VIDEO OF THE WEEK: Drake “Nice For What” & More

It seems Drake is attempting to brand himself as socially conscious in his latest music videos.

Back in February, he released a clip for “God’s Plan” in which he is portrayed as a sort of Robin Hood character, giving huge wads of cash to people living in impoverished neighborhoods. Its message was somewhat dubious – the overwhelming self-promotion, declaring himself to be a gift from God, and Drake’s distracting display of wealth detracted from the real issues surrounding poverty. Though created in good conscience to spotlight and support impoverished communities, it juxtaposed the real struggles of its subjects with Drake’s perceived might and glory and rubbed many the wrong way.

But his latest video, for single “Nice For What,” gives us renewed faith in Drake as he takes a step back, and stands (for once) in the shadows of some of Hollywood’s most powerful women. It’s about time the hip-hop community made stronger statements in alignment with the feminist movement, given the genre’s history as one that birthed the term “video hoes,” and Drake leads the vanguard here. Featuring Issa Rae from HBO’s Insecure, Letitia Wright from Black Panther, Tracee Ellis Ross from the comedy series Black-ish, and other women dominating in Hollywood, “Nice For What” is a truly refreshing visual representation of the strength in today’s modern women.

The woman behind the lens is just as impressive as those in front of the camera. Bringing her cinematic style to the creation of Drake’s latest release, 22-year-old Karena Evans is quickly becoming a super star director. Her own female gaze captures the true willpower in these women who have fought so hard to be at the top. The song itself pays homage to the women who made a name for themselves in male-dominated industries decades before women’s marches and #metoo movements, all while celebrating another female bad-ass by sampling Lauryn Hill’s “Ex-Factor.”

“Step up, step back” is a common phrased used in communities of activists. It is meant to signify the need for those in power to step back, to make space for those who don’t normally get the spotlight. “Nice For What” is a long-awaited moment where Drake actually heeds that mantra, using his platform to raise up other artists.

Ahead of her upcoming album Dirty Computer, set to be released on April 27, Janelle Monáe she teams up with Grimes and Tessa Thompson, who was also seen in Monae’s “Make Me Feel” clip.  The video for “Pynk” utilizes feminist imagery – from pussy pants to “Grabs Back” underwear – to help Monae make a strong artistic statement.

Brooklyn performance artist and poet Nova Zef turns to her eclectic dance community to create this visually inspiring story. The video is a beautiful, movement-based piece, where bodies set in motion the poetics of Nova Zef’s latest single “Removed.”

Follow Hop Along frontwoman Frances Quinlan’s morning routine in the video for “How Simple;” this fun and emotionally light video will make you feel like jumping out of the right side of the bed.

NEWS ROUNDUP: Rihanna Snaps Back, Lauryn Hill to Headline Pitchfork Festival & More

NEWS ROUNDUP: Rihanna, Lauryn Hill, Pitchfork & More

By Jasmine Williams

Rihanna Snaps Back

Rihanna has publicly accused Snapchat of victim shaming after the social media app displayed an advertisement the referenced Chris Brown’s 2009 brutal assault of the mega-star. The ad, for online game, “Would You Rather?!” makes light of domestic abuse by asking viewers if they would choose to “Slap Rihanna” or “Punch Chris Brown?” After fans pointed out the despicable ad spot Rihanna used major Snapchat competitor, Instagram, to make a statement, posting:

“I’d love to call it ignorance but I know you ain’t that dumb! You spent money to animate something that would intentionally bring shame to DV victims and made a joke of it!!! This isn’t about my personal feelings, cause I don’t have much of them…but all the women, children and men that have been victims of DV in the past and especially the ones who haven’t made it out yet ….you let us down! Shame on you.” -Rihanna

Snapchat responded with an apology and has since blocked the advertiser. On the same day that Rihanna made her statement, Snap Inc., the parent company of Snapchat decreased by 7%. Don’t mess with RiRi!

The Pitchfork Lineup is Here! And, Lauryn Hill is Back?

