Tag: Low

AF 2021 IN REVIEW: Our Favorite Albums & Singles of The Year

If you went into 2021 with high expectations, you weren’t alone. Even if it was hard to feel optimistic this time last year, it certainly seemed as if things could get no worse. Live music did return, after all – though with the appearance of Delta, and now Omicron, the joyful noise comes with a caveat. After sixteen months of having to livestream shows (fun, but not the same) little could stop me from attending shows in person; wearing a mask as an extra precaution felt like no big deal, even if no one else was doing it. But luck (and vaccines) feel like the real reason I emerged unscathed from dozens of risky experiences, and with performances on the horizon canceled once again, maybe it’s wise to enter 2022 with slightly lower expectations.

There’s always recorded music, anyhow. Maybe the tumult of the year just has me personally feeling a bit unfocused, but it seems as though I barely scaled the mountain of this year’s musical offerings without getting a bit buried in the avalanche of releases – ones that had been pushed back, ones that were created in lockdown. I’ll be playing catch up well into the new year, but that doesn’t mean there weren’t gems I connected with almost immediately, and very deeply. And that’s what I’ve heard across the board, from those in the industry as well as casual music fans – is that our favorites this year stayed on heavy rotation, as we latched onto music that accurately reflected our moods, which evolved moment to moment and of course happened to be different for all of us at any given time. What does that mean for year-end lists? Audiofemme has always compiled an eclectic list, including favorites from each of our contributors without overall rank – consider any repeats to be the best of the best. But this year, the list seems even more diverse, meaning there’s a wealth of weird and wonderful music below to discover, dear reader. Thanks for sticking with us through another wild year.

EDITOR LISTS

  • Marianne White (Executive Director)
    • Top 10 Albums:
      1) PinkPantheress – to hell with it
      2) Mdou Moctar – Afrique Victime
      3) Low – Hey What
      4) Jazmine Sullivan – Heaux Tales
      5) Julien Baker – Little Oblivions
      6) Dawn Richard – Second Line: An Electro Revival
      7) Indigo De Souza – Any Shape You Take
      8) aya – im hole
      9) Flock of Dimes – Head of Roses
      10) Tyler, the Creator – CALL ME IF YOU GET LOST
    • Top 5 Singles:
      1) Japanese Breakfast – “Be Sweet”
      2) Loraine James (feat. Eden Samara) – “Running Like That”
      3) Hand Habits – “More Than Love”
      4) Sharon Van Etten & Angel Olsen – “Like I Used To”
      5) Julien Baker – “Faith Healer (Half Waif Remix)”

  • Lindsey Rhoades (Editor-in-Chief)
    • Top 10 Albums:
      1) Low – Hey What
      2) Tirzah – Colourgrade
      3) Nana Yamato – Before Sunrise
      4) Emma Ruth Rundle – Engine of Hell
      5) Jane Weaver – Flock
      6) Tonstartssbandht – Petunia
      7) Arlo Parks – Collapsed in Sunbeams
      8) Squirrel Flower – Planet (i)
      9) Veik – Surrounding Structures
      10) Cassandra Jenkins – An Overview on Phenomenal Nature
    • Top 10 Singles:
      1) Sharon Van Etten & Angel Olsen – “Like I Used To”
      2) Special Interest – “All Tomorrow’s Carry”
      3) Squid – “G.S.K.”
      4) Julien Baker – “Bloodshot”
      5) Mandy, Indiana – “Bottle Episode”
      6) Remember Sports – “Pinky Ring”
      7) Cedric Noel – “Comuu”
      8) Gustaf – “Mine”
      9) June Jones – “Therapy”
      10) MAN ON MAN – “Stohner”

  • Mandy Brownholtz (Marketing Director)
    • Top 5 Albums (in no particular order):
      Spellling – The Turning Wheel
      King Woman – Celestial Blues
      Macy Rodman – Unbelievable Animals
      Marissa Nadler – The Path of the Clouds
      Kinlaw – The Tipping Scale
    • Top 3 Singles (in no particular order):
      Often – “Deep Sleep”
      Mannequin Pussy – “Control”
      Spice – “A Better Treatment”

STAFF LISTS

  • Alexa Peters (Playing Seattle)
    • Top 10 Albums:
      1) Wye Oak – Cut All The Wires: 2009-2011
      2) Dori Freeman – Ten Thousand Roses
      3) Isaiah Rashad – The House Is Burning
      4) Fawn Wood – Kåkike
      5) Carmen Q. Rothwell – Don’t Get Comfy / Nowhere
    • Honorable Mention: Mike Gebhart – Co-Pilot 
    • Top 3 Singles:
      1) Doja Cat (feat. SZA) – “Kiss Me More”
      2) Mitski – “Working for the Knife”
      3) DoNormaal – “Baby May”

