Tag: Long Neck

RSVP HERE: Dora Day Improvs Live on Twitch as Existence130 + MORE

Existence130 is Dora Day, a Minnesotan multi-instrumentalist live looper and improv artist who streams three days a week on Twitch for 6-9 hours. She has been a regular music streamer for two years, honing her improvisation skills in front of her Twitch community. Dora Day “live learns” songs on stream and jams over other streamers’ tracks with guitar, ukulele, violin, bass, harmonium, and vocals. She exudes positivity, curiosity, appreciation, and always makes everyone who joins her stream feel at home. Her streams feel like the closest thing to having a friend playing live music for you in your living room. Plus, she just started freestyle rapping!

Although she has no official releases yet, you can find her collection of experimental, funk and ambient tracks on Soundcloud to give you an idea of what she’s cooking up. You can catch her streaming on Tuesdays, Wednesdays and Thursdays starting at midnight ET on Twitch. We chatted with Dora Day about her electric violin journey, connecting with her favorite artists online, and how she keeps her energy up during her marathon length streams. 

AF: What are some of your inspirations that got you into live looping, improv and music in general?

DD: I have always been fond of live looping and a huge fan of artists like DubFX and Grimes who often use live looping in their performances. I have deeply admired musicians who have an experimental flair when creating and you can see the joy when they are in the zone producing their creation. When I joined twitch and started playing music, I noticed there were several twitch musicians starting to get into live looping and I admired all of them! I saw the endless possibilities of being able to live loop and deeply contemplated on what route I should go and was going between Ableton or getting a Boss RC-300 live loop station. One musician who I deeply admire is Echo Locations. He live-loops and has his sound so refined for his live performance. He came into my stream one day and encouraged me to get Ableton and showed support straight from the beginning, offering his guidance, which was incredibly encouraging, so I jumped ship and went the Ableton route when it was on sale during Black Friday. I like to create/produce music as well, so figured why not get a DAW that I can get experimental with and then turn my live looped performance into a song I can produce. The possibilities are endless! I got into improv because I want to be able to jam out with other musicians and connect with others on another level! I think improvising with others is a profound experience and it nourishes my soul. I knew if I took the time to just focus on improvisation, I would reap the benefits for the rest of my life by having a skill that can connect with others in this way. It’s a way to deeply connect with another’s essence in my opinion.

AF: How many different instruments do you play and what are you favorite instruments to improvise with?

DD: I love getting experimental and live looping with all of my instruments. The instruments I generally live loop with are the guitar, violin, bass, ukulele and keyboard. Lately I’ve been having loads of fun turning my own vocals into an instrument and either pitching it up or down, which is something I learned recently how to do in Ableton. I also have a harmonium which I love to play and want to start incorporating that into my live looped performances as well. It’s an instrument used quite a bit in India and I love the beautiful tone that comes out of it. It puts me into a lull state. My favorite instruments to improvise with are the guitar and violin. I also love improvising with cool sounding synths/sounds that I find in Ableton. I feel like a little kid in a candy store feasting off what’s created and there are always more sweets that I haven’t discovered yet.

AF: How long have you been playing the violin and is there a story about the electric violin you play on stream?

DD: I played violin in 8th and 9th grade. It was one of my favorite sounding instruments. I practiced all summer long to get into the 8th grade orchestra, and was shocked when they accepted me. I was so excited. I grew up in a family that didn’t have money to afford a violin, so I got a loaner violin from the school temporarily and then my aunt bought me one. However, in ninth grade, someone broke my violin that my aunt gifted me. It was a tragedy to me when it happened and I had to stop playing violin cause there was no way my family could afford another one. About two years ago I decided to buy an electric violin since they were ones that were decently priced – I think I got mine for 130.00 at the time. I bought it two years ago, but didn’t end up really playing it cause I couldn’t remember how since it had been over 15 years since I touched a violin. About a year and a half ago, I decided to pull it up on stream and played around with it since I had bought it. It was hilarious and embarrassing, haha. However, putting myself out there allowed some viewers who were violinists themselves to offer some suggestions that helped me grow. The knowledge started to slowly come back and I started looking up videos and reading books on how to improvise with violin and it spiraled from there. Some of the theory started to click intuitively! I was already learning how to improvise with guitar, so I knew that blues/pentatonic scales played in the same key is amazing for improvising, so I started practicing those scales with the violin too, and BAM it all started to click. I ended up jamming out over people’s requests with the violin and guitar and it sharpened my ear. It was crazy. Can’t even believe I can improvise for the most part with the violin by ear now. It was a skill I always dreamt of having and I knew that the more I practice the violin by trying to figure out the key of a song by ear, it will be ingrained in me to naturally jam out with others. Really grateful I got back into it again cause it’s one of my favorite sounding instruments.

