RSVP HERE: Bethlehem Steel Play Trans Pecos + More

Welcome to our weekly show recommendation column RSVP HERE – your source for the best NYC shows and interviews with some of our favorite local live bands.

Bethlehem Steel released their sophomore self-titled record on Exploding in Sound Records September 13th and have been on tour since. They are set to return to Brooklyn this Sunday 11/24 with a show at Trans Pecos with Ben Seretan, Sinai Vessel, and Lightning Bug. Bethlehem Steel formed in 2012 as a trio consisting of Becca Ryskalczyk on guitar/vocals, Jon Gernhart on drums, and Zephyr Prusinski on bass. Their second record features singer/guitarist Christina Puerto, who toured with Bethlehem Steel around their debut record Party Naked Forever. She was asked to join the band full time and contributed to the songwriting process of their latest release, resulting in a more empowering record that lyrically grapples with “being taken advantage of, or abandoned or fucked over.” We chatted with Bethlehem Steel about their favorite tour stories, the challenges of long haul touring and why you need to watch out for pizza prices in California…

 

AF: You’re finishing a super long tour supporting your self titled record out now on Exploding in Sound. What was your best show, favorite city, and favorite animal you’ve met on the road?

BS: Our best show was in Seattle. It was good to cross paths with Pile mid-tour and we had a great time playing with them at Chop Suey. Favorite city would have to be Austin because we got to swim in a lake under the stars at our friend’s house after the show. Our favorite animal(s) we met on tour were Brody and Griz. Griz is a big friendly cat and Brody is a little blind chihuahua and they both live with our good friends Brian and Brenda in Minneapolis.

AF: What are the challenges and advantages of a seven week tour?

BS: Not getting sick is definitely a challenge, as is dealing with the very long drives, and being so far away from home for so long. But playing this many shows in a row is a really good opportunity to work on the live performance aspect of things, and visiting friends and making new ones all across the country is always a wonderful thing.

AF: What is your favorite thing to do on your days of? What do you listen to in the car?

BS: We usually end up going to a thrift store to look for nutcrackers. We also like to do movie scene re-enactments, and will almost always try to find any type body of water to swim in. As far as car listening, Pat puts on this playlist he made called “Pat the 80’s” a lot.

AF: When you get a flat tire, who’s the first person to try to fix it? When your van breaks down, who cries the most?

BS: We have a Tacoma and it does us good.

AF: Any other crazy stories?

BS: We each payed $9 for a slice of pizza in Sacramento. We didn’t see the prices until it was too late.

RSVP HERE for Bethlehem Steel with Ben Seretan, Sinai Vessel, and Lightning Bug @ Trans Pecos Sunday 11/24! ALL AGES / $10

More great shows this week:

11/22 Eaters (Armonica Set) with Greg Fox, David Watson, Michael Shea, Kate Mohanty @ Trans Pecos. All Ages / $10 RSVP HERE

11/22 88Palms, HRY FLWR, Safer (single release show) @ The Broadway. 21+ / $12 RSVP HERE

11/22 + 11/23 Crumb, Divino Niño, Shormey @ Music Hall of Williamsburg. 18+ / $26 RSVP HERE

11/23 Fraidycat (Reunion Show), True Dreams (Album Release), Wooing, PowerSnap, @ Alphaville. 21+ / $8-$10

11/23 NY Night Train Soul Clap & Dance Off, Nobunny, Gnarcissists @ Brooklyn Bazaar. All Ages / $15 RSVP HERE

11/25 Nicole Yun (of Eternal Summers), Coltura, Desert Sharks, Queue @ Baby’s All Right. 21+ / $10 RSVP HERE

11/26 Military Genius, P.E., A. Savage (of Parquet Courts), Strange Magic (DJ Set) @ Alphaville. 21+ / $10 RSVP HERE

11/27 M.A.K.U. (Record Release), Salt Cathedral @ Sultan Room. 21+ / $12 RSVP HERE

LIVE REVIEW: Yvette/Eaters @ Baby’s All Right

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Bob Jones and Jonathan Schenke of Eaters.
Bob Jones and Jonathan Schenke of Eaters

It takes a lot of nerve to wear your white hair long like that: straight, thin, and skimming the neck of your skinny white tie, worn over a tight black t-shirt, matchstick jeans, and elf-point boots. But how else would you dress for your 20th wedding anniversary? You have to applaud a middle-aged couple that celebrates such an occasion by going to an industrial noise gig in Brooklyn. And on a Thursday no less!

Headlining the evening’s two-band bill is Brooklyn duo Eaters, but if I’m being honest I really came to see Brooklyn duo Yvette. Yvette used to be made up of Noah Karos-Fein and Rick Daniel, who released their debut LP Process in October of 2013. The record is a carefully constructed post punk assault-yet it somehow retains a melodic sensibility along with its steel aggression. The record came at a time when cold and militant industrial music was a breath of fresh air amongst the slew of jangly local bands. Anger was back in. Finally.

Listening to Process is a damn fine experience, but it doesn’t really set you up for what Yvette brings to the stage. No longer the original line up, Yvette is still fronted by Karos-Fein on vocals, guitar, and effects, but Dale Elsinger now backs up Noah on the drums. I never saw Yvette while Rick Daniel was still a member, so I can’t speak for his abilities as a live performer. But what I can say is that Elsinger is a welcome replacement. Quite easily one of the most fascinating drummers I’ve seen live-and I don’t get too excited about drummers all that often-it’s almost impossible to look away while he’s playing.

Perhaps it’s merely the democratic stage set-up the band always employs (Noah at the center and Dale to his left) that creates the allure. Maybe if drummers weren’t always banished to the back of the stage we’d find them mesmerizing more often, but something tells me it’s more that just his coordinates that make Elsinger such an intriguing performer. He gives it his all. Watching him smash his kit is exhausting, so I can’t imagine how winded he must feel, but the fact that he’s dripping in sweat by minute two gives me a good idea. Elsinger’s parts are forceful but not fussy, and so directly to-the-point that I’m tempted to call him a purist. He does he always drum barefoot after all.

Yvette’s sets are never long, but always tidy and packed full of energy. There’s no banter, no fluff, just some very talented, straightforward musicians presenting their thesis and then leaving quietly – though what they play is the antithesis of polite and quiet. It’s loud and full of guts and grit.

Eaters is made up of multi-instrumentalist Bob Jones and recording engineer Jonathan Schenke. Their sound is rooted in the dark rubble of post punk debris, so they are a fitting band to share a bill with Yvette. Though while Yvette’s tracks stay consistently hostile, Eaters sometimes float to the softer side of the ‘80s, sounding more Brian Eno than Suicide.

There is certainly a fuller crowd for Eaters, and their presence is more elaborate; the lights turned down almost all the way to emphasize a sphere of light rotating on a hydraulic circular track. It’s a curious and useless prop, but is a fun badge of nerdiness nonetheless.

Eaters finished off sans encore, making way for the late show to follow at Baby’s. Listening to both Eaters and Yvette you’d suspect a late into the early morning set, but I was home and in bed by midnight, which is good, because some people had anniversaries to celebrate.

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