  • Cat Woods (Playing Melbourne)
    • Top 5 Albums:
      1) Deap Vally – Marriage
      2) Mod Con – Modern Condition
      3) Laura Stevenson – Laura Stevenson
      4) Joan As Police Woman – The Solution is Restless
      5) Black Country, New Road – For the first time
    • Top 3 Singles:
      1) Black Country, New Road – “Sunglasses”
      2) Lana Del Rey – “Dealer”
      3) jennylee – “Tickles”

  • Liz Ohanesian (Contributor)
    • Top 5 Albums:
      1) Hackedepicciotto — The Silver Threshold
      2) Saint Etienne — I’ve Been Trying to Tell You
      3) L’impératrice — Take Tsubo
      4) Pearl and the Oysters— Flowerland
      5) Nuovo Testamento — New Earth
    • Top 3 Singles:
      1) Midnight Magic – “Beam Me Up” 
      2) Jessie Ware – “Please”
      3) Gabriels – “Love and Hate in a Different Time (Kerri Chandler Remix)”  

  • Gillian G. Gaar (Musique Boutique)
    • Top 5 Albums:
      1) Dolphin Midwives — Body of Water
      2) Sarah McQuaid — The St. Buryan Sessions
      3) Low — Hey What 
      4) Witch Camp — I’ve Forgotten Now Who I Used to Be 
      5) Full Bush — Movie Night
    • Top 3 Singles:
      1) Maggie Herron — “Sweet Lullaby”
      2) Sleater-Kinney — “High in the Grass”
      3) ONETWOTHREE — “Give Paw” 

  • Jason Scott (Contributor)
    • Top 5 Albums:
      1) Jetty Bones – Push Back
      2) M.A.G.S. – Say Things That Matter
      3) Lyndsay Ellyn – Queen of Nothing
      4) Kacey Musgraves – star-crossed
      5) Christian Lopez – The Other Side
    • Top 5 Singles:
      1) Hayes Carll – “Help Me Remember”
      2) Jake Wesley Rogers – “Middle of Love”
      3) Adele – “To Be Loved”
      4) Carly Pearce – “What He Didn’t Do”
      5) Kacey Musgraves – “what doesn’t kill me”

  • Michelle Rose (Contributor)
    • Top 5 Albums:
      1) Alex Orange Drink – Everything Is Broken, Maybe That’s O​.​K.
      2) Billie Eilish – Happier Than Ever
      3) Kacey Musgraves – star-crossed
      4) Magdalena Bay – Mercurial World
      5) Japanese Breakfast – Jubilee
    • Top 3 Singles:
      1) Blonder – “Ice Cream Girl” 
      2) Mitski – “The Only Heartbreaker”
      3) Kristiane – “Better On Your Own”  

  • Victoria Moorwood (Playing Cincy)
    • Top 5 Albums:
      1) Polo G – Hall of Fame
      2) Benny the Butcher & Harry Fraud – The Plugs I Met 2
      3) Megan Thee Stallion – Something For Thee Hotties
      4) Pooh Shiesty – Shiesty Sessions
      5) blackbear – misery lake
    • Top 3 Singles:
      1) Benny the Butcher & Harry Fraud – “Thanksgiving”
      2) Lil Nas X (feat. Jack Harlow)  – “INDUSTRY BABY”
      3) 24kGoldn (feat. Future) – “Company”

  • Jamila Aboushaca (Contributor)
    • Top 5 Albums:
      1) Kacey Musgraves – star-crossed
      2) Snoh Aalegra – Temporary Highs in the Violet Skies 
      3) Lil Nas X – Montero
      4) Darkside – Spiral
      5) Blu DeTiger – How Did We Get Here EP
    • Top 3 Singles:
      1) Kaytranada (feat. H.E.R.) – “Intimidated”
      2) Kacey Musgraves – “simple times”
      3) Snoh Aalegra – “In Your Eyes”

  • Sophia Vaccaro (Playing the Bay)
    • Top 5 Albums:
      1) Aly & AJ – A Touch of the Beat Gets You Up on Your Feet Gets You Out and Then Into the Sun
      2) Julia Wolf – Girls in Purgatory (Full Moon Edition)
      3) Megan Thee Stallion – Something For Thee Hotties
      4) Lil Mariko – Lil Mariko
      5) Destroy Boys – Open Mouth, Open Heart
    • Top 3 Singles:
      1) daine – “dainecore”
      2) Julia Wolf – “Villain”
      3) Doja Cat – “Need To Know”

  • Sam Weisenthal (Contributor)
    • Top 5 Albums:
      1) Indigo De Souza – Any Shape You Take
      2) Katy Kirby – Cool Dry Place
      3) Mega Bog – Life, and Another
      4) Ada Lea – one hand on the steering wheel the other sewing a garden
      5) Olivia Kaplan – Tonight Turns to Nothing
    • Top 3 Singles:
      1) Charlotte Cornfield – “Drunk For You” 
      2) Dora Jar – “Multiply”
      3) Joe Taylor Sutkowski, Dirt Buyer – “What Luck, Goodbye”  

