2016 in review – Audiofemme

In wake of what most consider one of the most turbulent years in recent memory, 2016 carried a heavy weight. From the death of idols, poets and American democracy, this year challenged our collective patience and sanity leaving no stone unturned. That being said, 2016 reared its resilient head by means of music, the ultimate rebellion. And Detroit? Well, my sweet little city on the rise broke new ground with a slew of releases that eased our troubles, cooled our fevers and incited a burning fire that not even 2016 could extinguish. Below are a few notable moments in Detroit’s music year and perhaps a telescopic view of the year to come.

Best album to cry, drive and reflect to:
Anna Ash: Floodlights

Anna Ash’s sophomore record Floodlights is, without much deliberation, my favorite album of 2016. Having spent the better part of the year collapsing and mending Ash’s innate ability to give power and strength to her raw and exposed vulnerabilities paired with the sincere Midwestern, orchestral dashboard dust makes Floodlights a strikingly honest portrayal of (my) hearts fragile design.

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Best album to start a new life on Mars to:
Zoos of Berlin: Instant Evening

Okay, so I lied. Zoos of Berlin’s masterfully produced and cosmic journey Instant Evening is in constant contention for my favorite release this year. What Instant Evening offers is a poignant and tireless orbit that explores the depths above and below without ignoring our enslavement to gravity. A dizzying leap into perceptions of time, Zoos of Berlin delivered this years soundtrack for your existential eclipse.

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Best record to drop acid and make-out with a stranger to:
Mountains and Rainbows: Particles

There is something pleasantly debaucherous about Mountains and Rainbows LP Particles. A loosely woven parade of psych-pop jams and zombie-beach-party rock that is intended for the night you’ll forget to remember. Unwashed, untamed and yet, politely tethered to a structure all their own, Mountains and Rainbows delivered a much needed dose of revelry.

Song most likely to be playing when you’re arrested for getting busy in a public restroom:
Stef Chura: “Slow Motion”

Undoubtedly one of the most anticipated releases of 2017, Stef Chura’s specialized brand of tortured kitsch kept 2016 afloat. Chura’s first single “Slow Motion” from her upcoming record Messes, is a hazily languid, hickey-necked crisis that begs to get caught (and to be kept awake by thoughts of the “what the fuck am I doing? variety.)

Artist most likely to score a foreign sci-fi film:
Humons

Eclectic and texturized dream house artist Humons busted through a few atmospheres with his debut EP Spectra. A multi-dimensional, electro-pop collision course of cosmos and other worldly feels, Humons arrangements channel the extraterrestrial and the extraordinary complete with danceable, sensuous beats that any human or alien could get down to.

Song most suited for a girl-gang rebellion/club takeover:
Bevlove: “Do What I say”

A word of warning and a call to arms, “Do What I Say” from badass hip-pop game changer Bevlove, was the girl gang anthem we all needed in 2016. Laced with tenderness but swollen with commanding and demanding pussy power, “DWIS” was the most radio-ready song out of Detroit this year, channeling the likes of RiRi and Queen Bey, our Lady Love delivered one hell of a punch (and maybe even a groin stomp or two.)

Video most likely to feature yours truly:
Gosh Pith: “Scoop”

Our beloved Josh x Josh trip-hop duo Gosh Pith were busy boys this year. They toured, recored, released and churned out several videos for their EP Gold Chain all of which embody their sexy poetry and big heart lifestyle. And yeah. Okay. This is a shameless plug of sorts but being a love interest in a music video has been a life long goal of mine (well, I think it started with Mariah Carey’s “Heartbreaker” but whatever.) So when GP (I get to call them that now that I’m on the inside) asked me to star in the video for “Scoop”, a catchy, love lorn groove about the girl that got away (and then slept with someone else at her heartbroken ex’s house party. SAVAGE!) I immediately said yes and actually brushed my hair for the occasion. Full of cameo’s by Detroit’s many intermingled squads, this video is a fun look back on the year that was as brutal as, well, a breakup but as hopeful as a new spark.

