Tag: Elton John

NEWS ROUNDUP: International Women’s Day, Leaving Neverland, and MORE

Maggie Rogers, Mavis Staples, Phoebe Bridgers and Brandi Carlile meet at Newport Music Fest. Photo by Danny Clinch. The artists shared this photo along with messages of empowerment for International Women’s Day via Twitter.

It’s International Women’s Day!

Though some form of International Women’s Day has been around since 1909, the holiday celebrating women around the world has really gained traction over the last decade. This year’s theme was #BalanceForBetter, seeking to promote a more gender balanced world. Here’s how our favorite ladies in the music world celebrated.

  • Cardi B made a playlist on Apple Music for the occasion, featuring visionary women (including Grace Jones, Madonna, Tina Turner, and Solange).
  • Sharon Van Etten and Courtney Barnett both appeared as a guest curators for Amazon’s music streaming platform.
  • Ariana Grande tweeted a short video by director Hanna Lux Davis, reminding everyone a few tweets later “it ain’t feminism if it ain’t intersectional.”

  • Rihanna looked powerful in a black blazer.

  • Miley Cyrus shouted out some of her favorite bad ass bitches:

  • … while Lady Gaga paid tribute to her mama.

  • Maggie Rogers and Mavis Staples both reminisced via this photo with Phoebe Bridgers and Brandi Carlile.

  • Dua Lipa had some tea for those who fall short of protecting human rights.

  • And Micropixie released a video for Como Mínimo (#YesIsTheMinimum), from her upcoming LP Dark Sight of the Moon, out April 9.

The Fallout of Leaving Neverland

The explosive HBO Documentary about Michael Jackson’s alleged child abuse, Leaving Neverland, aired last weekend, and unsurprisingly, folks are divided on its message. Though the allegations are nothing new (Jackson settled a child abuse case out of court in 1994, and was acquitted in a similar case with a different victim in 2005) the harrowing testimonies of two men who say they were abused by Jackson when they were 7 and 10 are hard to dismiss. Radio stations have pulled Jackson’s enduring pop hits,  The Simpsons producers have pulled iconic episode “Stark Raving Dad” from the syndication due to Jackson’s guest voice over, and a Chicago run of biographical jukebox musical “Don’t Stop ‘Til You Get Enough” was cancelled, though its team said this occurred due to scheduling difficulties and that they’ve set their sights on Broadway in 2020. Jackson’s daughter, Paris, seemed unfazed in a series of tweets in which she told folks to “chillax” – implying that even if Jackson’s legacy took a huge hit, his $500 million estate would ultimately be unaffected by the doc (though they’d previously filed a lawsuit to block it from airing). Meanwhile, debate continues to rage regarding blame placed on the victims’ parents, the degree to which Joe Jackson’s horrific behavior absolves his son’s various issues (including the alleged child abuse) and, of course, the idea that Jackson himself is an innocent victim of a slanderous campaign. One thing is certain: Jackson’s story is ultimately one of the saddest in pop music history, taking into account his tarnished childhood, various tabloid scandals, untimely death due to physician-sanctioned drug abuse – and it’s only compounded by the suffering of his alleged victims.

That New New

Solange has blessed the world with the (semi) surprise release of When I Get Home, her follow-up to 2016’s show-stopping A Seat at the Table.

Cementing their legacy as Jersey’s favorite pop punks, The Bouncing Souls released the second single from their forthcoming 30th anniversary EP Crucial Moments, out March 15. Their massive tour kicks off the next day at Jersey City’s White Eagle Hall.

Vampire Weekend have shared two new tracks from their upcoming Father of the Bride LP, out in May

Mac DeMarco announced his next record Here Comes the Cowboy with a single called “Nobody,” giving Mitski fans a little déjà vu; both artists (and their shared PR team) say it’s just a coincidence.

Bedouine is back with a one-off single that reflects on the aftermath of her gorgeous 2017 self-titled debut.

SOAK has released another lovely singled from April 26 release Grim Town., announcing some US tour dates (including two at SXSW) to go with it.

Alan Vega’s final recordings have been released to benefit the Rock and Roll Forever Foundation, which provides teaching materials to educators seeking to engage students by teaching pop music history. The Suicide co-founder passed away in 2016.