  • Sara Barron (Playing Detroit)
    • Top 5 Albums:
      1) PinkPantheress – to hell with it
      2) Summer Walker – Still Over It
      3) Erika de Casier – Sensational
      4) Jazmine Sullivan – Heaux Tales
      5) Adele – 30
    • Top 3 Singles:
      1) Lana Del Rey – “Dealer”
      2) Liv.e – “Bout It”
      3) SZA – “I Hate U”

  • Eleanor Forrest (Contributor)
    • Top 5 Albums:
      1) Arlo Parks – Collapsed in Sunbeams
      2) CL – ALPHA
      3) My Life As Ali Thomas – Peppermint Town
      4) Halsey – If I Can’t Have Love, I Want Power
      5) Remember Sports – Like a Stone
    • Top 3 Singles:
      1) FKA twigs (feat. Central Cee) – “Measure of a Man”
      2) Sabriel – “Pulse”
      3) Lexie Liu – “有吗炒面 ALGTR”

MUSIQUE BOUTIQUE: Laura Love, Low, The Sweet Inspirations, The Beths

Welcome to Audiofemme’s monthly record review column, Musique Boutique, written by music journo vet Gillian G. Gaar. Every fourth Monday, Musique Boutique offers a cross-section of noteworthy reissues and new releases guaranteed to perk up your ears.

Laura Love is the kind of performer who doesn’t readily fit into any one category. Her songs have elements of folk, funk, pop, blues; Love has called  her style “Afro-Celtic.” Her albums feature everything from a Nirvana cover to the ballad “Wayfaring Stranger” to “Amazing Grace.” She was a member of the satiric feminist band Venus Envy; her 2018 album She Loved Red was a searing depiction of recovering from personal loss.

When COVID hit, Love went into semi-retirement, “feeling satisfied that I’d said and done all I needed to say and do.” Then came the insurrection of January 6th, 2021, which galvanized Love into new musical action: Uppity is the result.

The acoustic sounds (dobro, banjo, harmonica) provide a deceptively mellow backdrop for an album that’s a powerful, stirring indictment of racial injustice. “You make me feel like a Nat Turner woman,” is Love’s jesting response to the white rioters she saw overwhelming the Capitol last January in “The Heart of Nat Turner.” In “23 and Me” she explores her own mixed-race history, as seen through the eyes of a young slave woman. The pain of dealing with “sexism, racism, and all the other isms that keep me up at night” runs deep. In “Gentle,” Love sadly admits, “I just don’t know how to mend; “It’s gonna take a long time for us to be fine” is the similar sentiment in “To Be Fine.” But there’s hope as well, in the uplifting “Bayou,” and a wonderfully freewheeling duet with Ruthie Foster on a cover of the Beatles’ “Two of Us.”

Low creates otherworldly sounds like you’ve never heard. Some have attempted to categorize the music of the husband-and-wife team (Alan Sparkhawk, Mimi Parker) by dubbing it “slowcore,” which is hopelessly mundane. Low are sonic shapeshifters, manipulating sounds and crafting them into something unexpected.

On Hey What (Sub Pop), the only element not subject to distortion are Sparkhawk and Parker’s voices, their harmonies serving as a kind of life raft to hang onto in the midst of a surging maelstrom. The heavy, industrial noise that opens the album might make you feel like you’re in for a rough ride. Not so. There may be some occasional turbulence, but there’s a mesmerizing purity in the vocals that provides a soothing balm. This is especially so on a song like “Days Like These,” which begins with the lush sound of the two singing acapella, before a blur of white noise fragments the soundscape.

At over seven-and-a-half minutes, “Hey” is a stately choral piece of symphonic scope, a slice of meditative ambience, classical music beamed in from another dimension. Hey What stretches musical boundaries in a way you never dreamed was possible.

The Sweet Inspirations built their reputation by providing backing vocals for Dusty Springfield, Van Morrison, Wilson Pickett, and Petula Clark, among numerous others. Their horizons expanded when they toured and recorded with Aretha Franklin, and they gained an even bigger audience when they became Elvis Presley’s vocalists until 1969, working with him right up to the day he died (they were waiting on a plane headed for that night’s concert in Portland, Maine, with other band members, when they learned of Presley’s death).

They also released records in their own right, and Let It Be Me: The Atlantic Recordings (1967-1970) (Soul Music Records) covers their most commercially successful period. Myrna Smith, Estelle Brown, Sylvia Shemwell, and Emily “Cissy” Houston (Whitney’s mother) were previously members of such renowned vocal groups as the Drinkard Singers, the Gospelaires and the Gospel Wonders. So they have a natural affinity for hymns and spirituals like “What a Friend We Have in Jesus” and “Down by the Riverside.” But they also had the kind of commercial appeal that led the singles “Sweet Inspiration” and “Why (Am I Treated So Bad)” to find crossover success on the soul and pop charts. This fine collection allows the Sweets to take center stage and let their sublime voices shine.