AF: How long have you been streaming on Twitch? How has the platform changed since you first started?

DD: I’ve been streaming on Twitch for close to two years now. The platform has had some major changes especially with some recent DMCA strikes on users’ accounts which has caused streamers to change the way they do things. Many streamers used to jam over a song that a viewer requested and they would layer drums, bass, etc. over it. I used to do this as well, but have moved away from that and will jam over only royalty free music now to prevent getting a strike on my account. One thing that I have noticed on the platform is how refined these streamers are getting with their skills. It’s amazing to see their growth. I kind of look at it like a hive mind. We are all inspiring one another to grow and we also help and learn off of each other. It’s truly amazing.

AF: You usually stream for 6 or more hours. How do you keep your energy up and keep improv sets interesting?

DD: I generally stream three days per week and will stream for 6 to 9 hours generally straight. It’s quite a process just to get things set up right for the stream, so once I’m on, I’m like, why not keep going? It’s like a party hanging out with my community. The viewers will throw in sound suggestions, themes, words, etc. and we all create songs together. It’s so much fun and it really inspires creativity. Lately, I’ve been getting into freestyling singing/rapping and it’s super fun when the audience throws in words, themes or rhymes; I’ll try to bounce off of what they say in chat and create a song and it’s such a blast. I really love the creativity exchange that happens on stream and I think that’s what fills me up with a dopamine drive to go all night. I also can save all these projects that we create together and produce a song with it in the future, so it’s a lovely feeling to be able to pump out content like that when I’m in the zone. I also switch up the stream to taking requests at times from my songlist, from improv to playing party games, so I think the variety keeps me going for a long time. I just love music and prior to being a serious musician on my days off I would listen to music as my form of entertainment and try to find amazing artists and create songlists for hours.

AF: Who are your favorite Twitch streamers?

DD: I have so many favs I love to watch, but a few that are coming to mind right now are TheDapperRapper, Sarajazz, Middream_LA, Mamajoevramajoe, Echo_Locations, TheSilenceNoise, AaronGoldberg, Faezaria, Scessions, TheGreekGroover, Bort_, A_Couple_Streams, GuyCoMusic, Alicethelittlealien, MermaidUnicorn, Raquel, Songcojam, Benevolentdick, Seershamusic, Elleterese, Elizavetamusic, CalvinThomasMusic, Plasticjosh, Sharkmuffin_ and so many others! I keep discovering more and more streamers that I’m in love with. Many times when I get raided by a streamer I’ll ask them to send me an original of theirs and jam over it! Recently Sharkmuffin_ raided me haha, so I pulled up their song and was BLOWN away! I love unpacking the box and seeing what flavor is going to jump out at me! In Sharkmuffin’s case, I was so impressed by the creative and experimental punk sound that came of it. It’s not something you hear every day and I love when that happens, cause I love more underground types of sounds! Made my heart jump in excitement. I have discovered the most amazing musicians from being raided by them, so that’s why I always like to pull up their content to check out their flavor. I love the Twitch community. So many talented, creative and entertaining musicians there!

AF: Who are your dream collaborators?

DD: Oh my gosh, there are so many I would love to collaborate with! But recently I discovered that one of my favorite musicians, Phaeleh, joined Twitch and does live streams on there sometimes! I’ve been a HUGE fan of him for over 10 years, it’s amazing he’s on Twitch too. It would be a dream to collaborate with him. My heart palpated when he responded to my comment on Twitter/Instagram, hahahaha. That’s how much I deeply admire these musicians. They impacted my life in such a deep way that it makes my heart skip to even get a response from them. Also, recently, I followed another favorite of mine named Jon Kennedy on Instagram, he’s amazing and I’m obsessed with so much of his content. Now that I’m becoming more of a serious musician, I’ve started to figure out how to use socials, like Instagram and Twitter (just started using these socials a year in half ago). Being a content creator myself, I realized that if you follow others they might check you out as well – especially if you have the same interests. Well, after following him, Jon Kennedy ended up loving tons of my posts on Instagram, including my music! My heart was jumping out of my chest. After I saw he was responding/commenting on my posts, I sent him a message letting him know that I was live on Twitch and jamming out to all his content and he watched me LIVE! So freaking insane. It was an amazing feeling to basically have someone you are in deep admiration of watch you jam out to their content! I would love to collaborate with him on a song.