Everyone loves a corgi – and that includes illuminati hotties, who are very honest about the fact that sometimes doggos are are the only thing keeping us in a mediocre relationship. They’ll be in Austin next week for SXSW.

Stef Chura has announced her sophomore record Midnight with its lead single “Method Man.”

Blushh shared a one-off single to get folks pumped for their upcoming SXSW dates as well.

Toronto punks Greys have announced third LP Age Hasn’t Spoiled You, out May 10, sharing its first single “These Things Happen.”

Rick from Pile remains the biggest babe in all of DIY indie rock; this week the band released their latest single and announced forthcoming LP Green and Gray, out May 3.

In other DIY news, Patio ready themselves for the April 5 release of Essentials with their latest track, “New Reality.”

NOTS have seemingly recovered from their recent lineup changes and shared the first single from their upcoming LP 3, out May 10. Two of its members are also releasing an LP this year as Hash Redactor.

The National have announced a new collaborative project with director Mike Mills entitled I Am Easy To Find. It’s essentially an hour-long companion album to a 24-minute short film of the same name starring Alicia Vikander. The first track on the album, “You Had Your Soul With You,” has some guest stars as well – Sharon Van Etten, Kate Stables of This Is the Kit, The Brooklyn Youth Choir, and longtime David Bowie bandmate Gail Ann Dorsey lend vocals. The band have announced a bunch of tour dates with Courtney Barnett and Alvvays supporting.

Local Natives released two videos this week, one of which stars Kate Mara. Both will appear on the April 26 release of Violet Street, a follow-up to 2016’s Sunlit Youth; they’ve previously announced a slew of tour dates.

Sky Blue, a posthumous collection of unreleased material from celebrated singer-songwriter Townes Van Zandt, arrived March 7 to commemorate what would’ve been his 75th birthday.

Kishi Bashi returns with new LP Omoiyari on May 31, and has released the album’s first single, “Summer of ’42”.

Charly Bliss have shared a video for “Chatroom,” the second single from their upcoming record Young Enough, out May 10.

CupcakKe keeps it topical with a new single entitled “Bird Box,” referencing the recent Netflix horror movie and the Jussie Smollett controversy alike.

Having penned Grammy-nominated hits for Ariana Grande and Janelle Monae, Tayla Parx is poised to break out on her own with a highly anticipated solo debut on Atlantic Records, We Need to Talk, out April 5. Her latest video for “I Want You” follows earlier singles “Slow Dancing” and “Me vs. Us.”

Christian Fennesz, who records electronic music under his last name, returns to basics with a new 12-minute track called “In My Room,” from forthcoming 4-song LP Agora, out March 29.

Ahead of the April 12 release of No Geography, The Chemical Brothers share a video for “We’ve Got To Try.”

Festival faves Marshmello and CHVRCHES have collaborated on a sugary new single titled “Here With Me.”

Dido’s first record since 2013, Still on My Mind, is out today; her first tour in fifteen years hits the US in June.

End Notes

  • The Prodigy singer Keith Flint was found dead of apparent suicide at the age of 49.
  • I would unironically love to attend one of these West Coast Man Man shows featuring “Friday” singer Rebecca Black.
  • Gayle King interviewed R. Kelly for CBS regarding the sexual abuse allegations against him, prompting an explosive on-camera outburst from the singer that has been widely discussed. We’re so tired.
  • Swedish black metal band Watain have been banned from performing in Singapore due to their “history of denigrating religions and promoting violence.”
  • NYC concert-goers spontaneously burst into song on the ACE platform following a sold-out Robyn show at MSG.
  • Speaking of Robyn, she’s been announced as one of the headliners for Pitchfork Music Festival, which takes place in Chicago from July 19-21. HAIM and the Isley Brothers top Friday and Saturday’s bills respectively, with Stereolab, Mavis Staples, Belle & Sebastian, Earl Sweatshirt, Pusha T, Tirzah, Kurt Vile, Low, Julia Holter, Rico Nasty, Neneh Cherry, Snail Mail, Khruangbin, Soccer Mommy, Amber Mark, CHAI, and more set to play as well.
  • While we’re on the subject of festivals, Variety has leaked a potential lineup for Woodstock 50 and it’s not exactly overflowing with “heritage” acts; Jay-Z, Chance the Rapper, and Black Keys look like likely headliners.
  • Elton John tweeted an definite release date in October 2019 for his upcoming memoir.
  • Massive Attack have rescheduled some of the North American Mezzanine reunion tour dates due to illness.
  • You can buy the hospital gown that Kurt Cobain wore during a legendary 1992 Reading Festival Nirvana performance for a mere $50,000.
  • L7’s Donita Sparks emerged as a hero when, in true punk fashion, Marky Ramone and Johnny Rotten nearly came to blows at a panel discussion on upcoming John Varvatos and Iggy Pop-produced Epix docu-series Punk.
  • Morrissey is taking his upcoming covers record California Sun to Broadway.
  • Taylor Swift stalker Roger Alvarado was arrested for breaking into the pop star’s home again, fresh off of a stint in jail for the same charge (bringing his Swift-related arrest total to three).
  • Arcade Fire will reportedly cover “Baby Mine” in Tim Burton’s live-action Dumbo remake, and it’s a real family affair.
  • Mark your sundials – Red Hot Chili Peppers will stream a live concert from the Pyramids of Giza, Egypt on March 15.