You can hear the excitement in their voices. Not the voices of the band — the voices of the audience, who are clearly thrilled to be at an actual live concert again. That energy is then naturally picked up by the band — the Beths — and reflected back to the crowd, resulting in a powerhouse performance on their live album, Auckland, New Zealand, 2020 (Carpark Records).

The Beths (Elizabeth Stokes, lead vocals/guitar; Jonathan Pearce, lead guitar/vocals; Benjamin Sinclair, bass/vocals; Tristan Deck, drums/vocals) were home in New Zealand in early 2020, preparing a tour for their upcoming album Jump Rope Gazers. Then the pandemic hit. Performance continued via live-streaming. But there’s nothing quite like being there in person.

From the opening blast of “I’m Not Getting Excited” to the last beat of “River Run: Lvl 1,” the show is one rollicking blast of power pop fervor. Catchy hooks, toe-tapping rhythms, a warm lead vocal backed by cool harmonies — it’s the total package. But tune into what’s being sung, and you’ll find that the bright musical spirits are matched by more downbeat lyrics. Stokes says that’s the intention; “Sweetly sung melodies and super depressing lyrics” are what she aims for. Love’s turmoil is the primary subject; in “Future Me Hates Me” Stokes dreads the inevitable fallout of succumbing to romance (“Future heartbreak, future headaches”), while in “Uptown Girl” she dips into unrequited longing. Then the peppy melody takes over and you know those blues won’t be sticking around for long.

RSVP HERE: Romi of PowerSnap Streams via The Footlight Instagram + MORE

Photo Credit: Jeanette D Moses

PowerSnap is a Brooklyn by way of Tel Aviv three-piece punk band that embodies the pure spirit of weirdo rock n roll. The trio is lead by Romi Hanoch (who also sings in Ghost Funk Orchestra) on guitar/vocals with her high school best friend and bassist Noga “Nogi” Davidson, filled out by Mario Gutierrez on drums. Romi writes sad, angsty songs, hooks reminiscent of Billie Joe Armstrong and The Kinks and a vocal snarl like The Muff’s Kim Shattuck or Brody Dalle of The Distillers. We premiered PowerSnap’s music video for “Chemistry,”from their King Pizza Records debut EP Delatancy back in 2018, and they are set to release a new EP tentatively titled Disappointment sometime this year. Romi’s first ever Livestream happens tonight (5/22) via The Footlight’s Instagram at 8pm est (alongside Meg Mancini of The Rizzos, and Brian LaRue of Shelter Dogs). We chatted with her about the challenges of quarantine video making, her dream lineup, and the possible positive effects of lockdown on jaded music makers.

AF: What’s PowerSnap’s formation story?

RH: PowerSnap started with Noga (Nogi) Davidson and myself, when we met on the first day of 10th grade (which was also my birthday day) in a school in Israel. We were both in the Jazz department; me as a singer and her s a pianist. We became friends and a year later started our first band, Bar Vase. After a few years doing that and living together, we decided to follow our dream and move to NYC. We also decided to start a new band – PowerSnap. We had a couple different drummers when we started out; first one was Uri who was Israeli, then Paul who Nogi met through someone from the restaurant she worked at. One night I went to a DIY show and saw Mario Gutierrez play the drums and from that moment, I knew I want him to join our band. A year later, he did. And we’ve been together ever since.

AF: What are some musical and non-musical inspirations for the band?

RH: It’s quite remarkable how all of us have such different taste in music. I like punk and grunge and all that angsty shit, plus a whole lot of Beatles, The Who and other ’60s heroes. Nogi loves ’60s and ’70s stuff but not a punk fan. Mario and I share our love for ’90s punk-pop bands at times, but he’s also big on electronic music (which is noticeable in his solo project Nieces And Nephews). We all love Jack Black as a musician and a human being.

AF: What is your dream line-up and venue for your first post-quarantine show?

RH: Madison Square Garden. Paul McCartney (solo set) opening. Green Day second. We’re third. Top Nachos closing.

AF: PowerSnap recently did a IG takeover of Our Wicked Lady’s Instagram. What other venues and organizations do you recommend that people support during this time?

RH: So many places. Alphaville in Bushwick. Union Pool in Williamsburg (same owner of my favorite bar, Hotel Delmano), The Gutter in Greenpoint. Trans Pecos, TV Eye and Planet X. Also, whoever can afford it should buy merchandise from bands and artists. And of course any organization that helps marginalized communities. If you have it, pay it forward!

AF: You look and sound super cool in the “Seven Eight” video by Ghost Funk Orchestra! How did you get involved in that project, and aside from coordinating so many more people, what are some differences between working with an orchestra versus a three piece band?