Any fan of Ms. Lauryn Hill will tell you, she never really left. However, years of super delayed shows, on-stage tirades, and uneven performances have given the former Fugees member a shaky reputation when it comes to live shows. Now, Pitchfork Music Festival has upped the ante by putting the spotlight on Hill for the 2018 edition of the fest which also marks twenty years since the 1998 release of her seminal (and singular) studio album, The Miseducation of Lauryn Hill. The controversial artist headlines Sunday’s lineup. Although the spot is being billed as an “anniversary performance,” there’s no telling what will actually happen on stage, especially given the fact that Hill has not always been friendly to her caucasian fans and Pitchfork isn’t exactly known for their diverse crowds.

The 2018 Pitchfork music festival runs from July 20th through 22nd in Chicago and also includes Tame Impala, Courtney Barnett, Big Thief, Fleet Foxes, Blood Orange, Chaka Khan and many more.

Other Highlights:

Yo La Tengo’s fifteenth album, There’s a Riot Going On, is out today! Arcade Fire premiered a short film this week while Courtney Barnett, Vic Mensa, and David Byrne all debuted new music videos. Jack White will be playing a “no phones allowed” show at Warsaw in Brooklyn on March 23rd. To gain access to tickets for the Greenpoint concert you have to purchase tickets for this summer’s Gov Ball. MTV is doubling down on their shaky reboot of TRL. Earlier this week Say Anything debuted a new song at SXSW. Tour announcements abound from Fleet Foxes, Liz Phair, La Luz, Beck, Culture Club, and many more, coming to a venue near you. A signal switch in airwaves may be coming soon – IHeartMedia has filed for bankruptcy. In local news, DIY Brooklyn venue, Silent Barn, is closing on April 30th.

WILLONA ON WAX: Hozier & The Fugees

Hozier
Hozier

hozier-album-coverThe first time I heard Hozier’s breakout (and Grammy-nominated) single, “Take Me to Church” I was sleeping. I woke as if from a beautiful dream, jumped out of bed and went to my computer. I needed to know what the song was before it slipped away.

Although I found out that the Irish singer/songwriter’s debut album was due out in the fall of 2014, I put off buying it because I was afraid I would be disappointed. I finally purchased the album on vinyl a couple of days ago, opened it, took a breath and listened.

I am not disappointed.

Hozier’s roots rock sound feels like it was born and bred in the Bible Belt of the American South. There are head-bobbing blues riffs, spare melodies, 1960’s soul, violins, cello and plenty of church choir style harmonies. Somehow, Hozier manages to wrangle these eclectic sounds into a cohesive album.

This record will appeal to fans of The Black Keys (especially the track “To Be Alone”). Standout tracks include “Work Song” and “It Will Come Back,” with the amazing lines “Jesus Christ, don’t be kind to me/Honey don’t feed me/I will come back.”

 

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Packaging: Double LP. Beautiful collage artwork and lyric sheets. CD version included.

Where to Get It: You can buy the vinyl from Hozier’s website.

Fugees
The Score

“How many mics do you rip on the daily?”

FugeesThis is really happening. The Fugees’ The Score is almost 20 years old, people. It’s a vintage classic.

When I went to buy the Hozier record, I came across this re-release in the crates. Let’s just say it wasn’t cheap, but as I debated whether or not to take it home I realized that I hadn’t heard the full album since my tape player died. So, I bought the record.

The Score is a perfect and amazing album. It’s not a bunch of singles. It’s a story. There are even weird little skits in-between songs.

Think about how many tracks have become legendary from this record: “Ready Or Not,” “How Many Mics,” “Fu-Gee-La” and Lauryn Hill’s cover of “Killing Me Softly.” That’s just to name a few because otherwise I would have to list every track.

Smart. Funny. Funky. This record is worth the cost of 180 gram vinyl.

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Packaging: Double LP. Black and white photos of Lauryn Hill, Pras and Wyclef.

Where to Get It: I got it at Urban Outfitters, actually.[/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]