AF: Are you working on any original music to release in the near future?

DD: Yes! I just got my new computer all set up for streaming last night and I’m excited to start pumping out some production with it! I have hundreds of songs in the works that have been saved using Logic, but now I’m only going to be using Ableton primarily (since I switched from MAC to PC). I’m going to try to see if I can send my stems over and start some production with Ableton. I was going between the two and even using both DAWS at the same time, but I think if I really immerse myself in mastering one, it will really take me a long way. Some of my favorite artists like Grimes use Ableton as well and started using Garageband and Logic initially, so I’m taking the leap and really want to focus on getting some cool content on Spotify this year rather than just posting it up on Soundcloud! I now have the opportunity to do more production streams on twitch, cause with my new computer set up I can share my screen with the viewers!

AF: What are your plans for the rest of 2020 and beyond?

DD: This year, I plan to really hone in on my creative content and focus more on improv and technique. I really want to create some amazing content and would like to get some songs out on Spotify and really refine my live performance sound as well. Now that I’m using a full-sized desktop with a decent CPU instead of a laptop, I’ll be able to produce content without overloading my computer.  I’m really excited to see where this will take me.

RSVP HERE for Existence130 streams Tuesday, Wednesday, and Thursday at midnight ET.

More great livestreams this week…

11/20 Ma Sha, Despina, Ayesha, Drummy via Elseworld. 6pm ET, RSVP HERE

11/20 We Are Scientists via Instagram. 4pm ET, RSVP HERE

11/20 Cartalk, Teenage Halloween, Bitchseat, American Poetry Club, Long Neck via Around The Campfire. 7pm ET, RSVP HERE

11/21 The Soul Rebels, Big Freedia via nugs.tv. 9pm ET, $14.99, RSVP HERE

11/22 Boy George, Culture Club via Royal Alber Hall. 5pm ET, RSVP HERE

11/23 Fontaines D.C. via Melody VR. 3:30pm ET, RSVP HERE

11/24 Mamalarky, Sour Widows, Black Ends via BABY.tv. 8pm ET, RSVP HERE

11/25 Django Django via Rough Trade UK Livestream. 1pm ET, RSVP HERE

11/26 Nick Cave, Mick Harvey, Blixa Bargeld via YouTube. RSVP HERE

RSVP HERE: Shelley Thomas Livestreams via YouTube + MORE

Shelley Thomas composes and produces lush orchestral arrangements that she has dubbed “world chamber pop.” She has figuratively and physically gone around the world with her compositions, traveling to 17 countries and studied with over 40 music teachers that have influenced her style that melds Balkan, Arabic, Hindustani, African, and classical music. She can sing in 15 different languages and plays the oud, which is like a short scale pear shaped lute that has been used in Middle Eastern, North African and Central Asia for thousands of years.

Shelley’s latest single release, “Mirror,” guides you through a sonic journey to the beautifully haunted side of yourself. Her vocal harmonization traps you in a trance that eventually leads towards acceptance and healing. If that isn’t enough to meditate on, her recent video for “Cancer Moon” captures her immense live band while boiling down all the intense emotions the moons of this past summer have ushered in. The next chance you’ll have to catch Shelley making her world music magic is September 25th at 1pm via YouTube. She also does a livestream from her Patreon on the last Friday of every month. We chatted with Shelley about the transformative power of music, what rituals inspire her and shaman drums.

AF: What got you into the oud, qanun and composing world orchestral music? 

ST: I grew up with a classical pianist mother, and took dance, piano, voice and guitar lessons as a youth. I studied World Music Performance at CalArts (BFA ’08), where I had a six-piece band called Blue Lady I wrote songs for. I got into Arabic music shortly thereafter via a vocal class. I fell in love with the style, and picked up the oud a few years later to accompany myself while singing Arabic music. Then another few years later, I felt inspired to start composing again after years of only singing traditional music – but with a bigger vision, for more instruments, including strings and qanun, because I love the delicate and emotive textures. After many years of absorbing and learning from masters, the music started pouring out of my mind. And that’s the album I’m working on now. I’ve always felt that music is the soundtrack to my life, and enjoyed profound journeys and transformations through listening. I hope to give listeners such an experience.

