Flint Eastwood‘s “Glitches” finds its heroine in Jax Anderson, whose battle with her mother’s death gave us the album Small Victories last fall. Small Victories was a eulogy, a cry for closure, and ultimately a poetic pop anthem for anyone who has ever suffered immeasurable loss. Don’t mistake Anderson’s confessionary vulnerability for weakness; she rises up and throws emotional punches in “Glitches” like a boxer in training in preparation for the ultimate head to head: the past v. the future.
The video is simple in its content but executed with a cinematic richness that reads as an autobiographical dream, or more so peephole into the internal mechanism required to face her own mortality. The video follows Anderson as she begins training with a coach who is also training a young boy. This paralleled shared experience between the antagonist and the child is reflective of the connectivity between our inner child and our adult self, realizing that the fight within is inherently present. There are several visceral cuts to Anderson as the only passenger on a boat speeding across the water that evokes an urgency as the viewer can only assume that she is searching for the intangible.
The video gives the illusion of slow motion and embodies a discernable hesitation. This barely palatable distortion of speed feels like a personal attempt at the grieving platitude of taking one day at a time, but in “Glitches” proves to be a poignant play on sensationalized time. The climax reveals cuts of Anderson in the ring to her feverish hunt in a sun drenched church, where she confronts a television screening real home movies of her as a little girl featuring her mother as she mouths the words “Turn it Off!” to the camera man. It is the fusion of this authentic, remarkably personal moment tied to a Anderson’s semi-fictionalized characterization that tugs on our own experiences and poses the question: “how do we move on?”
Watch Jax Anderson throw some emotional punches below:
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