NEWS ROUNDUP: Webster Hall Reopening, R. Kelly Arrested, and MORE

Webster Hall is Reopening!

It’s always sad when an iconic New York venue closes, but Webster Hall’s story has a happy update. The 130-year-old venue was shuttered in August 2017 for renovations when longtime owners the Ballingers sold it to AEG. That means Bowery Presents will be handling bookings, and the show schedule looks pretty sick, starting with a christening from punk poet laureate Patti Smith on May 1. Broken Social Scene, MGMT, Sharon Van Etten, Big Thief and Built to Spill are some of the acts slated to play over the next six months or so, and that’s just the initial announcement. The New York Times got a sneak peek into the renovations, and it seems like the $10 million plus project focused mostly on accessibility, with a revamped entryway and the addition of an elevator, as well as updates to the bathroom and soundsystem. Much of the characteristic fixtures in the ballroom were left unscathed, though we’re guessing the floor will no longer feel like it’s about to cave in when the mosh pit gets too rowdy. The Marlin Room will become a lounge, and there’s no word yet on what’s going on with the basement stage. The venue will still have a capacity of about 1,400 – making it an essential part of downtown nightlife once again.

R. Kelly Arrested, Bond Set at $1M

Following increased scrutiny after Lifetime doc Surviving R. Kelly aired earlier this year, the R&B star was arrested in Chicago on Friday and charged with ten counts of aggravated criminal sexual abuse involving four separate victims, three of whom were minors when the abuse occurred. One of the most disturbing pieces of information to emerge in Saturday’s bond hearing was that Kelly met one of these victims at his 2008 trial for child pornography, of which he was acquitted; like the trial a decade ago, some of these charges stem from the discovery of a sex tape in which Kelly appears to perform sex acts with an underage girl. His bond was set at $1 million, and that may be the tip of the iceberg – Kelly is also under investigation by multiple federal agencies for sex trafficking, and it looks likely that there are more victims who have yet to come forward. Let’s hope this is the beginning of the end of their nightmare.

That New New

Audiofemme favorites Sharkmuffin shared rollicking new single “Serpentina,” the first single from their Gamma Gardening EP, out April 5 via Exploding In Sound. We couldn’t be more excited – love you, Tarra & Nat!!!!

While this video for Kate Bush’s cover of Elton John’s “Rocket Man” isn’t exactly new, it hadn’t been released since its recording in 1991. The video comes with the announcement of a four-disc rarities and b-sides compilation called The Other Sides, which will be available March 22. In other Elton John news, his biopic, starring Taron Egerton, comes out May 22.

Tierra Whack is back with single “Only Child,” her first release since blowing up with Whack World.

Helado Negro is currently on tour with Beirut as he prepares for the March 8 release of This is How You Smile; he shared a video for single “Running” this week.

Ella Vos shared an intimate self-directed video for “Empty Hands,” which follows her through the last day of two years of treatment for lymphoma. The single appears on her latest EP, Watch & Wait.

