoting their music outside of radio, pointing to artists like Musgraves, who received little attention from radio for her Grammy winning Album of the Year Golden Hour, instead reaching listeners through other formats like social media. “Women are bringing more adventurous, interesting, state of the art, cutting edge music and it doesn’t go and fit in a box. We will spend the next years figuring out how we get it exposed, one foot in front of the other,  because great music should always rise and it’s not about fitting into a box,” she said, actively taking Carlile’s words to heart. “I have to get out of bed every day and make a movement towards making women’s voices matter again.”

The program continues with the CMT Next Women of Country Tour, headlined by Tanya Tucker, in early 2020, with supporting acts and dates to be announced in the coming weeks.