I started writing the News Roundup series roughly a year ago, on January 8th. What I thought would be a light hearted “this is what happened this week!” very quickly turned into what seemed like an endless stream of negativity; the first article premiered the week of David Bowie’s 69th birthday, the second a few days after he died. Tallying all of the deaths, the venues that are closed or closing and all of the sexism in the music industry that was brought to light in 2016 has been a little disheartening. But, some good stuff happened too. Read on as we remember the highlights of this year that is thankfully ending soon.

A lot of iconic musicians died this year, starting with David Bowie, and continuing on: Prince, Sharon Jones, Leonard Cohen, Pauline Oliveros, Alan Vega, Phife Dawg, George Martin, Glenn Frey, Merle Haggard, Frank Sinatra Jr., Maurice White, Paul Kantner, Vanity (aka Denise Katrina Matthews), Keith Emerson, Billy Paul, Jane Little (a double bassist who held the Guiness World Record for the longest serving symphony player), Guy Clark, Christina Grimmie, Ralph Stanley, Bernie Worrell, Scotty Moore, Toots Thielemans, Juan Gabriel, Leon Russell, Holly Dunn and Greg Lake.

But, a lot of iconic musicians also resurfaced with new music. This year Kim Gordon released some tracks, along with The Pixies, Le Tigre, Iggy Pop, Beyonce, The Strokes, Green Day, Radiohead, PJ Harvey, Robert Pollard, and two members of the Dirty Projectors (Also, it’s worth mentioning Bob Dylan won a Nobel Prize and Madonna was crowned Billboard’s Woman of the Year).

Everything is closed. It’s not surprising considering all it takes to run a music venue, but it seems like an unusual number shuttered this year. In the last 365 days we’ve lost Palisades, Aviv, Manhattan Inn, Grand Victory and beloved record store Other Music. Also, Rock Shop has ceased to have live music, opting for a foosball table (or something) instead, and Market Hotel was temporarily closed over a liquor license misunderstanding. Other venues, like Lower Manhattan’s Cake Shop and Elvis Guesthouse, have announced that December will be their final month of operation.
But venues continue to open: The Glove, The Footlight and Sunnyvale all opened in Brooklyn this year, and Brooklyn Bazaar returned with a new, better location. Plus, we have a new large scale venue, Brooklyn Steel, to look forward to in 2017.
The music industry is still sexist. There’s an argument to be made that you have to expose misogyny to overcome it. If you think of it that way, 2016 was a year of progress as Amber Coffman and others spoke up about publicist Heathcliff Berru’s sexual misconduct, writer Art Tavana received an avalanche of criticism for a crude article that reduced Sky Ferreira to her sex appeal, and music executive Julie Farman call out the Red Hot Chili Peppers out for being douchebags back in their heyday. I’m sure I’m missing a few things, but do we really want to revisit it all?

But we did make progress. In March, Guitar World officially announced they would cease their bikini gear guide, the cover of which typically featured a sweet guitar held by a scantily clad woman. The call to change this practice was started when a photo of Guitar World next to a She Shreds cover, which featured a fully clothed Satomi Matsuzaki of Deerhoof, made its rounds on the internet. Guitar World publisher Bill Amstutz stated “we can do a better job, as all guitar media can do. It’s a bit of a boys’ club and we are taking steps this year to change that.” This may all also be the first year that a song that focuses on consent was celebrated by the media, with sad13’s “Get A Yes.”

Obviously, a lot of other, un-categorizable stuff happened too. I’m not sure where to start, or where to end, really. A conversation was started about the importance of DIY spaces, and the struggle to keep them, after the Oakland Ghost Ship tragedy. Bono was awarded Glamour’s Woman of the Year, proving that women can even be excluded from an award specifically for them (you know what would be groundbreaking? Giving Man of the Year to a woman. C’mon, 2017!) Led Zeppelin was finally declared innocent of ripping off “Stairway To Heaven.” An amazing Twitter account that reimagines Carrie Bradshaw as a touring indie musician was born. CMJ was going to happen, then it wasn’t, then it was maybe, but it didn’t. I think at one point a new spider species was named after Johnny Cash. I’m probably forgetting a lot of things, and I’m sorry. It’s been a long year.

Tag: 2016 in review

Staff Picks – Jerilyn Jordan: The Playing Detroit Awards

Staff Picks – Emily Daly: The Best & Worst Of 2016 (News Roundup)

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