Karl Denson’s Tiny Universe will release Gnomes & Badgers, their first album in five years, on March 8. The TG Herrington-directed clip opens a poignant dialogue about the family separation crisis at the U.S.-Mexico border.

Marissa Nadler released two new songs – including a duet with John Cale – via new imprint KRO Records, who will release the single on heart-shaped vinyl this spring.

CHROMATICS are back with “Time Rider” and a slew of tour dates, but no official release date for an album, which they’ve been teasing for some time now.

Priests released a lyric video for “Good Time Charlie” from their upcoming album The Seduction of Kansas, out April 5 via Sister Polygon.

Empath have announced their debut LP Active Listening: Night on Earth (out April 2 via Get Better Records), and shared its first single, “Soft Shape.”

Alex Lahey will finally release a follow-up to 2017’s excellent I Love You Like a Brother. It’s called The Best of Luck Club and is slated for release via Dead Oceans on May 17; “Don’t Be So Hard on Yourself” is the first single.

TEEN are streaming Good Fruit ahead of its March 1 release over at NPR, and have shared a video for “Pretend.”

With her band Wax Idols on an indefinite hiatus, Hether Fortune has shifted to solo work with the release of single “Sister.”

Shady Bug shared “Whining” from their sophomore album Lemon Lime, out March 8.

Los Angeles noiseniks HEALTH have released their fourth collaborative single since September, this time featuring JPEGMAFIA.

We’re obsessed with “TGM” from 18-year-old newcomer Ebhoni, who reps her Toronto home and West Indian roots all at once.

Palehound kicked off their tour with Cherry Glazerr by releasing a new single called “Killer.”

Indie poppers Pure Bathing Culture  shared a lyric video for “Devotion,” the first single from their forthcoming LP Night Pass, out April 26.

If you’ve ever wondered what Mountain Man’s Molly Sarlé sounds like on her own, take a listen to her debut single, produced by Sam Evian. She’ll play some shows with Mountain Man cohort Amelia Meath when she joins Sylvan Esso for a few shows in their recently-announced WITH tour.

Nilüfer Yanya’s debut album Miss Universe drops March 22. Her latest single “Tears” follows alt-pop bops “In Your Head” and “Heavyweight Champion of the Year.”

Former Shudder to Think frontman Craig Wedren has had an illustrious career scoring film and television, so it’s no wonder the clip for his vibey rework of “2Priests” (from last year’s Adult Desire Expanded) is so gorgeous.

We have a feeling Aldous Harding’s low-key pilgrim dance from “The Barrel” video might catch on well before Designer arrives via 4AD April 26.

Legendary Smiths guitarist Johnny Marr shared a video for latest single “Armatopia” to promote his upcoming North American tour in support of 2018’s Call The Comet.

End Notes

  • Breakdancing could become an Olympic event by 2024.
  • Moogfest has announced the “first wave” of its 2019 lineup, featuring Kimbra, Martin Gore, Matthew Dear, Lucrecia Dalt, GAS, Ela Minus and more.
  • Wilco have also announced the lineup for their bi-annual Solid Sound Festival, taking place June 28-30 in Massachusetts. There will be several sets from Jeff Tweedy solo and with the band, as well as appearances by Courtney Barnett, Cate Le Bon, Tortoise, Jonathan Richman and more.
  • Detroit musicians will be the first recipients of Tidal’s new $1 million endowment program.
  • The 1975 took home British Album of The Year at the BRIT Awards for A Brief Inquiry into Online Relationships, and called out music industry misogyny in their acceptance speech for Best British Band.
  • Stereolab have added a ton of reunion tour dates to their Primavera Sound and Desert Daze appearances, and announced reissues for seven of their records. The band has been on hiatus for a decade.
  • Tom Krell of How To Dress Well launched his label Helpful Music with an EP from Calgary’s Overland.
  • W Hotels have also recently launched a label, releasing two songs with Perfume Genius to benefit Immigration Equality. Watch a mini-doc about the collaboration here.
  • Lydia Loveless took to Instagram to detail sexual harassment she has suffered since signing to her label Bloodshot Records; her abuser doesn’t work at the label, but attended all social events having to do with it as the partner of one of the label’s founders, who has since left the imprint.
  • Someone decapitated Puff Daddy’s wax figure at Madame Tussauds in Times Square.
  • Michael Jackson’s estate is seeking to block the production of HBO’s Leaving Neverland with a $100 million lawsuit; the two-part doc follows the story of two men who say their were abused by the King of Pop as children and is set to air March 3rd & 4th. Watch the trailer here.
  • Stereogum published this handy rundown on the drama that’s dogged Royal Trux’s reunion tour, as well as the release of White Stuff, still scheduled to come out March 1.
  • My favorite Eric Andre gag is getting his own TV special. Thanks Adult Swim!