AF: Can you tell us some stories about some of the countries you’ve traveled to and music teachers you’ve worked with?

ST: Two of my incredible vocal teachers were Rima Kcheich and Ghada Shbeir, whom I studied with in Lebanon and also at Simon Shaheen’s Arabic Music Retreat in Massachusetts. Rima taught me to pay attention to the details and sing maqam, and Ghada taught me to improvise and add different vocal timbres to my toolbox. Simon himself teaches me passion, discipline, and affirms music as my greatest love. I spent about six months in Lebanon and loved the culture, nature, and its music especially. I also studied Manned drumming from Guinea with Jebebara ensemble there. 

My mentor at CalArts was Alfred Ladzekpo, a Ghanaian chief and master drummer. I was obsessed with Ewe drumming, and my friends and I spent all of our free time playing and learning those rhythmic compositions. He taught us to know when we’re “OFF!” While at CalArts, I also studied Bulgarian choral music with Kate Conklin, and Hindustani music with Swapan Chaudhuri and Aashish Khan. Aashishji said, “You can’t sing both rock and Raga.” 

I’ve traveled to Morocco several times, also toured with Vlada Tomova’s Bulgarian Voices Trio in Canada, Mexico, Cuba, and Russia. I’ve studied Fado singing in Lisbon, Portugal, and Bulgarian Folk Singing at Plovdiv Academy of Folk Music. I sang with Petrana Kucheva, a fantastic vocalist and mentor whom I met there, for a few years. I’ve toured with Black Sea Hotel in the states, Sweden and Denmark and performed at Emirates Palace in UAE with Mayssa Karaa. I’ve been to Turkey, where I witnessed Ottoman music in the otherworldly cave-chimneys of Cappadocia, and Oman, where I saw an exquisite concert of Amal Maher singing Oum Kalthoum at Muscat Opera House. I’ve studied oud with Charbel Rouhana, Wassim Odeh, George Ziadeh, and Bassam Saba, a dear mentor and Artistic Director of the NY Arabic Orchestra. Bassam has taught me style, taste, humbleness and soul. 

AF: What’s it like learning to perform a song in a language you aren’t fluent in? What language do you enjoy singing in the most?

ST: It’s a fun challenge. Language lights up my brain. Just as an opera singer learns to sing European art songs well, I study and dedicate to the linguistic nuances the same way. I’d say it’s 80% listening, and 20% translating that into your body. I watch old-timey videos of singers and study the shapes of their mouths. I had a fantastic Arabic diction teacher, Dr. Iman Roushdy-Hammady. I’ve dedicated a lot of time to Arabic and Bulgarian singing, but I am now enjoying the most singing my own songs in English. You have to learn to lighten up, let go of perfectionism, and not take yourself so seriously. It’s okay to make mistakes! At the end of the day it’s about following your heart to what’s interesting, and joyful expression through music and cross-cultural understanding.

AF: What types of symbolism and ritual inspire your music? 

ST: I love psychology and Jungian symbolism of the shadow and the divine child archetype, also expressed by Carolyn Myss. I love the artwork of Alex Grey, which portrays us as multidimensional beings, and I’ve performed in his sacred space at CoSM. I’m fascinated by many rituals around the world, from Amazonian ayahuasca healings and their beautiful icaros songs, to the adhan, the Islamic call to prayer, to West African dance drumming, to Episcopal church services with epic organ arrangements, incense and flags, to sound baths and crystal energy healings. Drumming is very important to me and I maintain a strong rhythmic element to my music. Drums and shakers, in particular, have been used in healing rituals since ancient times. When I’m around drums, I can hear them speak, and feel them cleansing my body and shaking energy up inside. Also language, poetry, and the power of the spoken word, with sound and intention, is an important element of ritual. Julia Cameron’s The Artist Way is my anchor, and I write morning pages regularly. Essentially, I’m interested in the all ways humans have created meaning, healing and transformation, and connect to higher realms through music and sound.

AF: What’s the most inspiring thing you’ve seen this month?

