Dayo Gold makes his return with his latest offering, The Eddie Kane Chronicles, Vol. 1. The six-track EP finds the Cincinnati rapper trying out a smooth flow with classic, old school beats – a stylistic choice that he says is a testament to his great-grandfather.
“My great-grandad’s real name is Ed Bendross,” Dayo told Audiofemme. “His nickname – one of my aunts always used to call him – was Eddie Kane, because he always stayed with a cane as he got older. The other reason she called him that was because he was just so smooth. You never saw him sweat, never saw him pressed, never saw him yelling, none of that. It was just a little trove in the family, and they’ve always said that I remind them of him.”
“So, once I got to sit down – with all of this quarantine stuff going on – I really just got to sit down with myself and I felt like a lot of those comparisons were similar,” he continued. “[This project] is almost like a reincarnation of him, but it’s still me… It’s almost like you’re getting a piece of both of us.”
While listeners can usually depend on Dayo’s music to set the roll-a-blunt-and-sip-some-wine vibe, the MC sounds especially at-ease over the EP’s nostalgic-sounding instrumentals.
“I feel like it was just my most natural sound at the end of the day; like the beats brought that out in me,” he said. “With this quarantine time, I’ve been experimenting to find out what my fans like, and I’m seeing that people are digging this vibe. So, I can be my real, natural self, and it still works.”
Most of the beats on the EP were provided by Dayo’s “right-hand man,” local beatsmith Trey Young, while “Old School” was produced by Eb & Flow.
“As far as anything that I drop, he’s always there giving me some input or advice,” Dayo said of Trey. “He’s always hands-on with my projects, and this one he definitely showed up big. He made a majority of the beats, and we just sat there and kind of went for a certain type of sound this time – and built upon that sound.”
Next up for Dayo will be The Eddie Kane Chronicles, Vol. 2, which he says he’s already gotten started on. The “Twang” rapper also plans to drop a video for “Old School” next month, following visuals for EP cuts “Caprice” and “A Wise Man Once Said,” the latter of which features Sax B.
“I think videos are the best way to get to the people right now,” he said. “I felt like I didn’t have enough visuals already – for my best songs. My problem was that I usually have samples and stuff, but that’s another reason I’m really proud of this tape; there’s no samples. We really did it from the ground-up.”
Although the current pause on live shows means he probably won’t be able to play The Eddie Kane Chronicles, Vol. 1 for an in-person audience anytime soon, Dayo says one silver lining of the pandemic has been the extra time to write and record new music.
“I feel like as artists, or really just anybody who’s a creative, this year has been a blessing in disguise,” he explained. “You can get more creative, and it’s a chance to see what works inside your home.”
“Being a creative, you just gotta stay flexible,” he added. “So, I’m not trying to rush anything. And being sensitive to the world as well, since there’s been a lot going on.”
Earlier this year, Dayo did get to participate in one of Mind The Method’s live-streamed performances. He’ll also be featured in Donuts N’ Akahol’s upcoming virtual cypher.
But for now, he’s celebrating his new EP.
“I feel like what made this project special is that I truly believe in it and I believe in the process as well,” he said. “I believe that this is a great foundation for what I’m doing and the direction – brand-wise and sound-wise. And I appreciate everybody that helped, whether it was visually, sonically and in any way. I just wanna keep going off of this and hopefully people like what’s going on.”
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