Tag: Lady Lamb

NEWS ROUNDUP: Alternative Beef, Cancel Chris Brown, and MORE

Courtney Love & Kathleen Hanna have had ongoing beef since the mid ’90s.

Can’t We All Just Get Along?

Rekindling a decades old beef, Courtney Love had some choice words for Kathleen Hanna following the news that the latter’s riot grrl act Bikini Kill would play a handful of reunion shows in LA and NYC this spring. In the comment thread of a Bust Magazine Instagram post lamenting the shows’ record sell-out times, Love referred to Bikini Kill as “the biggest hoax in rock and roll,” later adding: “Two of the band total amateurs. Hanna is a good hype man but her persona is such a diy nonsense dilettante. A big idea they cannot convey, because they suck.” Hanna has not responded and Love has since deleted the comments, but her words reminded everyone that these two feminist icons haven’t seen eye to eye since Lollapalooza ’95, when a backstage altercation ended any hope of them uniting to crush the patriarchy. We have a sneaking suspicion that Love’s dislike of Hanna is rooted in jealousy over Hanna’s friendship with Love’s late husband Kurt Cobain (Hanna is credited with inspiring the title of Nirvana’s breakout single, “Smells Like Teen Spirit”). We’re taking Hanna’s side on this one; Love’s comments were petty and we’re impressed Hanna didn’t take the bait.

The saga between Grimes and Azaelia Banks deepens! Back in August, Banks visited Grimes at the home of Grimes’ then-boyfriend, tech mogul Elon Musk. The two musicians were supposed to collaborate on a single, but in a series of social media posts, Banks described being trapped in the home as Musk did damage control over a tweet where he claimed he planned to take Tesla private at $420 a share. Banks says that Musk was on acid at the time, and postulated that he and Grimes had invited her to Los Angeles for a potential threesome. But because the Securities Exchange Commission sued Musk over the tweet, texts between Grimes and Banks from that time period have been subpoenaed, and Banks posted some of the exchange on Instagram; the posts were deleted, but not before someone grabbed screenshots that Jezebel was all too happy to repost (and we are all too happy to recommend you go and read immediately). We can’t get down with either going for the low-hanging fruit of insulting one anothers’ appearances, but have to name Azealia Banks the winner of this spat. Maybe it’s all the practice she’s had talking shit to or about damn near everyone on the planet, but we have to give props to the biting specificity of referring to Grimes as a “brittleboned methhead” who smells “like a roll of nickles.”

And finally, Princess Nokia noted the similarities between her song “Mine” (from her 1992 mixtape) and recently released Ariana Grande single “7 rings.” “Ain’t that the lil song I made about brown women and their hair?” she asks in a video posted to Twitter (and since deleted), concluding “Hmmm… sounds about white.” Soulja Boy also chimed in, claiming Grande had ripped off portions of his 2010 hit “Pretty Boy Swag.” The opening bars of Grande’s single crib more obviously from The Sound of Music‘s “My Favorite Things;” though Julie Andrews has yet to jump on the outrage bandwagon, someone who must be a literal genius mashed up all four artists and it kinda slaps. While we’re no fan of Grande’s ongoing issues with cultural appropriation, we’re calling this beef a draw – there’s nothing new under the sun, especially when it comes to hip-hop samples.

Chris Brown Accused of Rape in Paris

We’ll never forgive Chris Brown for using former girlfriend Rihanna as his personal punching bag – but we’re especially disgusted by the new lows he’s reached this week. A 24-year-old woman accused the singer and his entourage of taking turns raping her in his hotel suite at the Mandarin Oriental in Paris, where Brown had been attending Fashion Week events. The French are notoriously skeptical of rape victims, so it’s no surprise that Brown and the two other men accused of assaulting the woman were released within a few days on their own recognizance; the investigation is still ongoing. Rather than lying low, Brown took to social media in an attempt to discredit his alleged victim, even going so far as to create some truly tasteless merch that plays on the unfounded trope that women lie about sexual assault.