RH: The way in which I got involved with GFO is a long and weird coincidental tale. To make it short: moved to NYC, went to an open mic night as a rapper, met some people who liked what I did, got tagged in Seth Applebaum’s FB post searching for female MCs. Meanwhile, met Greg Hanson at a show and heard about The Mad Doctors. Went to The Mad Doctors’ release show, met Seth who was the frontman, told him I was tagged in his FB post and that I rap, he said we should collaborate. Played one show with them as a guest and after that, was asked to join the band. Same story would also answer the question of how we got into the King Pizza Records community, but through Greg Hanson. Life is funny. The main difference for me is that PowerSnap is a band that I am the leader of. I write all the lyrics and most of the songs, I handle the administrative part and all of that hoopla. Ghost Funk Orchestra is a band that I’m beyond honored to be a part of. And that is what I am, a single part in that great machine, run by the genius Seth Applebaum.

AF: GFO has been doing some quarantine videos – what is the process of filming those like?

RH: I got the easy job as a singer. Seth tells us what to do and we do it. He records drums and guitar, syncs it up and sends it to us to record over. Then we send him our videos and he puts everything together. When PowerSnap did a quarantine video, it was a lot more work for me personally, because of the editing. But I love how it came out so please check it out on our social medias! It’s called “Outta Words” and we’re actually working on another one, to be released soon.

AF: You’re doing your first solo live stream on Friday via The Footlight – what’s your livestream set up like?

RH: This is gonna be my first live stream ever and I don’t really know what to expect. I do solo sets sometimes and I sing alone in my room often, so I’m imagining it’s a combo of the two. I’ll probably use my shitty nylon string guitar that I’ve had since I was 11, because I love that beautiful piece of junk. Gonna play five songs – some PowerSnap ones, and probably at least 1 terribly sad ballad.

AF: What’s a positive thing you can imagine for the music industry – and world – coming out of this?

RH: Oooh, that’s a tough one. Hard to tell if this will actually happen, but hopefully when we come out of this, the jaded ones among us will be reminded why we got into it in the first place. The joy. Maybe we’ll go back to appreciating where we are and what we do. I wish.

RSVP HERE for Romi of PowerSnap’s livestream via The Footlight’s Instagram 5/22 8pm est.

More great livestreams this week…

5/22 Low via Instagram. 4pm est, RSVP HERE

5/22 Brendan Benson (of The Raconteurs) via Instagram. 5:20pm est, RSVP HERE

5/22 Margo Price via Youtube. 9pm est, RSVP HERE

5/23 Del Water Gap, May May (of Poppies) & More via Baby.TV. 8pm est, $5-50, RSVP HERE

5/24 Memorial Day Meltdown with Nobunny, Pink Mexico & more via Sofa-King Fest. 12pm RSVP HERE 

5/28 Viagra Boys via Pickathon Presents A Concert A Day Youtube. 4pm est, RSVP HERE

5/28 Questlove’s Potluck virtual dinner party to benefit America’s Food Fund via Food Network. 10pm est, RSVP HERE

AF 2018 IN REVIEW: Our Favorite Albums and Singles of the Year

Here we are again! As the new year approaches, it’s time to look back and take stock of the albums and singles that defined this moment in music history. 2018 was an eclectic year, to say the least, and there are a lot of new names on the list: Tirzah, Snail Mail, Soccer Mommy, Noname, King Princess, and Kali Uchis all had phenomenal debuts this year, not to mention the inimitable Cardi B, who made good on the promise of last year’s smash hit “Bodak Yellow” with Invasion of Privacy in April. There were established artists who still managed to surprise us, whether in the form of unearthed Prince demos, The Arctic Monkeys’ loungey sci-fi concept album, Tim Hecker introducing us to ancient Japanese court music, Dev Hynes making his most personal Blood Orange record yet, or Lil Wayne finally dropping Tha Carter V. And then there are those artists who fall somewhere in between, their ascendant careers a thrill to watch as 2018 saw them finally hit their stride. US Girls. Yves Tumor. serpentwithfeet. And perhaps most spectacularly, Mitski and Janelle Monáe.

As each of our writers (and editors, too) created their own mini-lists, those were two names that kept cropping up, and there’s no doubt you’ve seen them on just about every year-end list on the interwebs. If there’s any chance you haven’t heard Be The Cowboy or Dirty Computer, by all means, fire up that Spotify Premium post haste. But the recommendations here are as diverse as our writers themselves, so we hope you’ll take time to explore some of the lesser-known, hardly hyped artists we’ve highlighted, too – and keep your eyes peeled for more year-end coverage as we cruise in to 2019.