ST: The most inspiring thing I’ve seen this month is the sun setting over the ocean, and the sea’s iridescent colors of dusk; the way they work together to create something more beautiful than they could be individually.  

AF: What would you want listeners to take away from your latest release?

ST: “Mirror” is specifically about shadow work and integration of all parts of yourself into one loving whole. The more we can accept and understand ourselves, the more we can begin to accept and understand others. Transformation begins from within, and it takes time, patience, and humility. The way forward to a better world, in my vision, is with greater compassion, sensitivity, and this knowledge of self, which can be catalyzed by music. So we can become less violent and reactionary, and more inspired, loving and proactive. We are creative beings, meant to create, meant to shine, and meant to enjoy life, not just to suffer. We can heal, we can let go of our old stories. We can become friends with ourselves and create a life we don’t need to escape from. It’s up to us to choose joy in each moment, to make the best of our current situation and find a positive way forward, and to choose to be willing to move towards this healing with honesty. When we make this choice individually and then come together, with all of our gifts and solutions and ideas, that is the power of community. Then, we can truly live and flourish in harmony, and fulfill our potential.

AF: What is your livestream set-up like?

ST: I use the streaming platform Stage Ten, link it to my Youtube Live, and press go. I have a BOSS RC-300 loop station that I improvise with and program vocals into with some beats. I have a Shure Beta-58 microphone, my oud with pickup mic attached, and various percussion like shaker, frame drums, and riq, which I layer with the looper. I have a Fishmann Loudbox Mini amp, so I plug 1/4’ cables from my loop station into that. I plug the mic and oud directly into the loop station.

AF: What are your plans for 2020 and beyond? 

ST: I am in pre-production for recording my first full album of original music with a ten-piece microtonal chamber ensemble! I’m finishing the scores, arrangements, and parts in Sibelius, and planning to launch a crowdfunding campaign to support this work. First I’ll record and make a music video for my next single, “Dreamtime.” Once the world opens up again, I’ll be touring a lot with this ensemble.

My ultimate goal is to open an artist retreat & performance center with music and photo/video production studios. This space will be available to artists from around the world from all socio-economic backgrounds to come and create the art that’s meant to be made through them, in a supportive, inspiring, and unpretentious atmosphere. 

RSVP HERE for Shelley Thomas livestream via YouTube at 1pm ET. To pre-order the upcoming album, email info@shelleyvoice.com. 

More great livestreams this week…

9/25 Langhorne Slim, Clap Your Hands Say Yeah, Mt. Joy & More via Philly Music Fest. 7pm ET, RSVP HERE

9/25 Modern English (Live from London) via AXS. $15, 8:30pm ET, RSVP HERE

9/25 Long Neck, Baby Grill, gobbinjr, Oceanator via Twitch (Around the Campfire). RSVP HERE

9/26 Angel Olsen, Beach House, Big Thief, Blood Orange, Charli XCX, Solange, Wilco & More via Hotel Figueroa (Pitchfork Drive-In). $39, 10pm ET, RSVP HERE

9/26 Oh Sees via Seated. $15, 8pm ET, RSVP HERE

9/26 Reggie Watts, John Teida, Girl God, Shannon Lay, Ramonda Hammer, & more via Echo Park Rising. 12pm ET, RSVP HERE

9/29 Pom Pom Squad, Charlotte Rose Benjamin via BABY.tv (Neon Gold Presents). 8pm ET, RSVP HERE

9/30 The Nude Party via Rough Trade UK Instagram. 1pm ET, RSVP HERE

9/30 Laraaji (Sun Piano) via NoonChorus (LPR Presents). $10, 9pm ET, RSVP HERE

RSVP HERE: Death Valley Girls Stream via Levitation Sessions + MORE

Photo Credit: David Fearn

Looking to unblock your pineal gland with some otherworldly guidance this fall? You’re in luck! Los Angeles proto-punk psych-rock band Death Valley Girls will open your third eye with their new space gospel soaked record Under the Spell of Joy due out October 2nd. Dipping their feet into the Akashic records isn’t new territory for the band, who are brave enough to write their lyrics the morning before they record with the help of spirits from other layers of our universe. Their latest record was inspired from the text of t-shirt that guitarist/vocalist Bonnie Bloomgarden wore every day for five years – its words ‘Under the Spell of Joy’ became a motto and inspiration for Bloomgarden to manifest her desires. With Larry Schemel on guitar, she wrote the record with the intention to bring people together with its hypnotic choirs and chorus’ to chant along to. The next chance to raise your vibration with Death Valley Girls live is the Levitation Sessions livestream via Seated on Saturday, September 5th! We chatted with Bloomgarden about her favorite alien race, connecting to alternate dimensions and the pandemic’s effect on her views of life, death and societal growth.