NEWS ROUNDUP: The Grammys, New Study on Gender Disparity in Music & More

  • The Grammy Awards

    On Sunday night, the music industry’s most momentous ceremony returns to New York City after ten years in Los Angeles. The 60th Grammy Awards will be held at Madison Square Garden and this year the pressure is on for the Recording Academy to prove that they are still relevant within the cultural zeitgeist. In 2016, Taylor Swift’s 1989 was awarded album of the year over Kendrick Lamar’s To Pimp a Butterfly. The win prompted many, including Frank Ocean, to accuse The Academy of shutting out minorities. In a move that Ocean called his “Colin Kaepernick moment” he declined to submit his seminal sophomore album, Blonde, for 2017 consideration. This action was echoed by Drake who did not enter his immensely popular Views into the competition. A year later, at the 2017 ceremony, a collective “WTF!?” was felt across the music industry yet again when Album of the Year was awarded to Adele’s 25 (herself in disbelief) over Beyoncé’s Lemonade.

    This year, everyone is wondering if the Recording Academy will finally give artists of color the credit they are due. Will trophy wins match the Billboard charts, which have have proven that we are living in the age of hip-hop and R&B? If the nominations are any indication, all signs point to yes. Childish Gambino, Jay-Z, Kendrick Lamar, and Bruno Mars are all up for album of the year (no rapper has ever won the honor). The last time that four non-white artists were included in this category was in 2005. However, we still have to ask, “Where the women at?” Lorde is the single female nominee in the group. In contrast, the 2018 Best New Artist selection bodes well for racial diversity and gender equality. SZA, Khalid, Lil Uzi Vert, Alessia Cara, and Julia Michaels round out that category.

  • Gender Disparity In The Music Industry

    A new study by USC Annenberg’s School for Communication and Journalism has confirmed something we already knew: women are vastly underrepresented in the music industry. To make its conclusion, the study analyzed the gender make-up of songwriters, performers, and producers of top-charting songs on the Billboard Hot 100 charts for a five-year period. From 2012-2017, female songwriters counted for only 12.3 percent of those hits; 22.4 percent of the performers were women. The study found that different veins of gender inequality within the music industry are all linked. It’s a chain reaction – female artists tend to work with female songwriters more than male artists do. Less ladies on stage mean less ladies behind the lyrics. However, the biggest industry disparity is present in the recording studio. Only two-percent of producers credited for the Billboard hits were women. In other words, male producers outnumbered the ladies, forty-nine to one.

    The Annenberg school is hoping that by highlighting these numbers, the music industry will be called to action and put hiring practices in place that are more beneficial to women.

  • RIP Mark E. Smith (March 5, 1957 – January 24, 2018)

    On Wednesday, post-punk legend Mark E. Smith passed away at the age of sixty. As lead singer and founder of The Fall, the Manchester musician was a complicated figure whose immense talent and vitriolic disposition simultaneously captivated and repelled his greatest collaborators & fans. Smith formed the Fall in 1976 after seeing the Sex Pistols in concert. Before his death, he churned out thirty-two records with a rotating cast of band members. Despite a lack of commercial success, the Fall proved to be a defining influence for future generations of punks and indie-rockers. The Fall’s last release New Facts Emerge came out last year.