EDITOR LISTS

  • Marianne White (Executive Director)

    Top 10 Albums:
    1) boygenuis – boygenius
    2) Soccer Mommy – Clean
    3) Nenah Cherry – Broken Politics
    4) Mitski – Be the Cowboy
    5) serpentwithfeet – soil
    6) CupcakKE – Ephorize
    7) Blood Orange – Negro Swan
    8) Autechre – NTS Sessions 1-4
    9) Snail Mail – Lush
    10) Cardi B – Invasion of Privacy
    Top 5 Singles:
    1) Let’s Eat Grandma – “Hot Pink”
    2) Jon Hopkins – “Emerald Rush”
    3) The Internet – “Look What You Started”
    4) Cardi B, Bad Bunny, J Balvin – “I Like It”
    5) boygenius – “Bite The Hand”

  • Lindsey Rhoades (Editor-in-Chief)

    Top 10 Albums:
    1) Low – Double Negative
    2) US Girls – In A Poem Unlimited
    3) Madeline Kenney – Perfect Shapes 
    4) Yves Tumor – Safe In The Hands of Love
    5) DJ Koze – Knock Knock
    6) Caroline Rose – Loner
    7) Tim Hecker – Konoyo
    8) Virginia Wing – Ecstatic Arrow
    9) Frigs – Basic Behaviour
    10) bedbug – i’ll count to heaven in years without seasons
    Top 10 Singles:
    1) Janelle Monáe – “Make Me Feel”
    2) Loma – “Black Willow”
    3) The Breeders – “All Nerve”
    4) SOPHIE – “Is It Cold In The Water?”
    5) Jonathan Wilson – “Loving You”
    6) Empath – “The Eye”
    7) Sibile Attar – “Paloma”
    8) Jono Ma & Dreems – “Can’t Stop My Dreaming (Of You)”
    9) Shopping – “Discover”
    10) Ed Schrader’s Music Beat – “Dunce”

  • Mandy Brownholtz (Social Media)

    Top 5 Albums:
    1) Miserable – Lover Boy/Dog Days
    2) Snail Mail – Lush
    3) Mitski – Be The Cowboy
    4) Teyana Taylor – K.T.S.E.
    5) Janelle Monáe – Dirty Computer
    Top 3 Singles:
    1) Nothing – “Blue Line Baby”
    2) Hinds – “The Club”
    3) Mitski – “Nobody”

  • Lauren Zambri (Events)

    Top 5 Albums:
    1) Amen Dunes – Freedom
    2) US Girls – In A Poem Unlimited
    3) Beach House – 7
    4) Iceage – Beyondless
    5) Tirzah – Devotion
    Top 5 Singles:
    1) Jenny Hval – “Spells”
    2) US Girls – “Velvet 4 Sale”
    3) Yves Tumor – “Licking An Orchid”
    4) Amen Dunes – “Believe”
    5) Low – “Always Trying to Work it Out”

STAFF LISTS

  • Ashley Prillaman (Premieres, AudioMama)

    Top 5 Albums:
    1) Alice Ivy – I’m Dreaming
    2) Sudan Archives – Sink
    3) Marlon Williams – Make Way For Love
    4) Earth Girl Helen Brown – Venus
    5) Rüfüs Du Sol – Solace
    Top 3 Singles:
    1) Rhye – “Taste”
    2) Alice Ivy – “Chasing Stars”
    3) Sudan Archives – “Nont For Sale”

  • Tarra Thiessen (Check the Spreadsheet)

    Top 5 Albums:
    1) DRINKS – Hippo Lite
    2) Shannon & the Clams – Onion
    3) Lost Boy ? – Paranoid Fiction
    4) Prince – Piano & a Microphone 1983 
    5) Sloppy Jane – Willow
    Top 3 Singles:
    1) Public Practice – “Fate/Glory”
    2) The Nude Party – “Chevrolet Van”
    3) Big Bliss – “Surface”

  • Natalie Kirch (Pet Politics)

    Top 10 Releases Out of the Brooklyn DIY Scene (in Chronological Order):
    1) THICK — Would You Rather? (Self-Released)
    2) BODEGA — Endless Scroll (What’s Your Rupture?)
    3) Baked — II (Exploding In Sound)
    4) Pecas — After Dark (Broken Circles)
    5) Big Bliss – At Middle Distance (Exit Stencil Recordings)
    6) Kevin Hairs — Freak In The Streets (GP Stripes)
    7) PILL – Soft Hell (Mexican Summer)
    8) Stove – ‘s Favorite Friend (Exploding In Sound)
    9) Lost Boy ? – Paranoid Fiction (Little Dickman Records/ Rich Moms)
    10) Janet LaBelle – I Only See You (Loantaka Records)

  • Sara Barron (Playing Detroit)

    Top 5 Albums:
    1) Kali Uchis – Isolation
    2) Blood Orange – Negro Swan
    3) Cardi B – Invasion of Privacy
    4) Mitski – Be the Cowboy
    5) Noname – Room 25
    Top 3 Singles:
    1) Ama Lou – “Tried Up”
    2) Britney Stoney – “OD”
    3) Janelle Monáe – “PYNK”

  • Luci Turner (Playing Atlanta)

    Top 5 Albums:
    1) The Arctic Monkeys – Tranquility Base Hotel & Casino
    2) The 1975 – A Brief Inquiry Into Online Relationships
    3) Charles Bradley – Black Velvet
    4) Brandi Carlile – By The Way, I Forgive You
    5) Jack White – Boarding House Reach
    Top 3 Singles:
    1) The Raconteurs – “Now That You’re Gone”
    2) Mac Miller – “2009”
    3) Dead Naked Hippies – “Rare”

