Roberto and Risky Patterns Reunite for ‘Invierno’ EP

roberto
roberto
Photo Credit: Carter Hawks

Cincinnati rapper Roberto and South Texas-based producer Risky Patterns returned last week with their latest joint offering, Invierno, which Roberto will celebrate with a livestream release party via Zoom on Saturday, March 6. The six-song EP marks the second installment in the duo’s seasonal-themed series, after 2020’s Verano (Spanish for “summer;” with Invierno, which means winter, out now, the pair will next release Primavera in spring and Otoño in fall). They first teamed up on last year’s Many Truths EP, when Risky Patterns was still using the moniker Matador. 

For Invierno, Roberto and Risky Patterns continue to build on to the chemistry that they initiated with Many Truths and serve up a new Southern hip hop sound. The pair started writing songs for the project and testing them out for live audiences while touring in Texas with Devin Burgess at the beginning of 2020, before the pandemic. 

“[Risky Patterns] sent me the first beat I ever rapped on when I was 16. So, it kind of built itself into a relationship to the point where I was grabbing beats off his Soundcloud and then we ended up touring together,” Roberto tells Audiofemme. “When we were touring, which is the only time we’ve ever been together in person, we were working on this project.”

Invierno has the audible ease of a project written pre-Coronavirus and the wild stories that can only be captured while on the road. Each track is named after a significant destination in the duo’s Texas travels, such as the desolate “Exit 51,” where Roberto, Risky Patterns and Devin got stranded after running out of gas.

Roberto, who hails from Texas but is based in Cincinnati, said he also felt a special kind of grounding from creating the EP in his home state. “When I was in Texas, shit just kept coming to me,” he recalls. “I don’t know if it was my ancestors or what… but I was really just doing what I felt like I was being told.”

The project still feels a heavy Queen City presence, though, as the rapper calls on several of his “best friends” for features. Invierno sees welcomed assists from local artists Jay Hill, Ladi Tajo and GrandAce, as well as out-of-towners Na$ty and Miles Powers. 

“This project is new to me in that way,” says Roberto. “There’s artists on there that I really admire. This project is reflective of my mission statement as an artist, which is to connect my roots to my upbringing between Texas and Ohio. Everybody here that I know has [a] Risky Patterns [beat] in their head somewhere, and a lot of people of over here I knew would sound good on his beats.”

The collaborative chemistry is especially felt on “sharpstown usa” – the electrifying result of Roberto’s years-long friendship with Jay Hill and Ladi Tajo. “That song makes me so happy,” he says. “Back in the early days, we would all pull up to any show in Cincinnati together. If I did a show, it would be Ladi Tajo and [Jay Hill’s group] Patterns of Chaos with me. Their song ‘Sleep Paralysis’ that they did together; I mixed that song. I’m really glad that chemistry got to be heard.”

2020 was an extremely prolific year for Roberto; in addition to two EPs and some singles with Risky Patterns, he also released purpan collab Happy Birthday, his “face/off” single with Khari (which includes b-side “escape”) and some stand-alone singles as well. “Last year, I dropped like six times,” Roberto says. “This year I’m focusing on making my drops mean more, rather than doing them more often. I didn’t take a lot of time out for burnout and things like that. I think if I take some time for rest, it’ll make more sense on my end.”

Roberto plans to head back to Texas to self-quarantine with Risky Patterns to “knock out” Primavera and Otoño, which he thinks will be finished “in like two weeks.” When asked if he and Risky Patterns will ever swap rapper and producer roles for a project, he responded, “Yes, I’m definitely looking forward to that.” This summer, Roberto will actually release his first-ever self-produced project.

“All the music that you hear from the two of us, he’s produced [and] I’ve written, mixed and mastered, but people don’t know that I can also produce and he can rap,” he explains. “We both do both things, but when we first met, we were very far into one way. Now, we’ve been getting into both crafts, so it’s a growing relationship in a musical sense.” 

Follow Roberto on Instagram for ongoing updates.

PLAYING CINCY: Roberto finds himself on ‘Many Truths’ EP

Photo by Annie Noelker

Cincinnati-bred rapper Roberto has delivered his first project of the year: the Many Truths EP. Balancing carefully crafted verses with a casual flow, Roberto’s introspective lyrics are perfectly housed within Matador’s gritty lo-fi production. Vulnerability and easy-listening coexist as the standout qualities of the six-track project, while songstress Ladi Tajo adds a drop of syrupy sweetness on the EP’s lone collaboration, “nowhere2run.”

“Ladi Tajo and I are really good friends and have been for a while. We’d been working on some tracks for a collab LP that we plan to release in the spring and were in the studio together when Matador sent the instrumentals through,” Roberto tells AudioFemme of the feature.

The Cincy MC makes lyrical strides throughout the first five songs, sprinkling personal anecdotes and inner thoughts along the way. However, Many Truths hits its peak vulnerability on closing track, “Close To You,” where Roberto wraps up a project that you can tell he’s proud of.

“I felt like I was taking a victory lap, in a way. It was probably around 5 or 6 a.m. and I was in the studio recording [“Close To You”], running off adrenaline and coffee,” he described of the final song. “I was just reflecting on everything, from seeing success in music before I graduated high school, and then taking a three-year hiatus, disappointing releases, the fear of being seen, and everything that kept me from releasing music for a long time.”

“I felt like everything had come full-circle,” he continued. “Whether it be the fact that I’ve been trying to muster up a project I felt confident in for years, my long-time relationship with Matador finally becoming fruitful, constantly wondering when I’d be able to get a record out with Ladi Tajo, or comparing myself, wanting to prove myself to my peers – it was all laid to rest in the five-day period of creating the project.”

Many Truths
‘Many Truths’ cover art/ by @stkales

Roberto describes obstacles that many artists struggle with – the pursuit of perfection, feelings of self-doubt, and the fear of being exposed. At the beginning of “nowhere2run,” a conversation between him and Ladi Tajo epitomizes the feeling, where he can be heard jokingly suggesting they start from scratch entirely, rather than put out their record.

“For a long time, that’s precisely how I’ve felt,” he said. “And all I had to do was lock in, focus, and be honest with myself. Essentially it felt like I had been worrying so long about how others saw me, that I had forgotten to see myself.”

From top to bottom, the one-minute “Many Truths” intro provides a perfect bite-sized sample of what’s to come. “Dear, Mrs. Whatshername” and “Canismoke.wav” ease the listener to-and-fro the standout track, “nowhere2run.” The EP ends on a strong note, with the “Close To You” outro.  Matador and Roberto are a clear producer-rapper match made in heaven, with Matador’s immersive lo-fi acting as the ideal backdrop to Roberto’s gentle, yet purposeful, bars.

“The last three years or so has, in essence, been me tirelessly creating content just to leave it on my hard drive and try to create something better the next day. I’ve written and conceptualized entire albums just to scrap them entirely or to throw away certain songs,” he said. “The recordings you hear [in Many Truths] are the first and only drafts I made for the songs and the mixing and mastering was done immediately after writing and recording each individual track, with me virtually living in the studio to make sure I had no choice but to get it finished.”

Stream Many Truths below.