  • Other Highlights

    According to Prince’s estate adviser, Troy Carter, the world will one day hear new music from the late musician. However, there’s no telling when the unreleased material will be available to the public as it is tied up in legal battles between record labels, Prince’s legal heirs, and his estate. Sir Elton John has announced that he will retire from touring but you still have several years to catch him on the road. The seventy-year-old Rocket Man will bid his farewell by playing three-hundred shows over the next three years. Two pop heavy-hitters gave us videos this week: Lady Gaga released the clip for a piano-centric version of “Joanne” while Justin Timberlake prompted Bon Iver comparisons (and insults) with “Say Something.” JT’s vid is produced and directed by La Blogothèque, the French collective best known for their YouTube performance series, the Take Away shows. The #MeToo movement is quickly making waves in music industry. This week, hip-hop mogul Russell Simmons and rapper Nelly were accused of sexual assault. Simmons has vehemently denied the accusations; Nelly has yet to make a statement.

    The Misfits may be returning to NYC with their original lineup. On January 26, Live Nation tweeted “#ALLHELLSGONNABREAKLOOSE” accompanied by the iconic skull logo in the shape of New Jersey, the band’s home state. Amanda Palmer and Jherek Bischoff paid tribute to the late Dolores O’Riordan by releasing covers of The Cranberries’ hits “No Need To Argue” and “Zombie.” Due to overwhelming demand, indie darlings Haim have added a second Radio City date to their Sister Sister Sister tour. They also released a new video directed by Paul Thomas Anderson. This month has been great for new albums – Hollie Cook, No Age, and Ty Segall all released new material today. No Age will be playing in Brooklyn on May 2.

MIXES: With A Little Help From My Bands

 

Whatever it is about the change of seasons in New York City from summer to fall that makes me feel especially nostalgic is something I hope I never lose. Maybe its the crunching leaves underneath my foot as I rush from my apartment to the subway and onward to class every day. Or maybe I’ve already consumed more pumpkin-flavored food and drink than one person should in such a short period of time.

Because of this overwhelming sense of nostalgia, when I’m presented with the idea of sharing the songs that have gotten me through tough moments in my life, I had the problem of having one too many songs to choose from. Music has always been a fluid element in my life; it weaves through the moments and people and feelings I encounter. The most meaningful musical moments weren’t always the ones that let me wallow or the ones that incited me towards action; they were the ones that allowed me to just exist in a singular moment and reflect. The songs that feel like a warm blanket on a cold day are always been the most comforting.
This collection I curated is ten songs that have done, and still do, just that.

 

“With a Little Help From My Friends” – Joe Cocker

I could’ve very easily gone with an Elvis Presley tune in place of this one. I wanted a song that reminded me of my grandpa, and Elvis had been a constant presence in our relationship. However, even more constant in hazy childhood memories from the dusty basement he spent all of his time in and the rickety blue pick-up truck that took me to and from elementary school is the sound of my grandpa mimicking Joe Cocker’s voice. It would echo through our house on Saturday afternoons while accompanied by the blaring noise of his stereo. When my grandpa passed, I listened to this song on repeat because it felt like I could still hear his voice. The soulful rasp of Cocker’s belt is warm and inviting as he wistfully answers the questions posed by the gospel choir backing him. His uncertainty comforts and eases to the point where I feel like I should respond, too.

 

“Silent All These Years” – Tori Amos

My mom played this song for me when I was still in the single-digit age bracket. I remember she played the track on our relic of a computer for me while my grandma cooked dinner in the kitchen. My mom was only 21 when I was born, so her taste consisted of 80s pop hits and angry 90s alt-girl singer-songwriters. I didn’t understand a single line of the song then, but I would put the track on repeat every time we were in her car before flipping to RadioDisney after the tenth, twentieth, thirtieth play. I’d spend my time dissecting the lyrics and wondering if she was saying “mermaid” or “moment.” But the title and chorus resonated with me outside of the mysteriousness of the context. Shy and always too scared to speak up, I knew what it was like to be silent for too long. And I was glad Tori Amos understood.

 

“True Colors” – Cyndi Lauper

Senior year of high school was filled with change and small steps towards maturation and growth. As we all prepared to move away from home and dive into adulthood, the most meaningful gift graduation gave me was the strengthening of important friendships in my life. Throughout the stress and anxiety of leaving my Midwestern hometown to live a big city life on the East coast, I learned to survive with and from my best friend Jonathan. I dedicated this song to him after he came out to me that year, and since then, we’ve adopted it as our theme song. Lauper’s vulnerable vocals are such a beautiful reflection of what it means to truly love another person for all that they are. Everyone should listen to this song when they’re feeling a bit lonely or missing a close friend; nothing serves as a better reminder of what it feels like to be loved by another.

