Tag: Danny Brown

PLAYING DETROIT PLAYLIST: Detroit On The Road

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Sitting on an over-packed suitcase that refuses to shut (yes, I really did need five pairs of shoes) as I compile neurotic checklists, compulsively looking at ten day forecasts and somehow I am already missing Detroit: my beloved mother-ship. I’m hitting the road and heading west to camp in the Grand Canyon and some 27-year-old debauchery in Vegas as some ill planned rite of passage in honor of my birthday. I’m going it solo, but not without bringing a little bit of Detroit along for the ride to keep me company.

Iggy Pop and The Stooges – “The Passenger”

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My mom likes to boast that my first concert was Iggy Pop. She was seven months pregnant and claims that Iggy waved to her belly (that’s me, you guys)! This, to me, is the pivotal road trip song to end all road trip songs. As a Detroit legend and my personal savior of all things badass, it only seems appropriate to bring a little bit of Iggy with me to Sin City.

Danny Brown – “Grown Up”

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Okay. So I’m already imagining me rolling out of the Hertz car rental in my 2015 Ford Focus with this song blasting. If you’re from Detroit, Danny Brown is a household name and using his lyrics as punctuation is the norm. “Growing Up” is (quite literally) fitting for this birthday adventure.

Human Eye – “I Feel Mean”

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Since moving to Detroit, nothing compares to the ferocity of seeing Detroit punk band Human Eye live. This song is ruthless, raw and unrelenting. “I Feel Mean” is unpredictable and messy in the way punk is messy, but with enough control to make it insanely catchy. Frontman Timmy Vulgar is an icon and is undoubtedly doing it right. I’m eager to let this song bounce against some desert rocks (as I think about smashing an ex boyfriend’s window…or something).

The Silent Years – “Someone to Keep Us Warm”

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I was a ripe 18-19 when I was introduced to the Silent Years. I still lived with my parents but I latched onto seeing every Silent Years show I could. They were sincere and the songs had beautifully designed rising and falling, which suited my love of cathartic build ups and bands with lots of members. They were Detroit’s answer to Arcade Fire. This song was the first I heard of theirs and it still ignites something, which seems perfectly suited for my cold canyon nights ahead.

800beloved – “Go”

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Okay. So I really love 800beloved. As a friend and fan, I couldn’t think of a better song to chain smoke in my rental car to as the desert landscape bursts through my windows while talking to myself as both passenger and driver. While adding this to my playlist I am reminded of my long history with this song and the album “Bouquet.” Seven years ago, I was still living at home and just had my heart broken. I was never one to do spontaneous things at that age and always favored the safe route. But then this album came along and challenged all of that. The song implies a listlessness and a burning desire to leave shit behind and that’s exactly what I’m doing.[/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]

LIVE REVIEW: Pitchfork Music Festival 2014

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All photos by Ellie White Photography

Pitchfork Fest 2014 came and went in a flash. Literally. Peruse our photo editorial from the weekend, courtesy of  our photo editor, Ellie White, who snagged highlights from all of our favorite shows over the three day extravaganza situated in Chicago’s beautiful Union Park. Our personal faves from the spectacularly-curated lineup this year included sets from the ever-brooding black-metal gents of Deafheaven; glam goddesses in black, the Dum Dum Girls; headliners Beck (whose set topped the best of the fest list for me, hands down without question), Neutral Milk Hotel and Kendrick Lamar (though Danny Brown–who won best hair of all time with his forest green ombre–and Earl Sweatshirt battled it out for best rap performance in our opinion); a stunning, once in a generation set from shoegaze pioneers  Slowdive (Rachel Goswell’s dress looked like sexy, glimmering armor); a wildly exuberant performance from Tune-yards –whose addition of African Dance inspired backup choreography had everyone in a frenzy; Boundary-pushing electronic music from The Haxan Cloak and Factory Floor (um, can we please hear it for that badass drummer??); Intelligent ambient down-tempo from heartthrob Jon Hopkins and a performance from the Range that could put anyone else’s obsession with and knowledge of rap jams to shame. Oh and I think everyone is officially  in love with FKA Twigs and Neneh Cherry.

Honorable mentions include Majical Cloudz, whose keyboard broke after the second song. As a result, lead singer Devon Walsh performed an array of  songs sung acapella (at one point standing up on a chair to belt out Magic, leaving the entire audience in tears), stand up comedy and audience-participation fueled beat boxing. At the end of the set, keyboardist Matthew Otto, so adobrably contrite and just adorable in general, had us all count down from 10, and then proceeded to smash the defunct synth to smithereens for all the world to see. A lifelong dream of his come true, he proclaimed.

All in all it was an amazing, sunny weekend full of cantankerous, gorgeous, feisty, live performances from some of the very best and brightest talent that exists in music today. We can’t wait  to see what the fine folks over at Pitchfork have in store for next year. In the meantime, read on and enjoy.

 

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