  • Victoria Moorwood (Playing Cincy)

    Top 5 Albums:
    1) Cardi B – Invasion of Privacy
    2) Lil Wayne – Tha Carter V
    3) J. Cole – KOD
    4) Preme – Light of Day
    5) Jazz Cartier – Fleurever
    Top 3 Singles:
    1) Lil Wayne feat. Reginae Carter – “Famous”
    2) Cardi B – “Thru Your Phone”
    3) J. Cole – “Brackets”

  • Desdemona Dallas

    Top 5 Albums:
    1) Noname – Room 25
    2) Flatbush Zombies – Vacation In Hell
    3) Mountain Man – Magic Ship
    4) Lucy Dacus – Historian
    5) Nao – Saturn
    Top 3 Singles:
    1)  Janelle Monáe – “Make Me Feel”
    2) Twin Shadow – “Saturdays”
    3) Sudan Archives – “Nont For Sale”

  • Erin Rose O’Brien

    Top 5 Albums:
    1) Mitski — Be The Cowboy
    2) Antarctigo Vespucci — Love in the Time of E-mail
    3) Car Seat Headrest — Twin Fantasy
    4) Soccer Mommy — Clean
    5) Janelle Monáe — Dirty Computer
    Top 3 Singles:
    1) Bad Moves — “Cool Generator”
    2) The Beths — “Future Me Hates Me”
    3) Miya Folick — “Stop Talking”

  • Ysabella Monton

    Top 5 Albums:
    1) Mitski – Be The Cowboy
    2) Janelle Monáe – Dirty Computer
    3) Brockhampton – Iridescence
    4) Soccer Mommy – Clean
    5) Cardi B – Invasion of Privacy
    Top 3 Singles:
    1) King Princess – “1950”
    2) Childish Gambino – “This is America”
    3) Pusha T – “If You Know You Know”

VIDEO OF THE WEEK: Twin Shadow “Saturdays” & More

When Twin Shadow released his album Caer in April of this year, it brought a sense of relief to fans – not only did it signify recovery from his bands’ catastrophic tour bus crash, the music felt like a return to form. His first two records, 2010 debut Forget and its 2012 follow-up Confess, gained him indie acclaim thanks to their epic ’80s synth pop sound, but 2015’s Eclipse saw him all but abandon his hallmark style in favor of a more pop-friendly sound. Unfortunately, Eclipse didn’t make a good, or lasting, impression on critics or fans, while the bus accident nearly ended his career in the process of promoting it.

Caer sees Twin Shadow – real name George Lewis, Jr. – return to the nostalgic sound that made his music so immediately accessible, without sacrificing his serious pop star ambitions. There’s no one track on the album that emphasizes this more than feel-good jam “Saturdays;” it even features pop rock sister act HAIM. The video for the track doubles down on the nostalgia, as Lewis digs into his childhood memories of wiling away the weekends in front of a fuzzy television set. The video follows a young George Lewis, Jr. look-alike enthralled by what can only be a direct throwback to Nickelodeon’s “You Can’t Do That on Televison” and on into the teenage intrigue scrambled late-night signals, offering an enthralling journey through the visuals that shaped Twin Shadow.

DeJ Loaf is back, and showing fans her softer side. When she broke onto the scene with “Try Me” and followed it up one year later with “Back Up,” her sound was that of a woman trying to prove herself in the male dominated hip-hop scene. But “Liberated” represents the newfound freedom she’s found in defying convention and refusing to play by someone else’s rules. It opens with a potent depiction of the Black Lives Matter movement, eventually encompassing a number of grassroots protests that have taken hold in these challenging political times. The message is clear – the only way to get “Liberated” is to do it for oneself.

With a provocatively titled new track and sensual clip to match, Anna Calvi announces her return to rock, and perhaps her intent to destroy gender roles once and for all. She’ll release Hunter, her third full-length record – the follow-up to 2013’s critically lauded One Breath – on August 31st via Domino.

Trippy Brooklyn music collective Pendulum People continues to invite audiences into their world of spectacle and illusion. This latest video for their song “Paradise” pulls imagery from their live shows, and highlights the elaborate costuming and dance the crew’s fans have come to expect.

We couldn’t be more excited about the return of Alan Sparhawk and Mimi Parker’s experimental rock project Low. This week they teased the September 14 release of Double Negative with a triptych of videos for “Quorum,” “Dancing and Blood” and “Fly.” The new songs and their accompanying clips find beauty in the dark, dramatic, and unsettling.

 

LIVE REVIEW: Low and Mike Doughty @ Music Hall of Williamsburg

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Mike Doughty has been through a lot in his musical career.  He divorced his commercially successful band Soul Coughing, which he considered a “dark, abusive marriage”, was dropped from Warner record label, and battled it out with a drug addiction.  Through his struggle, he’s grown into a grounded solo artist who makes music with simplicity, sincerity and wisdom.  This June 19th he brought his stripped down singer-songwriter act to Music Hall of Williamsburg, and shared the headline with Low, another Americana inspired band.  Doughty’s mischievous demeanor and catchy singer songwriter style balanced Low’s emotionally drenched slowcore approach.