For what it’s worth, this isn’t the first time that someone has accused his entourage of mistreating women in their periphery – there’s a pending legal case against Brown, in which a woman claims she was raped by one of Brown’s friends at one of the singer’s drug-fueled parties.

That New New

Spanish sensation Rosalía released what has to be our favorite video this week, with a clip for “DE AQUÍ NO SALES” from her stunning 2018 album El Mal Querer.

Jenny Lewis is back with Stevie Nicks-ish jam “Red Bull & Hennessey,” a drink we do not recommend. It’s the first single from On The Line, due March 22.

Broken Social Scene shared details on their forthcoming EP Let’s Try The After – Vol. 1, which will arrive next month, along with early single “All I Want.”

Sneaks, the difficult-to-define solo project of queer black feminist Eva Moolchan, returns with Highway Hypnosis, her third studio album.

Sascha Ring, who produces electronic music as Apparat, announced LP5, his first album in six years, with diaphanous lead single “Dawan.”

J. Cole is producing a comp featuring artists from his Dreamville imprint entitled Revenge Of The Dreams II; his track “Middle Child” is the project’s official first single.

Groove Denied, an electronic solo album by Pavement frontman Stephen Malkmus that was reportedly rejected by his label, will be released via Matador in March. The first single is the delightfully weird “Viktor Borgia.”

Lady Lamb announced her next album Even in the Tremor will arrive April 5th on Ba Da Bing Records, and has shared its title track.

Teyana Taylor,  Lena Waithe, and Mykki Blanco vogue their way through a ballroom dance-off for the ages in Taylor’s new video for “WTP,” from last year’s Kanye West-produced K.T.S.E.

Capping off her EP trilogy in March with Blue Pine, Munya shared the first of its three songs, “It’s All About You;” all three EPs will be packaged together as a full-length LP released on the same day.

Seattle’s Dude York have released two new singles alongside two previously released singles as the aptly titled EP Happy In The Meantime via Bandcamp.

Phoebe Bridgers and Conor Oberst have appeared on each other’s albums in the past, but now the pair have teamed up to release a surprise record as Better Oblivion Community Center.

Vampire Weekend are back with a pair of singles, titled “Harmony Hall” and “2021;” both will appear on their fourth album and first in nearly six years. Titled Father of the Bride, it’s supposedly got 18 tracks and future singles will be released in pairs as well.

Florence + The Machine released a jazzy stand-alone single and its b-side on the heels of last year’s rousing High As Hope LP.

End Notes

  • Ariel Palitz, NYC’s new Nightlife Mayor, sat down with Billboard to share what she’s learned in her first year on the job, and how she plans to support the city’s DIY music community.
  • A Michael Jackson musical is in the works.
  • The Oscar nominations are in and we’re totally rooting for Lady Gaga, who’s up for Best Actress for her role in A Star Is Born. The film is nominated for best Best Picture, alongside Queen biopic Bohemian Rhapsody (despite some recent sexual abuse allegations against its director). Lady Gaga and Bradley Cooper seem like favorites to win Best Song for “Shallow” but Kendrick Lamar and SZA could give them a run for their money with “All The Stars,” from Black Panther. David Rawlings and Gillian Welch (“When A Cowboy Trades His Spurs For Wings” from The Ballad of Buster Scruggs), Marc Shaiman and Scott Wittman (“The Place Where Lost Things Go” from Mary Poppins Returns), and Diane Warren and Jennifer Hudson (“I’ll Fight” from RBG) round out the Best Song nominations.
  • Spotify introduced a “mute” feature that allows users to essentially block particular artists from popping up on your playlists. It’s a nice compromise given their failed attempt to censor artists they’d deemed problematic, not to mention allowing folks to avoid that overplayed earworm-of-the-moment.
  • Pickathon 2019 lineups have been announced, with Nathaniel Rateliff & the Night Sweats and Khruangbin scheduled to headline.
  • It’s been a good week for cool band merch – check out this stuffed Ozzy Osbourne bat (with detachable head) and the new Morrissey Funko Pop.
  • We’re still not sure if it’s really the Pixies without Kim Deal, but the rest of the band are gearing up to release their seventh studio album (due in September), and a podcast about the band called “The Past Is Prologue” and hosted by Tony Fletcher will debut in June.
  • Some of hip-hop’s biggest stars, including Jay-Z and Meek Mill, have founded REFORM Alliance, aimed at much-needed criminal justice reform.
  • As the government shutdown stretches on, musicians from Kiss to Nile Rodgers are donating concert tickets, hot meals, and more to furloughed workers.

