RSVP HERE: Dear Nora Plays Bootleg Theater + MORE

Welcome to our weekly show recommendation column RSVP HERE: LA Edition– your source for the best shows and interviews with some of our favorite local live bands. For the month of February we will be featuring LA shows! 

Katy Davidson is the prolific singer-songwriter behind the indie pop band Dear Nora. The band was formed in Portland in 1999 by Davidson, bassist Ryan Wise and drummer and vocalist Marianna Ritchey. After releasing their first record We’ll Have a Time in 2001, Davidson moved to San Francisco and released two more LPs and three EPs with rotating musicians until deciding to retire the band name in 2008. They continued to write and record music under the names Key Losers and Loyd & Micheal, and also was a touring member of the bands Yacht and Gossip. Davidson picked up where they left off with Dear Nora in 2017 when Orindal Records reissued their second album Mountain Rock, and then released their fourth album Skulls Example in May of 2018. Dear Nora remained an underground favorite during their career and had a huge influence on younger musicians like Frankie Cosmos and Girlpool. Davidson now resides in the desert of Southern California, and you can catch Dear Nora’s next show on 2/18 with Nicholas Krgovich and Zach Burba (iji) at the Bootleg Theater. We chatted with Davidson about the upcoming reissue of their rarities collection, what food their music would be and their dream collaborators.

AF: You came out with your first album under the name Dear Nora after a 12 year break last year. How has your music changed and has your live show reflected these changes as well?

KD: To quickly clarify, I only really took a break from playing under the band name Dear Nora, and it was nice to put a bookend on the first version of the band at the time. But during those twelve years “off,” I was still relatively active, and I released a few records under different band names like Lloyd & Michael, and Key Losers.

To me there’s a clear thread between all the songs I’ve made during the last twenty years. My melodies are catchy, I have a strong pop sensibility, and I often sing from a zoomed out perspective. That is the same now as it has always been. I think the main way my music has changed is that my lyrics feel less like confessional journal entries and more like…poems? And we don’t just rock out with barre chords anymore. Regarding the current live show, I basically don’t know what to say. It is constantly evolving. I told my band last summer that I don’t even feel like we’re playing music. To me it’s much more about conveying a vibe and transmitting energy.

AF: If you could collaborate with any artist alive or dead who would it be?

KD: Hmmm, don’t kill me… maybe Kanye West? Definitely Ariana Grande. Or ROSALÍA, god willing.

AF: What are the differences between the music scenes in LA and Portland? What are your favorite bands and places to play in both places?

KD: I’m not saying this to be awkward or contrarian, but I don’t know much about the current music scenes in those cities, and I don’t really feel like a part of them, if a such thing exists. So I don’t know how to compare them. I live out in the desert East of LA now, so I’m honestly pretty out of the loop except for random house parties. That said, I have a deep appreciation for all the West Coast people we’ve gotten to know via touring all these years, e.g. LA Takedown, Hand Habits, Tara Jane O’Neil, Stephen Steinbrink, Jessica Dennison and Jones, Cynthia Nelson, Nicholas Krgovich, iji, Carolyn Pennypacker Riggs, and so many more. Even though there are some quality rock clubs that are very good to us, I mostly like playing “alternative spaces.” The Amigo Room at the Ace in Palm Springs is fun. The Old Western Saloon in Point Reyes is fun. The Sou’wester on the Washington coast is fun. Che Cafe is pretty great. I like wooden rooms that are multipurpose.

AF: One of my favorite releases of yours is your collection of rarities (1997-2007). How did you choose the tracks on that compilation and are there any interesting stories behind any specific songs on that release?

KD: Thank you for the compliment. How much time do you have? Because I could write a book on the subject. In fact, I am writing a small book(let) on the subject because that compilation is getting reissued this year. The gist is that I wrote a ton of music in my 20s. I carefully curated which songs went on the proper Dear Nora albums, so after a while, I had amassed a lot of extra music that needed a home. I put it all together on this compilation. As a whole, it reflects the arc of a life of a 20-something person living in an urban milieu in the early twenty-first century, West Coast USA. For more details, I highly suggest getting the box set later this year if you can!

AF: If your live set was a type of cuisine or specific food, which would it be?

KD: California Cuisine.

AF: What are you plans for 2020 + beyond?

KD: Orindal Records is releasing a vinyl reissue of Three States: Rarities 1997-2007 in late May of this year. It’s gonna be really special. 3-LP box set with an 8-page booklet. I will play a handful of solo shows in support of that reissue sometime this summer. But after that I’ll be focusing on writing new music. I will probably put out another Dear Nora album someday, but I’m in no rush at all. It could be next year, and it could be ten years from now. I don’t know.