Doughty’s songs revolve around poetic storytelling.  Doughty recently released a book of poetry entitled Slanky, and uses this brand of poetic wordplay and fantastic imagery in his lyrics.  The lyrics are heady yet relatable and touch on classic folk and americana themes of love, leaving and emotional journey.  With only guitar and drums on stage, the vocals are exposed; thus his strong lyric writing abilities carry the songs.

“Looking at the World from the Bottom of a Well” is Doughty’s most commercially successful song, and was created out of literary inspiration from Haruki Murakami’s novel Wind-Up Bird Chronicle.  On stage, Doughty quips “Sandra Oh made out to this song in an elevator once.”  The hit song was indeed featured in an episode of Gray’s Anatomy, as well as on Veronica Mars and on David Letterman.  Doughty also draws inspiration from John Denver, and his latest album The Flip Is Another Honey includes several covers.  “Sunshine on My Shoulders” is a cover of Denver’s “Sunshine”, and unexpectedly incorporates rapping.  The impetus for this style mash-up, Doughty explains, is that he needed to impress his rapper girlfriend.

Doughty’s music is best live, as he inserts amusing tidbits of his musical journey and colorful past.  Doughty quickly lets the audience in, shares his secrets and disarms the crowd.  His guitar playing is not virtuosic, nor does it need to be.  He plays with unique flare, as though his guitar is nearly too hot to touch, and keeps an upbeat rhythmic style coursing throughout.  He pokes and prods drummer Pete “Pancho” Wilhoit, as Wilhoit has quite the serious attitude in relation to Doughty.  The exchanges between the two were entertaining, partly because Doughty’s musical background sounds more instinctual than technical, and can be a challenge for a technically minded drummer to follow.

Dave Matthews is a professed fan of Mike Doughty, and it’s no wonder; they sound quite similar at times.  Just add a soulful saxophone solo to Doughty’s “Looking at the World…”, and the Matthews songwriting formula is captured.  Doughty’s signature vocal lilt and low bluesy rasp, folk rock/blues influenced range compares closely with his American rock contemporary.  Yet Doughty diverges from Matthews in his stripped down performance style and ability to catch his audience off guard.

Mike Doughty has released five solo albums and is currently in the process of reworking some of his older Soul Coughing songs.  His music connects to emotional depth and honesty, but keeps it light all the same.  He’s a singer songwriter who boldly shares his wisdom from mistakes and struggles, all with a twinkle in his eye.

Low has made a career of slowcore, which is a feat to sustain over the course of their lengthy run as a band.  The slowcore genre envelops listeners with minimalist melodies, downbeat tempos and emotionally vulnerable vocals.  Low embodies this genre, and rarely diverges from the melancholy mood they create onstage.

The band is based out of Duluth, Minnesota.  In my college years at the University of Minnesota Duluth, Low was an unforgettable musical discovery.  In 2009 I saw them perform on a small stage of Teatro Zuccone, and I was electrified by their ability to shift the mood of the entire theater, hush and lull the crowd, and create a beautifully vulnerable performance.  Now, seeing Low again after all these years, I was elated to hear the band stay true to their roots and the sound they crafted years ago.

Low played plenty of crowd pleasing hits from their catalog, including “Violent Past”, “Monkey”, and “Dragonfly”, but also languished in their newest album The Invisible Way.  This album breaks a bit from their traditional sound, as the music focuses more on drummer Mimi Parker’s vocals.  She sings with a rich, dark , trembling tone, and her vocals are thick with expressiveness and a hint of sadness.  Parker typically sings harmony to Alan Sparhawk’s lead vocals, so this shift added greater variety to their sound as a band.

By committing to this  mood influenced style, Low limits their musical range.  The band rarely performs upbeat music, although they do have the ability to uplift their listeners or bring them to a sad melancholy state.  Their vocal harmonizing melts the heart, and Steve Garrington expertly upholds the melody on piano and bass.  Parker’s drum playing is extremely simple and straight forward, and serves as the heart beat of the band.

“On My Own” was a weak spot in the set.  The song is off the latest album, and falls flat on stage.  Sparhawk sings the words “happy birthday” over and over until he begins to sound like a broken record.  Possibly the intention was to transport the audience through repetition, but to where, it was unclear.  Low closed with the song “Canada”, which has a driving drum beat and an uplifting mood, and showed off the band’s emotional range.

The set at Music Hall of Williamsburg was pretty, emotionally wrought, exposed, dark, sad, gentle and intense.  Low captures so many nuances in their songs, and continues to grow and deepen as a band.  If you’ve been a longtime fan, or are hearing them for the first time, you’ll hear a sound that is current and familiar all at once.