 

“Hallelujah” – Jeff Buckley

Buckley’s cover of the Leonard Cohen hymnal sounds deceptively melancholy. The first time I heard it, the song drifted through the speakers in my mom’s car about a month into my freshmen year of high school. It was the first song to elicit tears from me. After repeated listens over the past six years, I’ve begun to better understand the underlying glory rather than the sadness. For some reason, I feel like I turn to this song during some of the most painful portions of my life — death, fights, stress, etc. Buckley’s range and the ease of his emotive capabilities have been able to express my sadness and recovery from all different kinds of pain better than I ever could.

 

“The Resolution” – Jack’s Mannequin

Andrew McMahon will always top my list of inspiring musicians. His battle with leukemia, subsequent recovery, and lyrical reflection of this battle have been moving to me since I first started listening to his band Jack’s Mannequin. Another song that defined Senior year of high school, “The Resolution” became my personal anthem to make it through the seemingly endless obstacles that separated me from having a sane year. What makes this song lack the cliche of other “inspirational” jams is its honest search for answers and clarity. It’s not about what happens when you’ve reached the end of the tunnel; it’s about figuring out the most effective way to navigate the tunnel first.

 

“Wicked Little Town” – Hedwig and the Angry Inch

Hedwig and the Angry Inch happens to be one of my favorite films, so the soundtrack holds a special place in my heart. The summer between senior year of high school and freshmen year of college, I watched the film at least once a week with my best friend and listened to the soundtrack almost every night. The chorus’ repeated message of “and if you’ve got no other choice/you know you can follow my voice/through the dark turns and noise/of this wicked little town” resonated at a time when I felt desperate to escape the confines of my small, directionless suburb. It was my own wicked little town, and the omnious lyrics of the song felt like a glimpse into my future if I stayed there.

“Landslide” – Fleetwood Mac

The perfection of this hit record lies in its universal appeal. My mom would sing along to the lyrics in her car whenever it played on the radio. I remember her always directing the lyrics of the chorus to me (“Well I’ve been afraid of changing/‘Cause I’ve built my life around you/But time makes you bolder/Children get older/I’m getting older too”). It felt like a lullaby when I was younger, but as I’ve grown up, the song has transformed into a musical embodiment of my growth into adulthood as I continuously speculate “can the child within my heart rise above?” My mom still sings that chorus to me.

“Chicago” – Sufjan Stevens

Sufjan Stevens’ outstanding track from the incredible album Illinois literally hits close to home. After moving to New York from the Chicago suburbs, I’ve adopted this track as my official homesickness jam. When Chicago and the people I love who are still there feel especially distant, I listen and remind myself just how much “all things grow, all things grow.” The idea of being in love with New York “in my mind, in my mind” feels especially pertinent in those moments when I just want to curl up on an old friend’s couch and be reminded of those high school inside jokes and all the mistakes we thought we had made.

“Mona Lisas and Mad Hatters” – Elton John

Not many singer-songwriters can pluck at my heartstrings the way Elton John can. I had never heard this song until the spring semester of my freshmen year in college, and if there’s ever a situation when a song fell into my lap at the right time, it was this one. “My own seeds shall be sown in New York City” felt like a beckoning to me to never give up on what I came to the city to do. If the subtle inspiration wasn’t enough, Elton reminded me of the wonderful friendships I had formed in this city with his line “I thank the Lord for the people I have found. While “Chicago” draws me back to the past, “Mona Lisas and Matt Hatters” makes homesickness feel like a silly idea in the first place.

“Don’t Rain On My Parade” – Barbra Streisand

With all the stress, anxiety, and whirlwind of emotions life can throw at you, sometimes it’s worthwhile to remind yourself that you actually are the baddest bitch on your block and quite possibly the universe. My ever-growing adoration towards all things Streisand makes me incredibly biased towards any of the tunes she sings. However, this particular track from the classic film Funny Girl keeps me from forgetting during my more anxious moments that it’s never worthwhile to let the world get me down when life is just waiting for me to take a bite out of it.

Content by Brittany Spanos for AudioFemme

audiofemme//mix 1 from ohheybrittany on 8tracks Radio.