RSVP HERE for Dear Nora, Nicholas Krgovich, Zach Burba (iji) @ Bootleg Theatre on 2/18. 21+ / $12

More great shows this week:

2/14 Tacocat, Winter @ Chain Reaction. 21+ / $15 RSVP HERE

2/14 Massage, Starry Eyed Cadet, Dummy (LA Indie Pop Party) @ Highland Park Bowl. 21+ RSVP HERE

2/14 Panache Valentines Day Village of Love with Mac DeMarco and more @ Telegram Ballroom. 21+ / $35-40 RSVP HERE

 2/16 The Paranoyds, Slaughterhouse, Kevin @ Alex’s Bar. 21+/$10-12 RSVP HERE

2/17 Isabella Rossellini‘s Link Link Circus @ Lodge Room. All Ages / $45-60 RSVP HERE

2/17 Tan Cologne, Secret Flowers @ Moroccan Lounge. 21+ / $7 RSVP HERE

2/18 Duderella @ The Satellite. 21+ RSVP HERE

2/19 The Ugly Sweaters (Single Release), Huntch (single release), Unlucky Sonny @ The Hi Hat. 21+ / Free RSVP HERE

2/20 The Blank Tapes @ Pappy & Harriet’s. All Ages / Free RSVP HERE

 

NEWS ROUNDUP: Hateful Policy Haters, R. Kelly Lawsuit & More

Hateful Policy Haters, Lawsuits & More

By Jasmine Williams

Spotify Walks Back

Spotify’s new ‘Hateful Content and Conduct’ Policy has a whole lot of haters. Following outcry from a number of industry heavyweights and rumors of internal conflict, Spotify has backtracked on the rule which stated that Spotify could choose to remove or refrain from promoting artist whose music promotes hate or engages in behavior that is “especially harmful or hateful.” So far, the policy’s implementation only saw the removal of R. Kelly and XXXTentacion from promotional playlists, although their content was still searchable.

Public critics of the policy, including Kendrick Lamar and Top Dawg Entertainment, accused the streaming giant of censorship, vagueness, and discrimination. R. Kelly has been accused of various forms of sexual abuse while XXXTentacion was charged with battering a pregnant woman, but neither have been convicted. In response to Spotify’s action, XXXTentacion’s manager tweeted a list of other artist who have been accused of deplorable conduct.

The controversy over the rule illustrates the music industry’s increasingly complicated relationship with the #MeToo movement. While XXXTentacion’s streaming numbers immediately decreased following Spotify’s policy, the opposite effect was had on R. Kelly who saw a rise in plays on the streaming service. Spotify has announced that they will restore XXXTentacion’s presence on promotional content but they have no plans to reinstate Kelly.

R. Kelly Gets Sued (Again)

In very related news, in New York on Monday, R.Kelly was sued by a woman for sexual battery, false imprisonment, and failure to disclose an STD. Faith A. Rodgers began a relationship after meeting the R&B hitmaker in March of 2017, when she was 19 and he was 51. In the following year, Rodgers alleges that Kelly abused her “mentally, sexually, and verbally,” and held her against her well in various places without access to food, water, or a bathroom. Her lawyer, Faith C. Hills, calls the lawsuit a standard example of R. Kelly’s alleged predatory behavior, stating, “For over 20 years, women across America have been victimized by R. Kelly, and have filed eerily similar claims.”

That New New

Pusha T dropped Daytona, his third studio album. Right before the release, he spoke with NPR’s Sidney Madden about Kanye West, rap beefs, and #MeToo. Pusha fans have waited three years for a LP from the Clipse member but it’s not just the tracks that have people talking. The album artwork has sparked a controversy. Kanye provided the creative direction for Daytona and made the last minute decision to spend $85,000 to license a photo of the late Whitney Houston’s bathroom for the cover (seen below). Houston’s family is now demanding a public apology.

Asap Rocky also released his third studio LP, Testing. Preceding the release, the rapper/style icon premiered an art performance in which he went through a series of physical challenges in front of an audience at Sotheby’s.

Maggie Rogers returned from a musical hiatus with her new Rostam-produced track, “Fallingwater.”

Viral sensation Clairo and Stones Throw signee Sudan Archives dropped respective EPs this week. Friday brought the debut album from Thunderpussy, who will celebrate by playing Sasquatch! Fest this weekend; a new Chvrches album, Love Is Dead; and two long-awaited returns: Katy Davidson released her first Dear Nora album in twelve years and George Clinton’s Parliament came out with Medical Fraud Dogg, the band’s first LP in almost forty years!

Two very long-awaited returns occurred yesterday. Katy Davidson released her first Dear Nora album in twelve years and George Clinton’s Parliament came out with Medical Fraud Dogg, the band’s first LP in almost forty years!

 

End Notes