INTERVIEW: Lady Lamb

Aly Spaltro, under the moniker Lady Lamb, released her newest EP Tender Warriors Club last month; it’s a vulnerable, stripped down collection created with acoustic guitar, unlike much of her prior work. To honor her more intimate approach, she’s also been conducting a solo acoustic tour across the country, and while there are a few dates in small clubs – like the Knitting Factory in Brooklyn on February 11 – most of the shows take place in unexpected locales: living rooms, galleries, coffee shops, and other small spaces that fit no more than 75 people.

The tour has been positive in an almost unexpected way for Spaltro. “Each one is so different than the last, and they’re all so unique and have a lot of character,” she says. “The hosts have been really, really amazing. It’s been unique to be closer to people than a normal venue and get to know people in their homes, to be able to see the crowd, to see everybody’s faces. It is very intimate.”

Spaltro’s booker was excited about the living room tour idea, so they collaborated with Illinois-based Undertow Music Collective to find the right spaces. She posted on social media asking fans to submit places where she could potentially play. “They would submit photos and information about their places to Undertow, and then I would go through and pick the spots,” Spaltro says.

On top of meeting awesome people, there have been plenty of adorable pets to meet, too, which it’s hard to not be jealous about. “Most people put their pets away [fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][during the shows] because they get too excited,” Spaltro says. “But they at least excitedly run out the door to meet me the second I get there. And that’s one of the more exciting moments of my day.”

Spaltro’s attention to intimacy on both the EP and during the tour are a perfect balm for the tense climate the world is currently experiencing. But Spaltro said that this wasn’t even intentional. “It just so happened that the world is going through a really tumultuous time,” she says. “And I think I found through the last few weeks that the country collectively feels pretty heartsick, so I think that it’s especially moving right now for us all to just get together in small rooms and sing together. It’s basically one big sing-along.”

In fact, the inspiration for her EP was more personal – the phrase “tender warrior” popped into her head as she listened to and comforted a close friend on the phone who was going through challenging times. “She told me that she had just impulsively bought a flight to go to Paris by herself on a weekend that was going to be really hard for her,” Spaltro remembers. “Knowing that was a courageous thing for her to do, and she was terrified to do it, I was really inspired, and I called her a tender warrior.”

From there, she began thinking about the many people in her life who exemplify the tender warrior spirit, which to her means “someone who perseveres through hardship with grace and courage even when it’s really difficult.”

As she began building the album out, she wasn’t necessarily looking to create a solo acoustic EP; however, she found herself channeling a more sensitive and emotional side, which easily lent itself to the sonic palette for Tender Warriors Club. “I was trying to write full band songs for my next full-length record, but I was finding that the songs I was writing definitely wanted to be solo songs,” she says. “So I let it be what it wanted and recorded them the way I wrote them, just on one guitar.”

And from her experience of singing such emotion-packed songs in front of a tight-knit group, she admits that she’s “learned a lot about just taking things more as they come and not taking things too seriously or being a little less controlling out of fear that things are going to backfire on me in my life.”

Still in the midst of touring and celebrating Tender Warriors Club, she isn’t focusing so intently on creating a new record just yet. Spaltro says that when she does, her next effort is likely to return to the full band format that characterized 2013 debut Ripely Pine and its follow-up, 2015 LP After. “I think my next record will be more along the lines of my others where it’s full band with some solo songs mixed in, but I guess I never know until I sit down to write it,” she says. “That’s where this record was sort of a surprise, because I wasn’t expecting to write something so stripped down. We’ll see when things start coming together.”[/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]