AF: What experiences, records, and other media forms inspired your upcoming release Under the Spell of Joy?

BB: The main sources of inspiration were studying the dream state, Terrence McKenna, trying to access the akashic records, the Duncan Trussell Family Hour podcast, his guest Mitch Horowitz, and learning about Neville Goddard.

AF: After writing a record that channels something from “somewhere in the future,” has your perspective on what the future holds changed?

BB: The more I think about it, I think what we channeled was not necessarily in the future or the past or even time as we understand it at all! I think we just connected to an energy, alternate dimension, or some type of higher being and that gave us access to these songs.

AF: Do you feel like the pandemic as a whole will lead to a greater spiritual evolution/awakening for society?

BB: We believe so, because we have to. It is horrible and terrible that anyone has to suffer or that our society seems like it has to completely implode for justice to prevail. However, the only way we can look at this all is as an opportunity for growth. When we grow we become strong and compassionate; this is just part of that journey.

AF: What have you learned in the past few months about yourself as a musician and how you operate as a band?

BB: Mostly the last few months I’ve realized I was only a musician the last few years, not really a human. We were on the road like five tours a year for I think three years. I built no life for myself at all! I basically gave everything I had energetically for a month on tour, then cocooned silently in my room until we had another tour, nothing in between. Now that we don’t have tour I’m learning how to not cocoon (while also quarantining, so that’s pretty far out!). I got my first plant! And got a printer so I can make art. Trying to get excited about stuff like that.

AF: Now that the fall is creeping up on us, do you have any accounts of paranormal activities you’d like to share? Are you partial to any specific alien race?

BB: Haha! I’m not actually a contactee! I’m involved with contactee and abductee support groups, but I’m not one myself. I definitely love the Pleiadians and their message. I would love to hear from them someday!

AF: I read in a past interview that you were kind of excited for end times because you really want to have a compound to be with your friends. Have you created or thought out your apocalypse compound or have any other doomsday plans?

BB: Yeah, I’ve been thinking about it non-stop! I lived on a compound-esque farm in upstate New York so I kind of have an idea of what I would want. And if I were alone in the world I would definitely make it happen. But I live with my little nephews now, and being with them and them being safe is the most important thing. Freedom and compound will come when the world is safe for them!

AF: Have these past months in lockdown changed your views on life, death, the afterlife, and spiritual transcendence?

BB: That’s a good question! When I thought about the black plague or other major world altering events I never really thought of the individual people and their experiences. I think this time has given me a new perspective in the sense that we are like caretakers for the earth. We come and go and teach and learn, and in the end hopefully we leave the earth better than we found it.

AF: What are your plans for the rest of 2020 and beyond?

BB: Learn, grow, create, write, sing, fight, love, and on and on…

RSVP HERE for Death Valley Girls via Levitation Sessions on 9/5, 8pm ET. $3.98-100

More great livestreams this week…

9/4 Patti Smith via Murmrr Theatre. RSVP HERE

9/4 Long Neck, Cheekface, Shay, Diners and Pinkshit via Twitch. 7pm ET, RSVP HERE

9/5 Death to Museums: Organizing + Mutual Aid via YouTube. 12 ET, RSVP HERE 

9/5 I’m Talking to White People: Your Role in the Fight For Justice by Kenny A. Burrell. 11am ET, $50, RSVP HERE

9/7 The New Colossus Fest: Blushing, Ceremony East Coast, Elijah Wolf, Jelly Kelly, Michael Rault, Pearl Charles  via YouTube. 5pm ET, RSVP HERE 

9/9 + 9/10 Margo Price via FANS – Live from Brooklyn Bowl Nashville. 8pm ET, RSVP HERE

9/9 Devendra Banhart via Noonchorus. 9pm ET, $15, RSVP HERE

9/10 LA Witch (album release party) via DICE. 10pm ET, $11.30, RSVP HERE

9/10 DEHD via KEXP at home. 4pm ET, RSVP HERE